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Betrifft die Handschrift Cod. 264 der Burgerbibliothek Bern (S. XII, 132-133).
The biblical book of Job is a timeless text that relates a story of intense human suffering, abandonment, and eventual redemption. It is a tale of profound theological, philosophical, and existential significance that has captured the imaginations of auditors, exegetes, artists, religious leaders, poets, preachers, and teachers throughout the centuries. This original volume provides an introduction to the wide range of interpretations and representations of Job—both the scriptural book and its righteous protagonist—produced in the medieval Christian West. The essays gathered here treat not only exegetical and theological works such as Gregory’s Moralia and the literal commentaries of Thomas Aquinas and Nicholas of Lyra, but also poetry and works of art that have Job as their subject.
In this second of a three-volume work, Vicchio addresses the Job traditions as interpreted in the period of the Middle Ages--in Jewish, Christian and Islamic sources. From the Vulgate to the Qur'an, from Maimonides to Calvin, Vicchio addresses the complexities of the "reception history" of intriguing work. Two appendices address how Job has been treated throughout history in literature, in drama, and in medicine. Volume 1: Job in the Ancient World Volume 2: Job in the Medieval World Volume 3: Job in the Modern World
The Bible, Gender, and Reception History: The Case of Job's Wife investigates the fleeting appearance in the Bible of Job's wife and its impact on the imaginations of readers throughout history. It begins by presenting key interpretive gaps in the biblical text concerning Job and his wife, explaining the way gender studies offers guiding principles with which the author engages a reception history of their marriage. After analyzing Job and his wife within medieval Christian theology of Eden, the author identifies ways in which Job's wife visually aligns with medieval images of Satan. The volume explores portrayals of Job and his wife in publications on marriage and gender roles in the sixteenth and seventeenth centuries, moving onto an investigation of William Blake's sharp artistic divergence from the common tradition in his representation of Job's wife as a shrew. In the exploration of societal portrayals of Job and his Wife throughout history, this book discovers how arguments about marriage intertwine with not only gender roles, but also, with political, social, and historical movements.
This engaging textbook teaches students about the Middle Ages, from the fall of Rome to the Renaissance. Follow this story-based approach to world history as you meet numerous historical figures (including St. Patrick, Genghis Khan, Richard the Lionheart, Joan of Arc, and Martin Luther), visit medieval sites around the world, and trace the rise and fall of numerous empires and kingdoms. Volume 2 in this series for your junior high students includes: A conversational narrative that brings medieval history to lifeGorgeous photographs, artwork, and maps that help students visualize people, places, and eventsEducational features that dig deeper into the history of the Christian Church Throughout the course, students will see God’s guiding hand through history. They will study the major events of the Middle Ages and delve into how society and culture developed and changed. Students will also study medieval civilizations spanning the whole globe, including the Byzantines, Anglo-Saxons, Muslims, Chinese, Japanese, Mongols, Mughals, Vikings, Normans, Russians, Songhai, and Aztecs!
In this first of a three-volume work, Vicchio addresses the most ancient Hebrew text of Job in all its complexity, with particular emphasis on the problems of evil and suffering. But he follows this with the "reception history" of the text--how it was translated, read, and interpreted in other ancient works: the Septuagint, apocryphal books, early Christian writings, Talmud, Midrash, Dead Sea Scrolls, and Peshitta. Two appendices detail how Job has been treated in art and architecture and in Western music. Volume 1: Job in the Ancient World Volume 2: Job in the Medieval World Volume 3: Job in the Modern World
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
What is a person? What company do people keep with animals, plants, and things? Such questions—bearing fundamentally on the shared meaning of politics and life—animate Shakespearean drama, yet their urgency has often been obscured. Julia Reinhard Lupton gently dislodges Shakespeare’s plays from their historical confines to pursue their universal implications. From Petruchio’s animals and Kate’s laundry to Hamlet’s friends and Caliban’s childhood, Lupton restages thinking in Shakespeare as an embodied act of consent, cure, and care. Thinking with Shakespeare encourages readers to ponder matters of shared concern with the playwright by their side. Taking her cue from Hannah Arendt, Lupton reads Shakespeare for fresh insights into everything from housekeeping and animal husbandry to biopower and political theology.
Rediscover the incomparable literary richness and strength of a book that all of us live with an many of us live by. An international team of renowned scholars, assembled by two leading literary critics, offers a book-by-book guide through the Old and New Testaments as well as general essays on the Bible as a whole, providing an enticing reintroduction to a work that has shaped our language and thought for thousands of years.