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The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. This book provides an important reconsideration of post-emancipation assimilation, race, class, and political power.
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
With the fall of communism and the dissolution of the Soviet Union, the tsarist past has caught up with Russia's present with a vengeance. Whether in reviving the name St. Petersburg, or reestablishing tsarist state symbols, or resurrecting a national assembly under the old name of State Duma, or arguing how best to honor the remains of the last tsarist family, the old regime is still very much with us. The process of rethinking the past is not without its pitfalls: the negative evaluations of tsarist Russia, obligatory in the former Soviet Union, have given way to uncritical romanticizing. There has never been a greater need for a fair, balanced interpretation of the tsarist record.This book reexamines Russia's imperial past from the reign of Peter the Great to the collapse of tsarism in 1917. It presents pre-revolutionary Russia as an empire of great internal contradictions. A colossus that extended over one-sixth the earth's landmass, it was ever vulnerable to foreign invasion. It possessed one of the world's largest populations, the majority of whom lived in poverty and discontent. It commanded the world's richest natural resources, yet its productive forces were constricted by the remnants of feudalism. It strove to cement its multiethnic population by systematic Russification, which only stimulated nationalist movements. It gloried in being a "people's autocracy" at a time when the regime was increasingly detached from its people. The empire of the tsars was becoming ever more vulnerable until it was shattered to pieces in the turmoil of war and revolution. Using the most recent Russian and Western research, the book provides the reader with a good historical basis on which tojudge Russia's Soviet experience and her current turbulent transition to democracy.
This book traces the history of revolutionary movements in nineteenth- century Russia, ending with the great famine of 1891-92, by which time Marxism was already in the ascendant. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ò . . . a marvelous source for the social history of Russian peasant society in the years before the revolution. . . . The translation is superb.Ó ÑSteven Hoch Ò . . . one of the best ethnographic portraits that we have of the Russian village. . . . a highly readable text that is an excellent introduction to the world of the Russian peasantry.Ó ÑSamuel C. Ramer Village Life in Late Tsarist Russia provides a unique firsthand portrait of peasant family life as recorded by Olga Semyonova Tian-Shanskaia, an ethnographer and painter who spent four years at the turn of the twentieth century observing the life and customs of villagers in a central Russian province. Unusual in its awareness of the rapid changes in the Russian village in the late nineteenth century and in its concentration on the treatment of women and children, SemyonovaÕs ethnography vividly describes courting rituals, marriage and sexual practices, childbirth, infanticide, child-rearing practices, the lives of women, food and drink, work habits, and the household economy. In contrast to a tradition of rosy, romanticized descriptions of peasant communities by Russian upper-class observers, Semyonova gives an unvarnished account of the harsh living conditions and often brutal relationships within peasant families.
This companion comprises 28 essays by international scholars offering an analytical overview of the development of Russian history from the earliest Slavs through to the present day. Includes essays by both prominent and emerging scholars from Russia, Great Britain, the US, and Canada Analyzes the entire sweep of Russian history from debates over how to identify the earliest Slavs, through the Yeltsin Era, and future prospects for post-Soviet Russia Offers an extensive review of the medieval period, religion, culture, and the experiences of ordinary people Offers a balanced review of both traditional and cutting-edge topics, demonstrating the range and dynamism of the field