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This reprint of an 1882 publication features 52 plates of original designs by the author and other architects. Images include fireplaces, staircases, windows, parlors, libraries, and other interiors of residences, offices, and stores.
At a time in her life when she once thought a person should have been well settled in for the long haul, Sandor and her new beloved set out to being a new life together. They buy an old house on the border between the large university, which employs them both, and a small urban/student “wilderness.” Sandor’s young daughter, Hannah, divides her time between her father and her mother’s new home. Almost immediately, Sandor’s partner, Tracy, undergoes sudden heart surgery. He survives, but as they marvel at the fragility of their new life together, they discover that a developer, the Archdiocese of Portland, is planning a multi-story student apartment complex just behind their small, nascent back garden, where a small cluster of Arts and Crafts cottages stands. The development threatens the newfound haven they hope to make for themselves and Sandor’s daughter. The Late Interiors tells the story of five seasons of change and renewal in a woman’s life, braiding entries from a garden journal with lyric meditations and full-blown essays on our eternal—and contradictory—hunger for adventure and refuge. Making a life in art, finding domestic harmony in a new partnership, discovering how a neighborhood comes together to take on seemingly unbeatable developers, and learning how to move forward through hardship and fear to embrace life in its fullest are the enduring themes of this witty and beautifully crafted memoir.
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
An honest, funny, beautifully written memoir that explores the author s growing up into middle age while rediscovering love, home, gardening, and art.
A fresh look at the interiors of Renzo Mongiardino—considered one of the finest designers of the late twentieth century—that will both appeal to past devotees and introduce his work to a new generation of design enthusiasts. This book explores the sublime work of Renzo Mongiardino (1916–1998), reinforcing his place as a legend in the field. Mongiardino has a background as an acclaimed set designer for stage and film, which had an effect on his work—lush interiors with trompe l’oeil finishes, museum-quality antiques, sumptuous fabrics, and a bewitching theatricality. Clients included elite members of the worlds of fashion, art, and society: Agnelli, Rothschild, Peretti, Radziwill, and Onassis. Cabana, the au courant interiors magazine, investigates Mongiardino’s work with stunning new photography (many interiors are published here for the first time), thoughtful prose, and animated layouts. This is the most contemporary book on the creations of the modern master and will appeal to connoisseurs of beauty and interior design.
"This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--BOOK JACKET.
The author presents twenty-five summer houses by the sea.