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A NATIONAL BOOK AWARD FINALIST Part historical fiction, part fable, and 100 percent adventure. Thirteen-year-old Mei reimagines the myths of Paul Bunyan as starring a Chinese heroine while she works in a Sierra Nevada logging camp in 1885. Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman's daughter, and telling stories about Paul Bunyan--reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch. Anchoring herself with stories of Auntie Po, Mei navigates the difficulty and politics of lumber camp work and her growing romantic feelings for her friend Bee. The Legend of Auntie Po is about who gets to own a myth, and about immigrant families and communities holding on to rituals and traditions while staking out their own place in the United States.
As a child growing up in Malaysia, Shing Yin Khor had two very different ideas of what “America” meant. The first looked a lot like Hollywood, full of beautiful people and sunlight and freeways. The second looked more like The Grapes of Wrath - a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. Those contrasting ideas have stuck with Shing ever since, even now that she lives and works in LA. The American Dream? A Journey on Route 66 is Shing’s attempt to find what she can of both of these Americas on a solo journey (small adventure-dog included) across the entire expanse of that iconic road, beginning in Santa Monica and ending up Chicago. And what begins as a road trip ends up as something more like a pilgrimage in search of an American landscape that seems forever shifting, forever out of place.
Award-winning comics creator and author of the bestselling Invisible Emmie Terri Libenson returns with a companion graphic novel that captures the drama, angst, and humor of middle-school life. Perfect for fans of Raina Telgemeier, Jennifer Holm, and Victoria Jamieson. Middle school is all about labels. Izzy is the dreamer. There’s nothing Izzy loves more than acting in skits and making up funny stories. The downside? She can never quite focus enough to get her schoolwork done. Bri is the brain. But she wants people to see there’s more to her than just a report card full of As. At the same time, she wishes her mom would accept her the way she is and stop bugging her to “break out of her shell” and join drama club. The girls’ lives converge in unexpected ways on the day of a school talent show, which turns out to be even more dramatic than either Bri or Izzy could have imagined. Plus don't miss Terri Libenson's Invisible Emmie, Just Jaime, and Becoming Brianna!
"The Polish postwar firebrand Andrzej Bursa acquired a reputation as a quick-burning, existentially tormented rebel. . . . Yet Bursa's dark humor and deadpan satire . . . keep utter bleakness at bay."—The Independent "A revolution against the banality of everyday life."—Gazeta Krakowska A young university student named Jurek, with no particular ambitions or talents, is adrift. After his doting aunt asks him to perform a small chore, he decides to kill her for no good reason other than, perhaps, boredom. Killing Auntie follows Jurek as he seeks to dispose of the corpse—a task more difficult than one might imagine—and then falls in love with a girl he meets on a train. Can he tell her what he's done? Will that ruin everything? "I'm convinced—simply—that we are all guilty," says Jurek, and his adventures with nosy neighbors, false-toothed grandmothers, and love-making lynxes shed light on how an entire society becomes involved in the murder and disposal of dear old Auntie. This is a short comedic masterpiece combining elements of Fyodor Dostoevsky, Jean-Paul Sartre, Franz Kafka, and Joseph Heller, coming together in the end to produce an unforgettable tale of murder and—just maybe—redemption. Andrzej Bursa was born in 1934 in Krakow, Poland, and died twenty-five years later. In his brief lifetime he composed some of the most original Polish writing of the twentieth century. Killing Auntie is his only novel. His brilliant career and tragic early death established him as a cult figure among restless and disenchanted youth.
"Remember the Alamo!" That rallying cry has been a part of Texas lore for generations. But what, exactly, should we remember? Who were the ragtag group of adventurers behind the famous slogan, and how did they end up barricaded in a fort against a Mexican army? Who survived, who died, and how? This sixth book in the bestselling Hazardous Tales series tracks the Lone Star State's bloody fight for independence from the Mexican government. It features the exploits of the notorious Jim Bowie, as well as Stephen Austin, Davy Crockett, and other settlers and soldiers who made the wild frontier of Texas their home - until the bitter end. Nathan Hale's Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all - if you dare! --
RUN, the Eisner Award-Winner for Best Graphic Memoir, is one of the most heralded books of the year including being named a: New York Times Top 5 YA Books of the Year · Top 10 Great Graphic Novels for Teens (Young Adult Library Services Association) · Washington Post Best Books of the Year · Variety Best Books of the Year · School Library Journal Best Books of the Year · Kirkus Reviews Best Books of the Year · Amazon Best History Book of 2021 • Top Ten Title of the Year (In the Margins Book Award) · In the Margins Book Award for Nonfiction winner · Top Ten Graphic Novels for Adults (American Library Association) · Best Books for Young Readers (U of Penn Graduate School of Education) · Books All Young Georgians Should Read (Georgia Center for the Book) First you march, then you run. From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One. “Run recounts the lost history of what too often follows dramatic change—the pushback of those who refuse it and the resistance of those who believe change has not gone far enough. John Lewis’s story has always been a complicated narrative of bravery, loss, and redemption, and Run gives vivid, energetic voice to a chapter of transformation in his young, already extraordinary life.” –Stacey Abrams “In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John Lewis The sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign. To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.
Though recognized for their work in the mining and railroad industries, the Chinese also played a critical role in the nineteenth-century lumber trade. Sue Fawn Chung continues her acclaimed examination of the impact of Chinese immigrants on the American West by bringing to life the tensions, towns, and lumber camps of the Sierra Nevada during a boom period of economic expansion. Chinese workers labored as woodcutters and flume-herders, lumberjacks and loggers. Exploding the myth of the Chinese as a docile and cheap labor army, Chung shows Chinese laborers earned wages similar to those of non-Asians. Men working as camp cooks, among other jobs, could make even more. At the same time, she draws on archives and archaeology to reconstruct everyday existence, offering evocative portraits of camp living, small town life, personal and work relationships, and the production and technical aspects of a dangerous trade. Chung also explores how Chinese used the legal system to win property and wage rights and how economic and technological change ultimately diminished Chinese participation in the lumber industry. Eye-opening and meticulous, Chinese in the Woods rewrites an important chapter in the history of labor and the American West.
When her eccentric Auntie Claus leaves for her annual business trip, Sophie Kringle stows away in her luggage, travels with her to the North Pole, and discovers that her aunt is really Santa's sister and helper. Beautiful illustrations add warmth to a delightful storyline.
Our Auntie Rosa is the most intimate portrait yet of the great American hero—"the lady who refused to sit in the back of the bus." The family of Rosa Parks share their remembrances of the woman who was not only the mother of the civil rights movement, but a nurturing mother figure to them as well. Her brave act on a bus in Montgomery, Alabama, on December 1, 1955, was just one moment in a life lived with great humility and decency. After the deaths of Rosa Parks's husband and brother, her nieces and nephews became her only family and the closest that she would ever experience to having biological sons and daughters. In this book, they share with readers what she shared with them about her experiences growing up in a racist South, her deep dedication to truth and justice, and the personal values she held closest to her heart.
When Reiko was Takashi's age, she bound the names of demons and spirits in her Book of Friends, enslaving them to her capricious whim. Now Takashi is the owner of the book, and the creatures will do anything to get their names back. -- VIZ Media