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He was the guru of Bhishma Pitamah... He was the avatar of Vishnu but a disciple of Shiva... And He shall be the martial guru of Kalki, the last Avatar in this Yuga! When the Chandravanshi emperor Arjun began expanding his empire to the entire world, the Asuras hit back with an insidious plan. Caught in the crossfire is Raam, who comes back from his penance tofind 21 arrows piercing his father's body. Raam vows to avenge his death by killing the evil Kshatriyas 21 times starting with Arjun. Thus begins The Legend of Parshuram.
He was born a Kshatriya. He became a Brahmarishi. When Satyavati, wife of Rishi Ruchik, exchanges with her mother, Queen Ratna, the magic potion for bearing a child, they change not just their children’s destiny, but also the history of mankind. Born of this mix up is Vishwamitra, the son of a Kshatriya, with the qualities of a Brahmin. The duality in his life soon begins to show as he strives to become a Brahmarishi—the ultimate, the most powerful of all Gurus. With the creation of the Gayatri Mantra he begins a tapasya that makes him second to none. He challenges the Gods and shakes the very foundation of the heavens. Vishwamitra is the powerful, riveting story of a brave but stubborn, haughty yet compassionate, visionary king of Aryavarta who not only acquires material wealth through military conquests but also becomes one of the most well-known sages of all times.
After Vishwamitra and The Legend of Parshu-Raam comes the epic saga of the king of Bharat-varsh! The kingdoms of Nabhi-varsh lie scattered in the wake of Parshu-Raam’s assault on corrupt Kshatriyas. While evil has been wiped out from the land, the important task of nation-building remains. In the forest of Naimish-Aranya, the stunned king of Hastinapur watches a young boy play with lion cubs. Who is this fearless child? How does his destiny entwine with that of this ancient kingdom? Will he be able to bring order to the land and defend it against the invaders lining up at its borders? Reimagined brilliantly, this novel tells the story of the son of Dushyant and Shakuntala, the grandson of Brahmarishi Vishwamitra, the man who changed the destiny of our country and gave it a brand new name—Bhaarat!
This book is the culmination of patient research and mature reflection of a profoundly original mind and has earned universal recognition and honour over the last few decades.
What does Consumer India look like in the third decade after liberalization, as India’s GDP approaches its third trillion? In her new book, Rama Bijapurkar, author of the best-selling We Are Like That Only, analyses the complex contours of India’s consumer economy – demand structure, supply environment, income demographics, social and cultural changes and much more – and pinpoints the existing opportunities, the unserved needs, the incorrect assumptions, the minefields of the future and the strategy imperatives needed to ride this next big wave of opportunity. For businesses and investors betting on India’s future, for policymakers and regulators shaping the new India and for all those curious about India’s progress, this is an immensely insightful and utterly realistic assessment of one of the biggest growth markets in the world.
This book is compiled with the goal of explaining the hidden history, significance, and meaning of the mantras used in common Hindu puja rituals performed by the Bengalis to the Bengali immigrants.
In How to Kill a Dragon Calvert Watkins follows the continuum of poetic formulae in Indo-European languages, from Old Hittite to medieval Irish. He uses the comparative method to reconstruct traditional poetic formulae of considerable complexity that stretch as far back as the original common language. Thus, Watkins reveals the antiquity and tenacity of the Indo-European poetic tradition. Watkins begins this study with an introduction to the field of comparative Indo-European poetics; he explores the Saussurian notions of synchrony and diachrony, and locates the various Indo-European traditions and ideologies of the spoken word. Further, his overview presents case studies on the forms of verbal art, with selected texts drawn from Indic, Iranian, Greek, Latin, Hittite, Armenian, Celtic, and Germanic languages. In the remainder of the book, Watkins examines in detail the structure of the dragon/serpent-slaying myths, which recur in various guises throughout the Indo-European poetic tradition. He finds the "signature" formula for the myth--the divine hero who slays the serpent or overcomes adversaries--occurs in the same linguistic form in a wide range of sources and over millennia, including Old and Middle Iranian holy books, Greek epic, Celtic and Germanic sagas, down to Armenian oral folk epic of the last century. Watkins argues that this formula is the vehicle for the central theme of a proto-text, and a central part of the symbolic culture of speakers of the Proto-Indo-European language: the relation of humans to their universe, the values and expectations of their society. Therefore, he further argues, poetry was a social necessity for Indo- European society, where the poet could confer on patrons what they and their culture valued above all else: "imperishable fame."
The pedigree of being a demi-god in his previous life and the scion of the foremost dynasty in the Aryavarta should have ensured a smooth life for Prince Devavrata. But, it was not to be. His upbringing by Goddess Ganga herself and training under the best Gurus of his time could not change his destiny in any way. His struggle to keep his dynasty afloat lasted his entire lifetime. Despite repeated counselling from his mother, Vedvyasa and Vidura, among many others, the feeling of having failed in his primary mission of protecting the Kuru dynasty haunted him even on his bed of arrows. Although he was revered and simultaneously feared as Bhishma, he spent his entire life in a struggle to resolve his internal as well as external turmoil. Like ordinary mortals, it seems that the extensive knowledge of scriptures gained from his guru Maharishi Vasishta did not, in any way, help him in overcoming his miseries. Bhishma would have been known only as a great warrior and someone who resolutely stood by his word, had it not been for the grace of Sri Krishna which brought forth the other facet of his personality of being a Brahmagyani. That enabled him to address all queries of Yudhishthira, lying as he was on the bed of arrows, before his departure from this world.