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Commonplace book containing poetry, gothic/romantic, humorous, and moral tales, music, and other extracts.
The Boy Behind the China Cabinet: a Memoir about Addiction, Hollywood, Mother Teresa and Me is the eclectic story of one man's coming to terms with himself. It is tragic, and at times hysterically funny, as the memoir recounts growing up in the Bronx in a large Catholic Italian family and living through his oldest brother's drug addiction. It is a story of self-discovery, as he leaves home to pursue an acting career in Hollywood. It is also a story of faith as he meets Mother Teresa, leaves Hollywood, and pursues the life of a missionary in one of the strictest orders of the Catholic Church. Filled with engaging stories about the Hollywood elite, Mother Teresa, struggles in the convent, and persevering in the face of adversity, this story shows how touching and sometimes shattering the journey to find yourself can be.
In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had provided him; drawn from obscure vernacular, commercial and scientific sources, all of the images were unfamiliar to the author. After 18 installments, Koestenbaum concluded his column in the winter of 2015. Notes on Glaze, featuring an introductory essay by the author, collects all the "Legend" columns, as well as their accompanying photographs. Refusing the distancing language of critical disinterest, Koestenbaum's columns always locate the author in intimate proximity to the subjects portrayed in the photographs and to the impossibly variegated cast of characters--ranging from Debbie Reynolds to Duccio, the Dalai Lama to Barbra Streisand; from Hegel to Pee-wee Herman, and Emily Dickinson to Cicciolina--that pass through these texts. Wayne Koestenbaum (born 1958), a Distinguished Professor of English at the CUNY Graduate Center, has published 17 books of poetry, criticism and fiction, including My 1980s & Other Essays (Farrar, Straus and Giroux, 2013), Blue Stranger with Mosaic Background (Turtle Point Press, 2012) and The Anatomy of Harpo Marx (University of California Press, 2012). His most recent book of poetry, The Pink Trance Notebooks, was published in 2015 by Nightboat Books.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"The Queer, the Quaint, and the Quizzical: A Cabinet for the Curious" is a collection of oddities, wonders, superstitions, and curiosities from different eras and cultures. This book presents a diverse array of topics, including unusual customs, bizarre beliefs, strange phenomena, and curious inventions. With a blend of humour, philosophy, and historical insights, this book explores the mysteries and eccentricities of human nature. It contains topics related to moon dials, sacred pins, shooting stars, or books with unpronounceable names.
Although his brief but productive career as a cabinetmaker in New York lasted a mere sixteen years, the French-born maitre ebeniste Charles-Honore Lannuier (1779-1819) was a leading figure in the development of a distinctive and highly refined style of furniture in the Late Federal period. A contemporary of the renowned master Duncan Phyfe, Lannuier, like him, made fashionable gilded card tables, marble-topped pier tables, bedsteads, and seating furniture for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia, Baltimore, Richmond, and Savannah. This volume, which complements the exhibition "Honore Lannuier, Parisian Cabinetmaker in Federal New York" held at The Metropolitan Museum of Art, New York, in spring 1998, represents the most complete study of Lannuier's life and work published to date.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.