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“If there’s only one sadhana you could do to invoke the Goddess of opulence, it would be the one of Sri Suktam,” says the bestselling author Om Swami. Emerging from the sixteen sacred verses of the Rig Veda, Sri Suktam is one of the most ancient and powerful hymns in the world. Tracing our Vedic roots, this spectacular book is replete with the mystical origins of Vedic lores and other untold stories behind each verse of Sri Suktam. Written in the masterful, inimitable style of Om Swami, he continues to reveal the secrets of sadhana. Prepare to be captivated by The Legend of the Goddess, an illuminating journey through the sublime verses of Sri Suktam, offering a historical perspective and a grand roadmap for personal and material success. “This is my most devotional and important work thus far,” says Om Swami. “Sadhana has blessed me with unlimited abundance. I pray the same for you.” hiraṇya-varṇāṃ hariṇīṃ suvarṇa-rajata-srajām | candrāṃ hiraṇ-mayīṃ lakṣmīṃ jātavedo ma āvaha || Immanent in all beings, I hum like the female bumble bee. As kundalini, I unfold myself with the brilliance of thousands of risen suns, fires and moons. On entering the last stage of (mantra) sound, I become the mother of all sounds, showering objects of enjoyment in the same way as a cow showers milk. Having praised me, addressing me as Hiranyavarna, the very wise Prajapati obtained my grace and became the narrator of the yoga religion. Like a doe I flee farther and farther from the mind of the yogin. Yogins observing their vows bind me through their own devotion.
A multi-faceted portrait of Lakshmi, Hindu goddess of wealth and prosperity. Includes translations of verses used to invoke this goddess.
"... [T]ells a wonderful story, one much loved in northern India.... fills an important lacuna in the work on oral epic." -- Lindsey Harlan Dhola is an oral epic performed primarily by lower-caste, usually illiterate, men in the Braj region of northern India. The story of Raja Nal, "a king who does not know he is a king," this vast epic portrays a world of complex social relationships involving changing and mistaken identities, goddesses, powerful women, magicians, and humans of many different castes. In this comprehensive study and first extended English translation based on multiple oral versions, Susan Snow Wadley argues that the story explores the nature of humanity while also challenging commonplace assumptions about Hinduism, gender, and caste. She examines the relationship between oral and written texts and the influence of individual performance styles alongside a lyrical translation of the work.
A beautifully realized synthesis of the ancient tradition of Advaita Vedanta and Tantra.
Divine Mother abides in Sri Chakra. This is also known as Sri Yantra and Chakra-raja. This is the most supreme amongst all the yantra-s. Uttara bhag (the chapter containing the benefits of recitation, also known as phalashruti) of Lalita Trishati elucidates Sri Chakra in a comprehensive manner. Sri Chakra is the body of Shiva and Shakti. Sri Chakra is compared to a human body and Shiva and Shakti are compared to the soul within. Sri Chakra is full of life and energy and should be worshipped with great reverence. Any god or goddess can be worshipped in Sri Chakra, as all of them have a place in it. The book has three sections. First section is titled “Journey to Sri Chakra”. This part elaborately deals with Sri Nagara the outer portion of Sri Chakra. We can enter Sri Chakra only after crossing Sri Nagara, which has several forts guarded by different gods and goddesses. Our journey to Sri Chakra begins from Sri Nagara. During this journey, we worship various gods, goddesses, sages and saints. We also come across various rivers, ponds, forests and gardens. When we have traversed through Sri Nagara, we are able to see Sri Chakra and we continue our journey towards the innermost triangle after passing through various devi-s guarding Lalitambika by remaining in various triangles of Sri Chakra. We worship them and finally proceed to the innermost triangle where we are completely purified. Inside the triangle, we are blessed to have darshan of Lalitambika. After spending sometime at Her feet She takes us to Shiva in the Bindu to get us liberated. The second section of the book deals with Navavarana Puja. Every aspect of mantras is explained in detail by quoting references form Lalita Sahasranama and other sacred Scriptures. This part of the book is a complete guide to perform navavarana puja and all the mantras with explanations and images are given. This section of the book is eloborate, as it contains mantras, images and explanations and detailed procedure for performing the Navavarana puja. Third and final section of the book is Bhavanopanishad. Bhavana means imagination or formation of a concept in the mind. Like any other Upanishad, this Upanishad also does not deal with practices. It helps us to contemplate our body with Sri Chakra. There are totally thirty seven verses (some texts call these as sutra-s). Detailed interpretations are given for all the sutras. At the end of this portion, we will be able to contemplate our body as Sri Chakra. Print edition consists of both Sanskrit and English texts. English texts are given in IAST format so that, those who are not conversant with Sanskrit can pronounce the mantras properly. Pronunciation guide is also provided. This book can be acclaimed as an encyclopaedia of Sri Chakra.
About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.
From the late nineteenth century onwards the concept of Mother India assumed political significance in colonial Bengal. Reacting against British rule, Bengali writers and artists gendered the nation in literature and visual culture in order to inspire patriotism amongst the indigenous population. This book will examine the process by which the Hindu goddess Sati rose to sudden prominence as a personification of the subcontinent and an icon of heroic self-sacrifice. According to a myth of cosmic dismemberment, Sati’s body parts were scattered across South Asia and enshrined as Shakti Pithas, or Seats of Power. These sacred sites were re-imagined as the fragmented body of the motherland in crisis that could provide the basis for an emergent territorial consciousness. The most potent sites were located in eastern India, Kalighat and Tarapith in Bengal, and Kamakhya in Assam. By examining Bengali and colonial responses to these temples and the ritual traditions associated with them, including Tantra and image worship, this book will provide the first comprehensive study of this ancient network of pilgrimage sites in an art historical and political context.
Discover how a 12,000-year-old mystical symbol holds the key to awakening your deepest inner potential and enhancing your powers of manifestation. The Sri Chakra Yantra is an ancient symbol depicting the process of creation in a powerful matrix which represents both the macrocosm (the Universe) and microcosm (the human body), thus acting as a powerful, cosmic antenna that allows you direct access to communicate with the Universe. This book equips you with information and skills necessary to harness the tremendous cosmic energies available in the Universe and channelize it to make life’s dreams come true by presenting the Sri Chakra Yantra as a tool for self-development. The author has kept in mind the sensibilities of the modern spiritual seeker and their needs and interests, presenting the information in a non-dogmatic and practical manner, thereby allowing everyone an opportunity to learn and experience the benefits of the precious Sri Chakra Yantra.