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Rediscovered account of theg reat stupa of Bodhnath near Kathmandu.
In the spring of 2004, David Lascelles invited a group of monks from Bhutan to build a stupa in the gardens of Harewood House in Yorkshire. It was a step into the unknown for the Bhutanese. They didn’t speak any English, had never travelled outside their own culture, had never flown in an airplane or seen the ocean. Theirs was one kind of journey, but the project was also another kind of voyage for David. It was an attempt to reconcile a deep interest in Buddhism with the 250 years that his family has lived at Harewood, the country house and estate – with its links to one of the darkest chapters in Britain’s colonial past – that he has loved, rejected, tried to make sense of and been haunted by all his life. In Buddhist thought, one of the functions of a stupa is to harmonise the environment in which it is built and subdue the chaotic forces at work there. Would this stupa have a similar effect, quelling the forces of Harewood’s past and harmonising the contradictions of its present? A Hare-Marked Moon tells the story behind the extraordinary meeting of cultures that resulted in the Harewood Stupa, interspersed with accounts of David’s travels in the Himalayas which delve into the rich and turbulent history of the region, and the beliefs that have shaped it.
Includes not only architectural information, but also the cultural significance of these Buddhist monuments.
Guru devotion is a greatly misunderstood but extremely important topic in the practice of Tibetan Buddhism. In this exhaustive treatment of the subject the author explains clearly what it is, what it is not, and how to practice it --Provided by publisher.
Dzogchen (Great Perfection) goes to the heart of our experience by investigating the relationship between mind and world and uncovering the great secret of mind's luminous nature. Weaving in personal stories and everyday examples, Pema Rigtsal leads the reader to see that all phenomena are the spontaneous display of mind, a magical illusion, and yet there is something shining in the midst of experience that is naturally pure and spacious. Not recognizing this natural great perfection is the root cause of suffering and self-centered clinging. After introducing us to this liberating view, Pema Rigtsal explains how it is stabilized and sustained in effortless meditation: without modifying anything, whatever thoughts of happiness or sorrow arise simply dissolve by themselves into the spaciousness of pure presence. The book is divided into chapters on the view, meditation as the path, conduct, the attainment, and the four bardos. Each chapter consists of mini-sections that can be read as stand-alone Dharma talks. Pema Rigtsal has studied and lived with several authentic Dzogchen masters and has surprising stories to tell about their unconventional methods to introduce students to the subtle view of Dzogchen.
This book analyses the social, political and religious life of the Hyolmo people of Nepal. Highlighting patterns of change and adaptation, it addresses the Shamanic-Buddhist interface that exists in the animated landscape of the Himalayas. Opening with an analysis of the ethnic revival of Nepal, the book first considers the Himalayan religious landscape and its people. Specific attention is then given to Helambu, home of the Hyolmo people, within the framework of Tibetan Buddhism. The discussion then turns to the persisting shamanic tradition of the region and the ritual dynamics of Hyolmo culture. The book concludes by considering broader questions of Hyolmo identity in the Nepalese context, as well as reflecting on the interconnection of landscape, ritual and identity. Offering a unique insight into a fascinating Himalayan culture and its formation, this book will be of great interest to scholars of indigenous peoples and religion across religious studies, Buddhist studies, cultural anthropology and South Asian studies.
Based on the author's thesis (doctoral--Harvard University, 2012) under title: Delivering the Lotus-Born: historiography in the Tibetan Renaissance.