Download Free The Leopards Spots A Romance Of The White Mans Burden 1865 To 1900 Book in PDF and EPUB Free Download. You can read online The Leopards Spots A Romance Of The White Mans Burden 1865 To 1900 and write the review.

Dixon offers an account of Reconstruction in which he portrays a Reconstruction leader (and former slave driver), Northern carpetbaggers, and emancipated slaves as the villains; Ku Klux Klan members are heroes.
Dixon offers an account of Reconstruction in which he portrays a Reconstruction leader (and former slave driver), Northern carpetbaggers, and emancipated slaves as the villains; Ku Klux Klan members are anti-heroes. While the playbills and program for The Birth of a Nation claimed The Leopard's Spots as a source in addition to The Clansman, recent scholars do not accept this.
This Is A New Release Of The Original 1908 Edition.
The reconciliation of North and South following the Civil War depended as much on cultural imagination as on the politics of Reconstruction. Drawing on a wide range of sources, Nina Silber documents the transformation from hostile sectionalism to sentimental reunion rhetoric. Northern culture created a notion of reconciliation that romanticized and feminized southern society. In tourist accounts, novels, minstrel shows, and popular magazines, northerners contributed to a mythic and nostalgic picture of the South that served to counter their anxieties regarding the breakdown of class and gender roles in Gilded Age America. Indeed, for many Yankees, the ultimate symbol of the reunion process, and one that served to reinforce Victorian values as well as northern hegemony, was the marriage of a northern man and a southern woman. Southern men also were represented as affirming traditional gender roles. As northern men wrestled with their nation's increasingly global and aggressive foreign policy, the military virtues extolled in Confederate legend became more admired than reviled. By the 1890s, concludes Silber, northern whites had accepted not only a newly resplendent image of Dixie but also a sentimentalized view of postwar reunion.
The Traitor follows the story of John Graham, a renowned lawyer serving as the Ku Klux Klan's North Carolina Grand Dragon. The story opens with the readers encountering the drunk hero contemplating revenge. After being disbarred and turned out of his family home by the corrupt Republican Judge, Graham seeks personal and legal reparations, only to find himself enchanted with the Judge's charming daughter, Stella. In a reaction to Graham's threats against him, the enraged Judge summons federal armies to round up the Klan members. When Graham recognizes that the strong "Invisible Empire" now faces danger in the form of government prosecution, he calls one final march and meeting. The fate of the Klan unfolds later in the story. It is a story of the American South set in the years after the Civil War, told from a white point of view. Dixon offers a portrait of the Ku Klux Klan, an organization that was, according to him, created in desperation to rescue southern civilization. Participating in the gothic tradition, this work contains folk legends, tales of haunted houses and secret passageways, and rumored generational madness as part of its interesting story.
During the height of 19th century imperialism, Rudyard Kipling published his poem "The white man's burden." While some of his American readers argued that the poem served as justification for imperialist practices, others saw Kipling's satirical talents at work and read it as condemnation. The author explores this tension embedded in the notion of the white man's burden to create a historical frame for understanding race and literature in America. She maintains that literature symptomized and channeled anxiety about the racial components of the U.S. world mission, while also providing a potentially powerful medium for multiethnic authors interested in redrawing global color lines. She identifies a common theme in the writings of African-, Asian- and Native-American authors who exploited anxiety about race and national identity through narratives about a multiracial U.S. empire.
'The Man in Gray' is a romance novel written by Jr. Thomas Dixon. The story begins at a ball in a Southern home in the 1800s. The Lee family is preparing for the event, with the two sons Custis and Phil and their classmates, Jeb Stuart, being the guests of honor. The ball is a way for friends, neighbors, and family to come together for an evening of joy, and the preparations are carried out by Sam, a young servant acting as butler. The scene is set with fireflies blinking, stars twinkling, and laughter of youth and beauty filling the air. Phil is introduced to many young women, and they are all kissing and calling him cousin, as is customary in Southern culture. Despite being dazzled by the attention, Phil realizes the superficiality of the situation and that it is all just part of the social norms.