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Why do boomerangs come back? Would parachutists be able to play a game of catch while falling? Why does grilled cheese go stringy? What would happen to a pint of beer in space? Why doesn't cling film cling to metal properly? Why does the wind blow in gusts? A follow-up to the highly successful The Last Word, this new paperback brings you more questions and answers from The New Scientist's popular column. Readers of the leading science weekly are invited to write in with enquiries about everyday scientific phenomena and other readers respond. Thisnew selection of the most interesting examples covers an enormous range of subjects from everyday household products, to plants, animals, the human body, gadgets, and our environment. This is a fun, fascinating, and enlightening read for anyone who asks themselves these questions.
When Vanessa Jessup returns home from her sophomore year of college, her mother, Police Chief Brill Jessup, is stunned to see that she's pregnant by one of her professors. Brill is glad Vanessa rejected the father's abortion ultimatum, but hurt that she ignored her upbringing and angry that the professor has disappeared without a trace. But that's not all Brill's got on her plate. One of her detectives has been killed, and the attacker has threatened to come for her next. When a second cop is wounded, public criticism mounts as Brill attempts to stay alive long enough to catch the perp. And she's trying to find that deadbeat dad as Vanessa struggles to make decisions about her future. The killer seems to be everywhere and nowhere. How can a police chief and a mother do her job with her life on the line? In a show of grace under pressure, Brill will manage to have the last word, even if it kills her. Kathy Herman returns to Sophie Trace in this page-turner about God's power to heal the broken.
Sal Terranova and Camden Templeton are cousins separated by upbringing, the Atlantic Ocean, and a common language. But fate, a run of bad luck, and a dead uncle have thrown them together, and together they must save the family bookstore from financial ruin, from its own insane employees, and probably from themselves. This is the story of what happens when The Sopranos meets Fawlty Towers...in a bookstore.
If there is such a thing as reason, it has to be universal. Reason must reflect objective principles whose validity is independent of our point of view--principles that anyone with enough intelligence ought to be able to recognize as correct. But this generality of reason is what relativists and subjectivists deny in ever-increasing numbers. And such subjectivism is not just an inconsequential intellectual flourish or badge of theoretical chic. It is exploited to deflect argument and to belittle the pretensions of the arguments of others. The continuing spread of this relativistic way of thinking threatens to make public discourse increasingly difficult and to exacerbate the deep divisions of our society. In The Last Word, Thomas Nagel, one of the most influential philosophers writing in English, presents a sustained defense of reason against the attacks of subjectivism, delivering systematic rebuttals of relativistic claims with respect to language, logic, science, and ethics. He shows that the last word in disputes about the objective validity of any form of thought must lie in some unqualified thoughts about how things are--thoughts that we cannot regard from outside as mere psychological dispositions.
You may not have heard of Julian Hill, for example, but he revolutionized our lives as the inventor of nylon, and you'll learn more about him in The Last Word.
Originally published: Great Britain: Faber and Faber, 2014.
The New York Times bestseller everyone is talking about. If you could read my mind, you wouldn't be smiling. Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist. Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.
“An insightful memoir that uncovers unique stories about matters of the heart.” —Essence The inspiring New York Times bestseller from Common—the Grammy Award, Academy Award, and Golden Globe–winning musician, actor, and activist—explores how love and mindfulness can build communities and allow you to take better control of your life through actions and words. Common believes that the phrase “let love have the last word” is not just a declaration; it is a statement of purpose, a daily promise. Love is the most powerful force on the planet, and ultimately the way you love determines who you are and how you experience life. Touching on God, self-love, partners, children, family, and community, Common explores the core tenets of love to help us understand what it means to receive and, most importantly, to give love. He moves from the personal—writing about his daughter, to whom he wants to be a better father—to the universal, where he observes that our society has become fractured under issues of race and politics. He knows there’s no quick remedy for all of the hurt in the world, but love—for yourself and for others—is where the healing begins. In his first public reveal, Common also shares a deeply personal experience of childhood molestation that he is now confronting…and forgiving. Courageous, insightful, brave, and characteristically authentic, Let Love Have the Last Word shares Common’s own unique and personal stories of the people and experiences that have led to a greater understanding of love and all it has to offer. It is a powerful call to action for a new generation of open hearts and minds, one that is sure to resonate for years to come.
Poetry. Fiction. Ribitch was a surrealist, artist, poet, photographer, and storyteller. For the first time ever, his complete writings have been collected in two volumes, a project he started and his friends and family finished. This two-volume collection encompasses 50 years of his creative expression.
Meticulously researched, Joan Crawford: The Last Word deals in full with her long movie career and explores in detail her turbulent private life. Respected biographer Fred Lawrence Guiles uses newly discovered sources and recent interviews with many who knew her, and some who loved her, to establish the person behind the carefully crafted screen icon. For most of her adult life she was a Star who dedicated herself entirely to her career. But since her death her luster has been tarnished. Here, at last, is a biography that sets the record straight. In her heyday Joan Crawford was probably the most imitated woman in the world. Magazine covers featured her face, and high school and college girls copied her makeup and clothing. Born Lucille LeSuer in Kansas City, she spent her childhood on the edge of poverty. But an iron will developed in adolescence drove her to New York City and eventual work in a chorus line. Spotted by a Hollywood talent scout, she was soon on her way to the film capital. Four times married (to actors Douglas Fairbanks Jr., Franchot Tone, Philip Terry, and Pepsi-Cola executive Alfred Steele) and driven by a powerful sexuality, Joan Crawford lived her life on the razor’s edge. Yet she was a woman of great generosity who cared deeply for her four adopted children, although her ideas of discipline were colored by her own harsh upbringing. Her professional career spanned more than forty years and included such classics as Grand Hotel, Mildred Pierce, and Whatever Happened to Baby Jane? Her remarkable progression from silent films to talkies to television exemplified her ability to adapt, chameleonlike, to the ever-changing demands of the industry that in many senses invented her.