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Researched and written with the full co-operation of the factory, here in definitive detail is the story of the SLRs that saved the Leica brand, along with the numerous lenses sold alongside them. All variations are covered, including official limited editions, allowing collectors to use the book for reference, or simply enjoy the stunning photography - mostly contemporary and original, some taken specially for the book - gathered from all over the world. Successful immediately, these SLR models ran alongside the legendary M-series to defend Leica's honour in the showrooms at a time when it looked like the Japanese had the camera market sewn up. Today, the R-series (1976-2009) is becoming more and more collectable, so this authoritative guide is timely.
The life of a female war photographer killed in action is told by three of her friends in this biographical novel by the author of Bloody Cow. Gerda Taro was a German-Jewish war photographer, anti-fascist activist, artist, and innovator who, together with her partner, the Hungarian Endre Friedmann, was one half of the alias Robert Capa, widely considered to be the twentieth century’s greatest war and political photographer. She was killed while documenting the Spanish Civil War and tragically became the first female photojournalist to be killed on a battlefield. August 1, 1937, Paris. Taro’s twenty-seventh birthday, and her funeral. Friedmann leads the procession. He is devastated, but there are others, equally bereft, with him: Ruth Cerf, Taro’s old friend from Leipzig with whom she fled to Paris; Willy Chardack, ex-lover; Georg Kuritzkes, another lover and a key figure in the International Brigades. They have all known a different Gerda, and one who is at times radically at odds with the heroic anti-fascist figure being mourned by the multitudes . . . Another character in the novel is the era itself, the 1930s, with economic depression, the rise of Nazism, hostility towards refugees in France, the century’s ideological warfare, the cultural ferment, and the ascendency of photography as the age’s quintessential art form. Winner of the Strega Prize, The Girl with the Leica is a must-read for fans of historical fiction centered on extraordinary women’s lives. “A biography, a feminist parable, a declaration of love for photography, and a tableau of the 1930s: The Girl with the Leica is all this at once.” —Il Sole 24 Ore (Italy) “Janeczek creatively and seamlessly spotlights war photographer Gerda Pohorylle.” —Publishers Weekly
Personalties around the Leica such as Ernst Leitz II, Oskar Barnack, Henri Dumur, Paul Wolff, Heinrich Stockler and Julius Behnke come to life again through Walther Benser's tales and recollections presented to us in a new light. The Leica lecture tours, started by Anton Baumann, soon became Benser's specialty with which he achieved world-wide recognition. He took his shows not only around Germany but also into neighboring countries even after he war had begun. As a result of his photographic activity he eventually became a war reporter. Then came the battle for survival, both during and after the war - and the Leica always played an important and often decisive role. Finally he resumed his lecture tours, earning great success across the continents, both for his own pictures and for the Leica. He then started his own business, which finally grew into a large color-picture agency. These are the stages in Walter Benser's life with the Leica, periods he lived through and helped to mold with every camera model, from the Leica I to the M6.
Writer and photographer Molly Mandell portrays 25 Cuban 'makers': creative craftsmen and women with a mission and a lot of passion. They share a striking and admirable do-it-yourself mentality: because Cubans didn't have access to imported goods for a long time, they learned how to make things work with whatever few products were around. This book is an ode to the resilience, the creativity and the self-reliance that have become a necessary way of life for most Cubans. It aims to capture the soul of the people of a country in times of change and transition. Therefore Made in Cuba is not only a source of inspiration for creatives, but also a personal guide to the country, offering a look inside the everyday lives of its people, at a unique moment in time. AUTHOR: Molly Mandell lived and worked in the United States when she started travelling to Cuba. On her countless trips she developed relationships with journalists and scholars but most importantly, with Cuban citizens. Molly is currently based in Copenhagen, where she works as an editor and art director at Kinfolk. SELLING POINT: * Writer and photographer Molly Mandell portrays 25 Cuban craftsmen and woman with a mission, a lot of passion, and a striking and admirable do-it-yourself mentality 120 colour images
A National Book Critics Circle Award winner and New York Times Notable Book: “intelligent, versatile . . . profound” stories of migration in America (The Washington Post Book World). Illuminating a new world of people in migration that has transformed the essence of America, these collected stories are a dazzling display of the vision of this critically-acclaimed contemporary writer. An aristocratic Filipina negotiates a new life for herself with an Atlanta investment banker. A Vietnam vet returns to Florida, a place now more foreign than the Asia of his war experience. An Indian widow tries to explain her culture’s traditions of grieving to her well-intentioned friends. And in the title story, an Iraqi Jew whose travels have ended in Queens suddenly finds himself an unwitting guerrilla in a South American jungle. Passionate, comic, violent, and tender, these stories draw us into a cultural fusion in the midst of its birth pangs, expressing a “consummated romance with the American language” (The New York Times Book Review).
The Leica M system has been with us since 1954. It rapidly became, and has remained the favorite instrument of photographers, especially photojournalists, who, like Henri Cartier-Bresson, seek to ""catch life in the act"", to record ""the decisive moment"". In this Leica M Compendium Jonathan Eastland describes the whole Leica M system from his experience as a professional photographer. He explains how to use, enjoy and get the best out of the cameras and lenses, regardless of age. The latest lenses can be used on the earliest cameras, and vice-versa, and the Visoflex, although no longer made, is now much easier to use with the M6 and its TTL metering. Advice on planning and shooting a story with the Leica and extensive tables of technical data complete this ideal companion for the practical Leica M photographer, as well as for the Leica collector and enthusiast.
This collection of sixteen short stories is set in Egg Rock, a fictional town north of Boston. They are written in approximate chronological order spanning hundreds of years and are linked not only by the setting but by the reappearance of characters, their ancestors, and descendants. Many are loosely based on local North Shore legends and historical events. Ragnhild is an adviser to Thorvald Eiriksson, son of Erik the Red and brother of Leif, on his voyages to Vinland. He describes their discovery of an idyllic almost island during Thorvalds last days. Ezra Newhall is a jack-of-all-trades who works at Egg Rocks sprawling, jerry-built hotel, called The Castle. On the eve of the Civil War the Castle owners son returns home with a secret that is about to be revealed. Priscilla, a writer seeking peace and quiet in a secluded Egg Rock cottage during World War II, gets swept up by the war in a way she could never anticipate. Mayland, a TV weatherman, and his wife barely survive a devastating fire, the work of an arsonist with a hundred-year grudge. In Forty Steps and Other Stories the reader discovers a unique place that leaves its imprint, for better or for worse, on all who call it home.
This book of stories follows LT Thomas Medici, NILO Ha Tien, through the Vietnam wars years, before and after, encompassing his work on Capitol Hill, in naval service, and his work rebuilding Cambodias legal system after the Khmer Rouge and Vietnamese occupations of that country.
A woman meets a stranger who tells her her identity is a lie. 772 or 789 children's brains rest silently in jars. A traveller comes to a quotidian city, unknowingly approaching her past. This is a bedazzling kaleidoscopic novel, stitching together fact and fiction, history and memory, words and images into a heart-breaking collage that manages to look askance at the blinding horror of history. Ranging across themes of memory, loss, inheritance and storytelling, the author borrows from every tradition of writing to weave together a fragmented narrative of love and disease, in a novel that its very format raises penetrating and unanswerable questions about history, and the processes by which we describe and remember it.