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Why does this book that everyone knows but that few have read continue to be perennially attractive for the media? In answer to this question, this study throws a new light on the idea of frontier and on the meaning of the American Dream.
The tale of a Mohican brave's struggle to protect two English girls from an evil Huron.
Last of Mohicans veers constantly from low-brow cartoon spoof to reverent high art adaptation. It combines Sugiura's signature brand of absurd action and grotesque caricature with exquisitely rendered landscapes of the American Southwest (never mind that the story is supposed to be set in Ohio) and detailed images of Eastern Algonquian Indian and Colonial dress and weaponry.
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The Last of the Mohicans: A Narrative of 1757 is a historical novel written by James Fenimore Cooper in 1826.
The Last Mohicans, E Narrative of 1757 by Unknown This classic historical novel immerses readers in the wilderness of colonial America during the French and Indian War, following the adventures of Hawkeye and his Native American companions. Key Points: Adventure and frontier life: The Last Mohicans transports readers to the untamed wilderness of early America, presenting a thrilling narrative filled with perilous journeys, epic battles, and encounters with various Native American tribes. Exploration of cultural clashes and identities: The novel explores the conflicts and tensions between different cultural groups, particularly the Native American tribes and the European colonizers. It delves into themes of cultural identity, loyalty, and the impact of war on individuals and communities. Romanticism and the natural landscape: The Last Mohicans exemplifies the literary movement of Romanticism, celebrating the awe-inspiring beauty of the American landscape. The novel's vivid descriptions of forests, rivers, and mountains evoke a sense of wonder and reverence for nature, while also reflecting the characters' emotional journeys.
Whether re-creating an actual event or simply being set in a bygone era, films have long taken liberties with the truth. While some members of the audience can appreciate a movie without being distracted by historical inaccuracies, other viewers are more discerning. From revered classics like Gone with the Wind to recent award winners like Argo, Hollywood films often are taken to task for their loose adherence to the facts. But what obligation do filmmakers have to the truth when trying to create a two-hour piece of entertainment? In Bringing History to Life through Film: The Art of Cinematic Storytelling, Kathryn Anne Morey brings together essays that explore the controversial issue of film as a purveyor of history. Examining a range of films, including highly regarded features like The Last of the Mohicans and Pan’s Labyrinth, as well as blockbuster franchises like Pirates of the Caribbean, chapters demonstrate that the debate surrounding the role of history on film is still as raw as ever. Organized in five sections, these essays discuss the myths and realities of history as they are portrayed on film, from “Nostalgic Utopias” to “Myths and Fairy Tales.” The fourteen chapters shed light on how films both convey and distort historical realities to capture the “essence” of the past rather than the past itself. Ultimately, they consider what role cinema plays as the quintessential historical storyteller. In addition to cinema and media studies, this book will appeal to scholars of history and fans of a wide range of cinematic genres.
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
Reading the Early Republic focuses attention on the forgotten dynamism of thought in the founding era. In every case, the documents, novels, pamphlets, sermons, journals, and slave narratives of the early American nation are richer and more intricate than modern readers have perceived. Rebellion, slavery, and treason--the mingled stories of the Revolution--still haunt national thought. Robert Ferguson shows that the legacy that made the country remains the idea of what it is still trying to become. He cuts through the pervading nostalgia about national beginnings to recapture the manic-depressive tones of its first expression. He also has much to say about the reconfiguration of charity in American life, the vital role of the classical ideal in projecting an unthinkable continental republic, the first manipulations of the independent American woman, and the troubled integration of civic and commercial understandings in the original claims of prosperity as national virtue. Reading the Early Republic uses the living textual tradition against history to prove its case. The first formative writings are more than sacred artifacts. They remain the touchstones of the durable promise and the problems in republican thought