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An intriguing study of a unique and unsettling cultural phenomenon in Victorian England. WINNER of the 2013 Katharine Briggs Award NEW LOWER PRICE This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixed cultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment. Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads, several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature. Karl Bell is Senior Lecturer in History at the University of Portsmouth.
An extensive investigation of the origins and numerous sightings of the mysterious and terrifying figure known as Spring-Heeled Jack • Shares original 19th-century newspaper accounts of Spring-Heeled Jack encounters as well as 20th and 21st-century reports • Explains his connections to Jack the Ripper and the Slender Man • Explores his origins in earlier mythical beings from folklore, his Steampunk popularity, and the theory that he may be an alien from a high-gravity planet Spring-Heeled Jack--a tall, thin, bounding figure with bat-like wings, clawed hands, wheels of fire for eyes, and breath of blue flames--first leapt to public attention in Victorian London in 1838, springing over hedges and walls, from dark lanes and dank graveyards, to frighten and sometimes physically attack women. News of this strange and terrifying character quickly spread, but despite numerous sightings through 1904 he was never captured or identified. Exploring the vast urban legend surrounding this enigmatic figure, John Matthews explains how the Victorian fascination with strange phenomena and sinister figures paired with hysterical reports enabled Spring-Heeled Jack to be conjured into existence. Sharing original 19th-century newspaper accounts of Spring-Heeled Jack sightings and encounters, he also examines recent 20th and 21st-century reports, including a 1953 UFO-related sighting from Houston, Texas, and disturbing accounts of the Slender Man, who displays notable similarities with Jack. He traces Spring-Heeled Jack’s origins to earlier mythical beings from folklore, such as fairy creatures and land spirits, and explores the theory that Jack is an alien marooned on Earth whose leaping prowess is attributed to his home planet having far stronger gravity than ours. The author reveals how Jack the Ripper, although a different and much more violent character, chose to identify himself with the old, well-established figure of Spring-Heeled Jack. Providing an extensive look at Spring-Heeled Jack from his beginnings to the present, Matthews illustrates why the worldwide Steampunk community has so thoroughly embraced Jack.
The story of Spring-Heeled Jack is a part of London folklore; the first sighting was in 1837. He is described as "a most hideous and frightful appearance, and vomited forth a quantity of blue and white flame from his mouth, and his eyes resembled red balls of fire". One report claimed that, beneath a black cloak, he wore a helmet and a tight-fitting white garment like an oilskin. Many stories also mention a "Devil-like" aspect. There are many theories about the nature and identity of Spring-heeled Jack. This urban legend was very popular in its time, due to the tales of his bizarre appearance and ability to make extraordinary leaps.
London, 1861. Sir Richard Francis Burton - explorer, linguist, scholar, and swordsman; his reputation tarnished; his career in tatters; his former partner missing and probably dead. Algernon Charles Swinburne - unsuccessful poet and follower of de Sade, for whom pain is pleasure, and brandy is ruin! Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist at all!
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Spring-Heeled Jack was a mysterious figure reported throughout the nineteenth century. He was blamed for a number of violent attacks - including murder, mainly on young women. His reign of terror started in London, and spread throughout Great Britain covering the period 1837 to 1904. One terrifying attack, on the daughter of a wealthy businessman, was the subject of a Times newspaper report in 1838. This book is based on that report. A modern link to an old mystery, a love story, set in the Welsh Mountains. Jack's bizarre appearance - huge, bulbous red eyes, pointed ears and claw-like fingers - and physical peculiarities - his ability to belch flames at random, into the face of his victims, and his ability to leap great distances - point to a creature not of this world. He has never been successfully identified...
Twenty-two bewitching stories of Irish magic and mysteryby James Joyce, Ray Bradbury, H.P. Lovecraft, Daniel DeFoe, W.B. Keats, Oscar Wilde and others.
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
*Chosen as a Book of the Year by The Times, History Today and the Sunday Telegraph* ‘Wonderfully entertaining, comprehensive and astute.’ The Times ‘Genuinely hard to put down.’ BBC History Magazine From murder to duelling, highway robbery to mugging: the darker side of English life explored. Spanning some seven centuries, A Fiery & Furious People traces the subtle shifts that have taken place both in the nature of violence and in people’s attitudes to it. How could football be regarded at one moment as a raucous pastime that should be banned, and the next as a respectable sport that should be encouraged? When did the serial killer first make an appearance? What gave rise to particular types of violent criminal - medieval outlaws, Victorian garrotters – and what made them dwindle and then vanish? Above all, Professor James Sharpe hones in on a single, fascinating question: has the country that has experienced so much turmoil naturally prone to violence or are we, in fact, becoming a gentler nation? ‘Wonderful . . . A fascinating and rare example of a beautifully crafted scholarly work.’ Times Higher Education ‘Sweeping and ambitious . . . A humane and clear-eyed guide to a series of intractable and timely questions.’ Observer ‘Deeply researched, thoughtfully considered and vividly written . . . Read it.’ History Today ‘Magisterial . . . The outlaw’s song has surely never been better rendered.’ Times Literary Supplement