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a guy telling his two grand kids a story about the legend of the great one. Of the battles he faced. An in the end the truth is reviled.
After a century of longing, the instinct for survival unites a betrayed woman and a cursed man in this seductive Carpathian novel by #1 New York Times bestselling author Christine Feehan. Ivory Malinov’s only brethren are the wolves. Abandoned by her family, and cast out by everyone she held dear, Ivory has lived centuries without love. She has sustained her sanity by preparing for one purpose—to destroy her greatest enemy. Then she picks up the scent of a man. Her salvation. Her lifemate. The curse of all Carpathian women. Branded a criminal, Razvan is a dragonseeker borne of a great Carpathian lineage, only to be raised as its most despised captive enemy. Escaping from imprisonment, Razvan now seeks the dawn to end his terrible existence. Instead he has found his deliverance in Ivory, the Dark Slayer. In spirit, in flesh and blood, in love, and in war, Ivory and Razvan are made for each other. For as long as they dare to live.
She’s Marjorie Finnegan. She’s a temporal criminal. What more do you need to know? Oh, all right then: all Marj wants to do is race up and down the time-lanes, stealing every shiny-gleamy-pretty-sparkly she can lay her hands on. But her larcenous trail from the Big Bang to the Ninety-fifth Reich has drawn the beady eye of the Temporal PD, whose number one Deputy Marshall is now hard on our heroine’s tail-- and taking things extremely personally. Worse still, Marj’s worthless creep of an ex and his even scummier partner have seen an angle of their own in all this, and now intend to use her time-tech to change history for their own benefit. Marj’s only ally? A guy called Tim. And he’s just a head.
Exiled. Hated. Feared. Fate hasn't been kind to Darius, but now, it summons him. Banished by the only city that would have him, Darius now wanders the lands as an exile, hunting, searching, slaying. In one short year, his deeds have earned him his old, fearsome title...the Slayer of Gods. But the one he hunts is still to meet justice. Warlord Hadrian now rules the war-torn west of the Empire, and despite his best efforts, Darius cannot prevent the continued slaughters. The King holds the Warlord at bay for now, but only because Hadrian is focused on a new prize. He's searching for a power lost for over one and a half centuries. The King knows. And Darius will soon know. Only the Slayer can stop him. And if he fails again and Hadrian finds what he seeks, the whole Empire-like Laltos-will burn in rakkan fire.
Gathers comic books from the 1980s to tell the story of the Legion of Super-Heroes and their stuggle against the villain Darkseid and his campaign against their peaceful 30th century world, considered one of the best storylines of all.
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
The origin of a saviour in the guise of a little child is traceable to Child-Horus, who brought new life to Egypt every year as the Messu of the inundation. This was Horus in his pre-solar and pre-human characters of the fish, the shoot of the papyrus, or the branch of the endless years. In a later stage the image of Horus on his papyrus represented the young god as solar cause in creation. But in the primitive phase it was a soul of life or of food ascending from the water in vegetation, as he who climbs the stalk, ranging from Child-Horus to the Polynesian hero, and to Jack ascending heavenward by means of his bean-stalk. from The Sign Language of Astronomical Mythology It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a hidden history of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey 's massive Ancient Egypt: The Light of the World first published in 1907 and the crowning achievement of the self-taught scholar redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs. Here, Cosimo proudly presents the combined Books 5 and 6 of Ancient Egypt, in which Massey discusses the primeval, iconic representations that link the Earth and the heavens, and ties the oldest understandings of astronomy with the mythology of the creation of the universe and humanity. From the symbols and myths of water, drowning, and floods to those light and darkness, blindness and sight and many others Massey shows how that imagery plays out in the Egyptian zodiac, and in turn indelibly influenced modern religion. Peculiar and profound, this work will intrigue and delight readers of history, religion, and mythology. British author GERALD MASSEY (1828 1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories—from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite—have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.
Presents a collection of tales that focus on the the balance between the spirit world and the natural world.
The breakout character from The Suicide Squad gets his own tale of peace ahead of the upcoming HBO Max TV show! Long before joining the Suicide Squad, Christopher Smith, code name Peacemaker, meets with a psychiatrist-a woman dangerously obsessed with his bizarre and violent past. From his tragic childhood to his military service overseas to his multiple missions with Special Forces, Smith has more than his share of skeletons in the closet. But who’s actually analyzing whom? And will this trip down memory lane result in yet more fatalities? Garth Ennis and Garry Brown delve deep into Christopher Smith’s history of violence, and reveal what might bring peace-or not-to the Peacemaker.