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A newlywed young woman and her short story-writing husband begin married life in a home of their own. When tragedy strikes, a friend comes to their aid.
The Lees of Happinessby Francis Scott FitzgeraldThis short story was first published in the "Chicago Tribune," and first published in book form in Tales of the Jazz Age in 1922."Of this story I can say that it came to me in an irresistible form, crying to be written. It will be accused perhaps of being a mere piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity, or even, of tragedy, the fault rests not with the theme but with my handling of it.It appeared...
‘The Lees of Happiness’ is a romantic tale that will make you question what true love really is. A newlywed young woman and her author husband begin married life in a home of their own, but disease brings chaos and destruction to their happiness as their life and marriage unravel. Can their love survive the harsh realities of life? This touching, passionate tale about ordinary lives and their extraordinary love, is an American literary classic. A memorable short story of unconditional love, lifelong devotion, and human kindness, ‘The Lees of Happiness’ is the ideal read for fans of Ernest Hemingway and Raymond Carver. F. Scott Fitzgerald (1896-1940) is one of the greatest American novelists of the 20th century and the author of the classics ‘Tender is the Night’ and ‘The Great Gatsby’, with the latter having been made into a film starring Leonardo DiCaprio and Carey Mulligan. Skillfully capturing the prosperity of post-World War One America, his writing helped illustrate the 1920s Jazz Age that he and his wife Zelda Fitzgerald were at the centre of.
Evoking the Jazz-Age world that would later appear in his masterpiece, The Great Gatsby, this essential Fitzgerald collection contains some of the writer’s most famous and celebrated stories. In “The Curious Case of Benjamin Button,” an extraordinary child is born an old man, growing younger as the world ages around him. “The Diamond as Big as the Ritz,” a fable of excess and greed, shows two boarding school classmates mired in deception as they make their fortune in gemstones. And in the classic novella “May Day,” debutantes dance the night away as war veterans and socialists clash in the streets of New York. Opening the book is a playful and irreverent set of notes from the author, documenting the real-life pressures and experiences that shaped these stories, from his years at Princeton to his cravings for luxury to the May Day Riots of 1919. Taken as a whole, this collection brings to vivid life the dazzling excesses, stunning contrasts, and simmering unrest of a glittering era. Its 1922 publication furthered Fitzgerald's reputation as a master storyteller, and its legacy staked his place as the spokesman of an age.
A newlywed young woman and her short story-writing husband begin married life in a home of their own. When tragedy strikes, a friend comes to their aid
How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Lees of Happiness by Francis Scott Fitzgerald The Lees of Happiness is a story written by Francis Scott Fitzgerald, an American writer belonging to the so-called Lost Generation literary movement. In the early twentieth century, the idea that in the United States one might hope to satisfy every material desire and thereby achieve happiness came into being, (this is the so-called American Dream). In the Twenties, Fitzgerald spoke complexly to and for this modern idea of the meaning of America. However, he believed it to be deceptive, as proposing the satisfaction of all desires, equating them with material acquisitions, could only lead to dissatisfaction. The sense of disaster is, therefore, a recurrent theme in Fitzgerald's works, as most of his writing is concerned with the disintegration of the American Dream. The Lees of Happiness contains a little melodrama and sentimentality, and characters that show a depth of humanity and responsibility that is rare in Fitzgerald's works.
The Lees of Happiness by Francis Scott Fitzgerald This short story was first published in the "Chicago Tribune," and first published in book form in Tales of the Jazz Age in 1922. "Of this story I can say that it came to me in an irresistible form, crying to be written. It will be accused perhaps of being a mere piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity, or even, of tragedy, the fault rests not with the theme but with my handling of it. It appeared in the "Chicago Tribune," and later obtained, I believe, the quadruple gold laurel leaf or some such encomium from one of the anthologists who at present swarm among us. The gentleman I refer to runs as a rule to stark melodramas with a volcano or the ghost of John Paul Jones in the role of Nemesis, melodramas carefully disguised by early paragraphs in Jamesian manner which hint dark and subtle complexities to follow.
"Of this story I can say that it came to me in an irresistible form, crying to be written. It will be accused perhaps of being a mere piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity, or even, of tragedy, the fault rests not with the theme but with my handling of it.
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This short story was first published in the "Chicago Tribune," and first published in book form in Tales of the Jazz Age in 1922. "Of this story I can say that it came to me in an irresistible form, crying to be written. It will be accused perhaps of being a mere piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity, or even, of tragedy, the fault rests not with the theme but with my handling of it. It appeared in the "Chicago Tribune," and later obtained, I believe, the quadruple gold laurel leaf or some such encomium from one of the anthologists who at present swarm among us. The gentleman I refer to runs as a rule to stark melodramas with a volcano or the ghost of John Paul Jones in the role of Nemesis, melodramas carefully disguised by early paragraphs in Jamesian manner which hint dark and subtle complexities to follow. On this order: "The case of Shaw McPhee, curiously enough, had no hearing on the almost incredible attitude of Martin Sulo. This is parenthetical and, to at least three observers, whose names for the present I must conceal, it seems improbable, etc., etc., etc.," until the poor rat of fiction is at last forced out into the open and the melodrama begins."