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Containing a title from the Silhouette Special Edition( series and a full-length novel, this sampler makes an ideal introduction to the Special Edition series. In Miller's "The Leopard's Woman, " a kidnapped woman soon finds herself sharing smoldering glances with her abductor, And in McKenna's "White Wolf, " a corporate cowboy is in desperate need of healing--and only one woman can help him. (June)
Set in Kenya in the 1950s against the fading backdrop of the British Empire, a story of self-discovery, betrayal, and an impossible love from the author of The Fever Tree. After six years in England, Rachel has returned to Kenya and the farm where she spent her childhood, but the beloved home she’d longed for is much changed. Her father’s new companion—a strange, intolerant woman—has taken over the household. The political climate in the country grows more unsettled by the day and is approaching the boiling point. And looming over them all is the threat of the Mau Mau, a secret society intent on uniting the native Kenyans and overthrowing the whites. As Rachel struggles to find her place in her home and her country, she initiates a covert relationship, one that will demand from her a gross act of betrayal. One man knows her secret, and he has made it clear how she can buy his silence. But she knows something of her own, something she has never told anyone. And her knowledge brings her power.
Wives of the Leopard explores power and culture in a pre-colonial West African state whose army of women and practice of human sacrifice earned it notoriety in the racist imagination of late nineteenth-century Europe and America. Tracing two hundred years of the history of Dahomey up to the French colonial conquest in 1894, the book follows change in two central institutions. One was the monarchy, the coalitions of men and women who seized and wielded power in the name of the king. The second was the palace, a household of several thousand wives of the king who supported and managed state functions. Looking at Dahomey against the backdrop of the Atlantic slave trade and the growth of European imperialism, Edan G. Bay reaches for a distinctly Dahomean perspective as she weaves together evidence drawn from travelers' memoirs and local oral accounts, from the religious practices of vodun, and from ethnographic studies of the twentieth century. Wives of the Leopard thoroughly integrates gender into the political analysis of state systems, effectively creating a social history of power. More broadly, it argues that women as a whole and men of the lower classes were gradually squeezed out of access to power as economic resources contracted with the decline of the slave trade in the nineteenth century. In these and other ways, the book provides an accessible portrait of Dahomey's complex and fascinating culture without exoticizing it.
In the midst of the strife of 13th-century England, Astra de Mortain frolics in a woodland pool outside the nunnery at Stafford. Immersed in a carefree moment, she is unaware of the stranger who is watching her. He is Richard Reivers, a celebrated knight in the service of King Henry III. It is he who will save Astra's honor and her life--and become her destiny.
Winner of the Sherwood Anderson Foundation Fiction Award Honorable Mention for the PEN/Hemingway Award "F. Scott Fitzgerald meets Wes Anderson" (The Village Voice) in this inventive and witty debut about a young man’s quest to become a writer and the misadventures in life and love that take him around the globe—from the author of Why We Came to the City As early as he can remember, the narrator of this remarkable novel has wanted to become a writer. From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s hopelessly unreliable—yet hopelessly earnest—narrator will be haunted by the success of his greatest friend and literary rival, the brilliant Julian McGann, and endlessly enamored with Evelyn, the green-eyed girl who got away. A profound exploration of the nature of truth and storytelling, this delightful picaresque tale heralds Jansma as a bold, new American voice.
Margot Moss, a gregarious and witty woman, lives her life with abandon. She knows exactly what she wants and isn’t afraid to pounce after it with full-throttle ferocity. Although, she can’t quite seem to get it right. When a coveted promotion falls through, Margot finds herself struggling to actualize her dreams and is forced to reconsider her so-called fabulous future. However, when one catwalk ends, another begins. A job in New York City comes knocking and Margot doesn’t hesitate to seize the opportunity, setting out on a wild adventure towards love, success, and self-discovery. Unfortunately, nothing is how she imagined it—not the company, the city, or the people. Awaiting Margot is a drama-addicted boss who may or may not be out to get her, and a whirlwind of wealthy men, scams, and scandals. Caught in a cotton candy cloud of sparkling rosé, Margot determinedly navigates her (many) dilemmas with the help of her saucy friends and a healthy dose of buzz-worthy gossip. Yet, as if that weren’t enough, Margot’s life is made even more complicated when a steamy new beau enters the picture—and even he isn’t what he seems. Overflowing with fashion and champagne bubbles, The Manhattan Mishap is a hilarious, stylish, and heartfelt novel that oozes confidence and reminds us that leopards never truly change their spots.
What does it mean to be female? Sarah Blaffer Hrdy--a sociobiologist and a feminist--believes that evolutionary biology can provide some surprising answers. Surprising to those feminists who mistakenly think that biology can only work against women. And surprising to those biologists who incorrectly believe that natural selection operates only on males. In The Woman That Never Evolved we are introduced to our nearest female relatives competitive, independent, sexually assertive primates who have every bit as much at stake in the evolutionary game as their male counterparts do. These females compete among themselves for rank and resources, but will bond together for mutual defense. They risk their lives to protect their young, yet consort with the very male who murdered their offspring when successful reproduction depends upon it. They tolerate other breeding females if food is plentiful, but chase them away when monogamy is the optimal strategy. When "promiscuity" is an advantage, female primates--like their human cousins--exhibit a sexual appetite that ensures a range of breeding partners. From case after case we are led to the conclusion that the sexually passive, noncompetitive, all-nurturing woman of prevailing myth never could have evolved within the primate order. Yet males are almost universally dominant over females in primate species, and Homo sapiens is no exception. As we see from this book, women are in some ways the most oppressed of all female primates. Sarah Blaffer Hrdy is convinced that to redress sexual inequality in human societies, we must first understand its evolutionary origins. We cannot travel back in time to meet our own remote ancestors, but we can study those surrogates we have--the other living primates. If women --and not biology--are to control their own destiny, they must understand the past and, as this book shows us, the biological legacy they have inherited.
The epic story of how primitive humans, without words or machines, set in motion civilization’s long, winding journey to the present. Thirty thousand years ago, in the heart of the African continent and in the shadow of Mount Kilimanjaro, lived the Ibandi, who for generations nurtured their ancient traditions, and met survival’ s daily struggle with quiet faith in their gods. T’Cori, an abandoned girl, and Frog Hopping, a boy possessing a gift that is also a curse, are two of the Ibandi’s chosen ones. Though they live in different encampments, Frog and T’Cori are linked through the mysterious medicine woman known as Stillshadow, who has sensed in them a destiny apart from others’. Through the years, and on their separate paths, T’Cori’s and Frog’s fates entwine as an inevitable disaster approaches from the south—from the very god they worship. For as long as there have been mountain, sky, and savannah, there has been a home for the Ibandi. Now, in the face of an enemy beyond anything spoken of even in legend, they must ask their god face-to-face: Do we remain or do we depart?
This volume presents important essays inspired by the pioneering works of three leading women anthropologists. The title may therefore be read in more than one way. The three biographical essays in this volume as well as the comprehensive bibliographies of these anthropologists' works fully confirm the high esteem in which their remarkable personalities are held to this day and offer material about them not formerly available. The book includes important discussions by distinguished social anthropologists, based on rich ethnographic data, of the many identities, personhoods, powers, and other various categorizations of women, each author handling her material and analyses in her own distinctive way. Of particular value is Shirley Ardener's perceptive introductory essay which places the volume in the wider context of some areas of major concern to social scientists, such as the construction of identities, kinship theory, and the production of knowledge itself, as well as of the particularities of women in diverse cultures.