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The Story of The Band pays tribute to the seminal group on the 50th anniversary of their first album, Music from Big Pink, and the 40th anniversary of Martin Scorsese's film The Last Waltz. This lushly illustrated volume covers everything from their collaborations with Dylan through that farewell show, and features rare and previously unpublished interviews with members of The Band and their colleagues.
Gerard Percy, the new Earl of Wanstead, dreads returning home to Thornwood, where the widow of his predecessor lives with her two children. He has unhappy memories of Christina, the widowed countess. But it is Christmas, and he decides to take a houseful of guests with him to make his return easier. For her part, Christina feels an equal dread of seeing Gerard again, ten years after she renounced him in order to marry his strict, puritanical—but seemingly safe—cousin. She is horrified when she learns about the guests and the fact that Christmas this year is to be a bright and merry occasion, for her late husband would allow no frivolity of any kind in their life. And so they meet again, these two former lovers who have bitterly resented each other for ten years—but never forgotten each other.
New York Times Bestseller • On the 40th anniversary of The Band’s legendary The Last Waltz concert, Robbie Robertson finally tells his own spellbinding story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest artists of the last half-century. Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like "The Weight," "The Night They Drove Old Dixie Down," and "Up on Cripple Creek," he and his partners in The Band fashioned a music that has endured for decades, influencing countless musicians. In this captivating memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller’s voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire “going electric” with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of the Band and the forging of their unique sound, culminating with history's most famous farewell concert, brought to life for all time in Martin Scorsese's great movie The Last Waltz. This is the story of a time and place--the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley criss-crossed the circuit of clubs and roadhouses from Texas to Toronto, when The Beatles, Hendrix, The Stones, and Warhol moved through the same streets and hotel rooms. It's the story of exciting change as the world tumbled through the '60s and early 70’s, and a generation came of age, built on music, love and freedom. Above all, it's the moving story of the profound friendship between five young men who together created a new kind of popular music. Testimony is Robbie Robertson’s story, lyrical and true, as only he could tell it.
Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese – anxious to forget their troubles – could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide.
With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films.
From the recipient of the 1997 Whiting Award. Feeling disconnected from the wildly beautiful desert that she has known intimately for twenty years, award-winning writer Ellen Meloy embarks on a search for home that is historical, scientific, and spiritual. Her "Map of the Known Universe," devised to guide her quest, reveals extraordinary details of a physical link between the atomic age and her home on Utah's San Juan River. The Map grows to include Los Alamos, the Trinity A-test site, White Sands Missile Range, and primary sources of uranium. Meloy casts her naturalist's eye on the Southwest's "geography of consequence," where she finds unusual local bestiaries, the bodies of long-buried neighbors, an underground bubble of nuclear physics in a national forest, and the rich textures of nature on her own eight acres of land. The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest is multilayered and far-reaching, yet always infused with Meloy's prodigious research, finely tuned prose, and wry humor.
“Helm lays it all bare in vivid, impassioned prose, adding an earthly, backwoods tone that makes the book read like a Southern novel, like Thomas Wolfe writing about rock ’n’ roll.” —Boston Globe “One of the most insightful and intelligent rock bios in recent memory.” —Entertainment Weekly The Band, who backed Bob Dylan when he went electric in 1965 and then turned out a half-dozen albums of beautifully crafted, image-rich songs, is now regarded as one of the most influential rock groups of the '60s. But while their music evoked a Southern mythology, only their Arkansawyer drummer, Levon Helm, was the genuine article. From the cotton fields to Woodstock, from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel’s on Fire replays the tumultuous history of our times in Levon’s own unforgettable folksy drawl. This edition is expanded with a new epilogue covering the last dozen years of Levon's life. Levon Helm (1940-2012) met Ronnie Hawkins at the age of 17 and formed what would soon become The Band. He maintained a successful career as a singer and actor until his death. Stephen Davis is the author of Hammer of the Gods: The Led Zeppelin Saga; More Room in a Broken Heart: The True Adventures of Carly Simon; Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones; Jim Morrison: Life, Death, Legend; Walk This Way: The Autobiography of Aerosmith; and others.
Winner of the 2012 Andrew Carnegie Award for Excellence in Fiction "A tour de force."—Francine Prose, New York Times Book Review "A new, unapologetic kind of adultery novel. Narrated by the proverbial other woman—Gina Moynihan, a sharp, sexy, darkly funny thirtysomething IT worker—The Forgotten Waltz charts an extramarital affair from first encounter to arranged, settled, everyday domesticity…This novel’s beauty lies in Enright’s spare, poetic, off-kilter prose—at once heartbreaking and subversively funny. It’s built of starling little surprises and one fresh sentence after another. Enright captures the heady eroticism of an extramarital affair and the incendiary egomania that accompanies secret passion: For all their utter ordinariness, Sean and Gina feel like the greatest lovers who’ve ever lived." —Elle
Collected interviews with the man who has been called the greatest living American film director