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"The Legend of John Wilkes Booth is a story of how collective memories and popular histories collide with, clash, and sometimes overcome mainstream accounts of the past. It offers an alternate venue for studying the workings of Civil War memory in American culture and demonstrates how (and why) culture produced at the grassroots level can challenge the official version of events."--BOOK JACKET.
Leading the reader through a series of amazing coincidences and details, this book presents startling evidence that John Wilkes Booth, the assassin of President Lincoln, was never captured but escaped to live for decades, continue his acting career, marry, and have children. Compelling and revealing information in the form of papers and diaries has recently been found in private collections—materials that provide greater insight into the events leading up to the assassination of Lincoln as well as details of the pursuit and capture of the man the government claimed was Booth.
All of the known writings of John Wilkes Booth are included in this collection. Of this wealth of material, the most important item is a previously unpublished twenty-page manuscript discovered at the Players Club in Manhattan. Written by Booth in 1860 in a form similar to Mark Antony's funeral oration in Julius Caesar, it makes clear that his hatred for Lincoln was formed early and was deeply rooted in his pro-slavery and pro-Southern ideology. Also included in the nearly seventy documents are six love letters to a seventeen-year-old Boston girl, Isabel Sumner, written during the summer of 1864, when Booth was conspiring against Lincoln; several explicit statements of Booth's political convictions; and the diary he kept during his futile twelve-day flight after the assassination. The documents show that Booth, although opinionated and impulsive, was not an isolated madman. Rather, he was a highly successful actor and ladies' man who also was a Confederate agent. Along with many others, he believed that Lincoln was a tyrant whose policies threatened civil liberties. --From publisher's description.
When John Wilkes Booth assassinated President Abraham Lincoln at Ford's Theatre, his friends were stunned--not only by the murder but by the thought that someone they knew as fantastically gifted, successful and kind-hearted could commit such a crime. Fortune's Fool, the first biography of Booth ever written, is the life story of this talented and troubling individual.
The author claims that John Wilkes Booth was not killed at the Garrett house in Virginia in 1865, but that he was living under name of John St. Helen at Glenrose Mills, Tex., 1872-1877, and committed suicide at Enid, Okla., in 1903 as David E. George.
It is a tale as familiar as our history primers: A deranged actor, John Wilkes Booth, killed Abraham Lincoln in Ford’s Theatre, escaped on foot, and eluded capture for twelve days until he met his fiery end in a Virginia tobacco barn. In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating. Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators. Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now. In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.
In the more than 140 years since his death, Abraham Lincoln has become America's most revered president. The mythmaking about this self-made man began early, some of it starting during his campaign for the presidency in 1860. As an American icon, Lincoln has been the subject of speculation and inquiry as authors and researchers have examined every aspect—personal and professional—of the president's life. In Lincoln Legends, noted historian and Lincoln expert Edward Steers Jr. carefully scrutinizes some of the most notorious tall tales and distorted ideas about America's sixteenth president. These inaccuracies and speculations about Lincoln's personal and professional life abound. Did he write his greatest speech on the back of an envelope on the way to Gettysburg? Did Lincoln appear before a congressional committee to defend his wife against charges of treason? Was he an illegitimate child? Did Lincoln have romantic encounters with women other than his wife? Did he have love affairs with men? What really happened in the weeks leading up to April 14, 1865, and in the aftermath of Lincoln's tragic assassination? Lincoln Legends evaluates the evidence on all sides of the many heated debates about the Great Emancipator. Not only does Steers weigh the merits of all relevant arguments and interpretations, but he also traces the often fascinating evolution of flawed theories about Lincoln and uncovers the motivations of the individuals—occasionally sincere but more often cynical, self-serving, and nefarious—who are responsible for their dispersal. Based on extensive primary research, the conclusions in Lincoln Legends will settle many of the enduring questions and persistent myths about Lincoln's life once and for all. Steers leaves us with a clearer image of Abraham Lincoln as a man, as an exceptionally effective president, and as a deserving recipient of the nation's admiration.
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
Features a biographical sketch of the American actor John Wilkes Booth (1838-1865). Notes that Booth shot and killed the U.S. President Abraham Lincoln on April 14, 1865.
April 26, 1865, 2:45 A.M.: Lt. Col. Everton Conger, United States Army is intently watching the man inside Richard Garrett's burning barn. He watched the man throw his weapon down and start walking to the front of the barn to surrender to the 16th New York Cavalry. A shot rang out and the unarmed man fell to the ground, mortally wounded. Lt. Luther Baker and some enlisted men entered the barn and carried the man to the veranda of Richard Garretts house. Col. Conger stayed there ten minutes emptying the mans pockets before leaving for Washington.The man had in the meantime died. The corpse was then taken to the U.S.S. Montauk, where an autopsy was performed and then the body buried in one of the old cells on the grounds of Washington's penitentiary which was now an arsenal. The bullet track and cervical vertebrae were removed at autopsy and taken to the Army Medical Museum and remain today in the National Museum of Health and Medicine. The forensic evidence from the specimen proves that Sgt. Boston Corbett could not possibly have been the shooter.