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In the shadows of the Bismarcks totalitarian Germany in 1875, a little-known medical researcher laid the groundwork for a subject that in modern times was to bring American education to its knees--behavioral psychology. A latter-day disciple, B. F. Skinner, later wrote the book "Beyond Freedom and Dignity," arguing that such ancient conceptions as these are luxuries our brave new world can no longer afford. Another ardent follower--John Dewey, the "Father of American education"--took the new radical German redefinition of education to mean the reprograming of young brains and nervous systems, and applied it to his self-appointed task of creating in America the ideal socialist state. John D. Rockefeller, for purposes of his own, bankrolled what was in effect a hostile take-over of our educational establishment. "The Leipzig Connection" is a startling account of how and why these things came about. It lays out in concise detail the story of the development of the educational malaise which we have unknowingly dropped our children into, explaining not only declining SAT scores and the phenomenon of high school graduates who are barely literate, but also symptoms even more sinister: violence, prostitution and drug dealing in the schools, the self-mutilation of tattooing and body piercing, and teenage suicide.
An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room In Rachel Kushner's latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne--where she contemplates German guilt and art-world grifters, and Leipzig--where she encounters live "adult entertainment" in a business hotel. The narrator gossips about everyone, including the author. "Taking a time out from what happened to me in Cologne and in Leipzig," Kushner writes, "I want to let you in on a secret: I personally know the author of this story you're reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it's not like someone held a gun to my head and said, Be an artist. I chose it, but I still can't imagine having anything to do with the art world if you don't have to. Also, people who don't make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both." Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper's and the Paris Review.
Contents: Introduction; (1) The Libraries of Tycho Brahe & of Paul Wittich: The Misleading Attribution of the Copernican Annotations; Master Paul Wittich; Tycho's Attempts to Acquire Wittich's Library; & The Prague Tychoniana; (2) Wittich's Copernican Annotations: Reinhold's Annotations & the Liege "De revolutionibus"; The Vatican Wittich Copy; The Prague & Wroclaw Wittich Copies; & Why Annotate Four Copes of "De revolutionibus"?; (3) Reconstructing the Universe: Tycho's Early Transformations & Wittich's Visit; A Theft in the Castle?: Thycho's "Legal Brief" on the Ursus Affair, & Ursus' Account & Kepler's Interpretation; & Constructing Tycho's Cosmology. Appendix: The Vatican Annotations; & Wittich's Obituary in "Silesia Togata." Illus.
How the brutalities of working life are transformed into exhaustion, shame, and self-doubt: a writer's account of her experience working in an Amazon fulfillment center. No longer able to live on the proceeds of her freelance writing and translating income, German novelist Heike Geissler takes a seasonal job at Amazon Order Fulfillment in Leipzig. But the job, intended as a stopgap measure, quickly becomes a descent into humiliation, and Geissler soon begins to internalize the dynamics and nature of the post-capitalist labor market and precarious work. Driven to work at Amazon by financial necessity rather than journalistic ambition, Heike Geissler has nonetheless written the first and only literary account of corporate flex-time employment that offers “freedom” to workers who have become an expendable resource. Shifting between the first and the second person, Seasonal Associate is a nuanced expose of the psychic damage that is an essential working condition with mega-corporations. Geissler has written a twenty-first-century account of how the brutalities of working life are transformed into exhaustion, shame, and self-doubt.