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Don’t miss Tess Sharpe’s new novel, 6 Times We Almost Kissed (and One Time We Did). The truth won't let her go. Sophie Winters nearly died. Twice. The first time, she's fourteen, and escapes a near-fatal car accident with scars, a bum leg, and an addiction to Oxy that'll take years to kick. The second time, she's seventeen, and it's no accident. Sophie and her best friend Mina are confronted by a masked man in the woods. Sophie survives, but Mina is not so lucky. When the cops deem Mina's murder a drug deal gone wrong, casting partial blame on Sophie, no one will believe the truth: Sophie has been clean for months, and it was Mina who led her into the woods that night for a meeting shrouded in mystery. After a forced stint in rehab, Sophie returns home to a chilly new reality. Mina's brother won't speak to her, her parents fear she'll relapse, old friends have become enemies, and Sophie has to learn how to live without her other half. To make matters worse, no one is looking in the right places and Sophie must search for Mina's murderer on her own. But with every step, Sophie comes closer to revealing all: about herself, about Mina---and about the secret they shared.
An urgent, illuminating exploration of the social nature of shame and of how it might be used to promote large-scale political change and social reform. “[Jacquet] exposes the ways shame plays into collective ideas of punishment and reward, and the social mechanisms that dictate the ways we dictate our behavior.” —The Boston Globe Examining how we can retrofit the art of shaming for the age of social media, Jennifer Jacquet shows that we can challenge corporations and even governments to change policies and behaviors that are detrimental to the environment. Urgent and illuminating, Is Shame Necessary? offers an entirely new understanding of how shame, when applied in the right way and at the right time, has the capacity to keep us from failing our planet and, ultimately, from failing ourselves.
A new vision of knights, dragons, and the fair maiden caught in between . . . Four decades of peace have done little to ease the mistrust between humans and dragons in the kingdom of Goredd. Folding themselves into human shape, dragons attend court as ambassadors, and lend their rational, mathematical minds to universities as scholars and teachers. As the treaty's anniversary draws near, however, tensions are high. Seraphina has reason to fear both sides. An unusually gifted musician, she joins the court just as a member of the royal family is murdered. While a sinister plot to destroy the peace is uncovered, Seraphina struggles to protect the secret behind her musical gift, one so terrible that its discovery could mean her very life. Seraphina's tortuous journey to self-acceptance will make a magical, indelible impression on its readers.
Medical examiner Maura Isles and Boston homicide detective Jane Rizzoli investigate when a murderer begins placing his victims in the Crispin Museum and a young archaeologist goes missing.
Award-winning Rachel Hartman's newest YA is a tour de force and an exquisite fantasy for the #metoo movement. "Tess of the Road is astonishing and perfect. It's the most compassionate book I've read since George Eliot's Middlemarch." --NPR In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons can be whomever they choose. Tess is none of these things. Tess is. . . different. She speaks out of turn, has wild ideas, and can't seem to keep out of trouble. Then Tess goes too far. What she's done is so disgraceful, she can't even allow herself to think of it. Unfortunately, the past cannot be ignored. So Tess's family decide the only path for her is a nunnery. But on the day she is to join the nuns, Tess chooses a different path for herself. She cuts her hair, pulls on her boots, and sets out on a journey. She's not running away, she's running towards something. What that something is, she doesn't know. Tess just knows that the open road is a map to somewhere else--a life where she might belong. Returning to the spellbinding world of the Southlands she created in the award-winning, New York Times bestselling novel Seraphina, Rachel Hartman explores self-reliance and redemption in this wholly original fantasy. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * BOSTON GLOBE * The Chicago Public Library * KIRKUS REVIEWS Four starred reviews! "The world building is gorgeous, the creatures are vivid and Hartman is a masterful storyteller. Pick up this novel, and savor every page." --Paste Magazine
A tiny American town's plans for radical self-government overlooked one hairy detail: no one told the bears. Once upon a time, a group of libertarians got together and hatched the Free Town Project, a plan to take over an American town and completely eliminate its government. In 2004, they set their sights on Grafton, NH, a barely populated settlement with one paved road. When they descended on Grafton, public funding for pretty much everything shrank: the fire department, the library, the schoolhouse. State and federal laws became meek suggestions, scarcely heard in the town's thick wilderness. The anything-goes atmosphere soon caught the attention of Grafton's neighbors: the bears. Freedom-loving citizens ignored hunting laws and regulations on food disposal. They built a tent city in an effort to get off the grid. The bears smelled food and opportunity. A Libertarian Walks Into a Bear is the sometimes funny, sometimes terrifying tale of what happens when a government disappears into the woods. Complete with gunplay, adventure, and backstabbing politicians, this is the ultimate story of a quintessential American experiment -- to live free or die, perhaps from a bear.
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.
A glamorous birthday dinner in the Hollywood Hills ends with the famous host dead and every guest under suspicion in The Last Guest, a dark, cinematic suspense debut reminiscent of an Agatha Christie page-turner crossed with David Lynch's Mulholland Drive. “The Last Guest is a sharp, unshrinking look at the costs of submission—to power and control, to ambition and desire, even to the wish to protect those we love by forcing memory underground.”—Paula McLain, author of The Paris Wife and When the Stars Go Dark When Elspeth Bell attends the fiftieth birthday party of her ex-husband, Richard Bryant, the Hollywood director who launched her acting career, all she wants is to pass unnoticed through the glamorous crowd in his sprawling Los Angeles mansion. Instead, there are only seven other guests—and Richard's pet octopus, Persephone, watching over them from her tank as the intimate party grows more surreal (and rowdy) by the hour. Come morning, Richard is dead—and all of the guests are suspects. In the weeks that follow, each guest comes under suspicion: the school friend, the studio producer, the actress, the actor, the new partner, the manager, the cinematographer, and even Elspeth herself. What starts out as a locked-room mystery soon reveals itself to be much more complicated, as dark stories from Richard's past surface, colliding with memories of their marriage that Elspeth vowed never to revisit. She begins to wonder not just who killed Richard, but why these eight guests were invited—and what sort of man would desire to possess a creature as mysterious and unsettling as Persephone. The Last Guest is a stylish exploration of power—the power of memory, the power of perception, the power of one person over another.
Tess Taylor's much-anticipated lyric debut is at once a sensuous reckoning with an ambiguous family history and a haunting meditation on national legacy. The Forage House explores how we make stories, and how stories--even painful ones--make us.
From New York Times bestseller Tess Gerritsen and acclaimed thriller writer Gary Braver comes a sexy murder mystery about a reckless affair and dangerous secrets. Taryn Moore is young, beautiful, and brilliant...so why would she kill herself? When Detective Frankie Loomis arrives on the scene to investigate the girl's fatal plunge from her apartment balcony, she knows in her gut there's more to the story, especially after the autopsy reveals that the college senior was pregnant. It could be reason enough for suicide--or a motive for murder. To English professor Jack Dorian, Taryn was the ultimate fantasy: intelligent, adoring, and completely off limits. But there was also a dark side to Taryn, a dangerous streak that threatened those she turned her affections to--including Jack. And now that she's dead, his problems are just beginning. After Frankie uncovers a trove of sordid secrets, it becomes clear that Jack may know the truth. He is guilty of deception, but is he capable of cold-blooded murder?