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George Washington's Mount Vernon brings together--for the first time--the details of Washington's 45-year endeavor to build and perfect Mount Vernon. In doing so it introduces us to a Washington few of his contemporaries knew, and one little noticed by historians since. Here we meet the planter/patriot who also genuinely loved building, a man passionately human in his desire to impress on his physical surroundings the stamp of his character and personal beliefs. As chief architect and planner of the countless changes made at Mount Vernon over the years, Washington began by imitating accepted models of fashionable taste, but as time passed he increasingly followed his own ideas. Hence, architecturally, as the authors show, Mount Vernon blends the orthodox and the innovative in surprising ways, just as the new American nation would. Equally interesting is the light the book sheds on the process of building at Mount Vernon, and on the people--slave and free--who did the work. Washington was a demanding master, and in their determination to preserve their own independence his workers often clashed with him. Yet, as the Dalzells argue, that experience played a vital role in shaping his hopes for the future of American society--hope that embraced in full measure the promise of the revolution in which he had led his fellow citizens. George Washington's Mount Vernon thus compellingly combines the two sides of Washington's life--the public and the private--and uses the combination to enrich our understanding of both. Gracefully written, with more than 80 photographs, maps, and engravings, the book tells a fascinating story with memorable insight.
In this revelatory and genuinely groundbreaking study, François Furstenberg sheds new light on the genesis of American identity. Immersing us in the publishing culture of the early nineteenth century, he shows us how the words of George Washington and others of his generation became America's sacred scripture and provided the foundation for a new civic culture, one whose reconciliation with slavery unleashed consequences that haunt us still. A dazzling work of scholarship from a brilliant young historian, In the Name of the Father is a major contribution to American social history.
Discusses whether or not it is possible for a democracy to include a tiny group of citizens who are vastly richer everyone else.
Explore the beauty and history of Mount Vernon—and the inquisitive, independent mind of its famous architect and landscape designer. Winner of the John Brinkerhoff Jackson Book Prize of the Foundation for Landscape Architecture On the banks of the Potomac River, Mount Vernon stands, with its iconic portico boasting breathtaking views and with a landscape to rival the great gardens of Europe, as a monument to George Washington’s artistic and creative efforts. More than one million people visit Mount Vernon each year—drawn to the stature and beauty of Washington’s family estate. Art historian Joseph Manca systematically examines Mount Vernon—its stylistic, moral, and historical dimensions—offering a complete picture of this national treasure and the man behind its enduring design. Manca brings to light a Washington deeply influenced by his wide travels in colonial America, with a broader architectural knowledge than previously suspected, and with a philosophy that informed his aesthetic sensibility. Washington believed that design choices and personal character mesh to form an ethic of virtue and fulfillment and that art is inextricably linked with moral and social concerns. Manca examines how these ideas shaped the material culture of Mount Vernon. Based on careful study of Washington’s personal diaries and correspondence and on the lively accounts of visitors to his estate, this richly illustrated book introduces a George Washington unfamiliar to many readers—an avid art collector, amateur architect, and leading landscape designer of his time.