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Most human beings don’t manage to achieve fame. Roy J. Glauber did so for two different reasons. Glauber was not only a Nobel-Prize winning physicist, but also one of the last surviving scientists who worked in Los Alamos in the Theoretical Division of the Manhattan Project. He was a witness to all the events and knew all the scientists associated with the creation and launch of the first atomic bombs. This book is the product of a series of long interviews held with Roy over three years: in Benasque (Spain) in 2011, and later in Singapore and Cambridge (USA). Its pages give a first-hand account of a true protagonist, one who is independent, lucid, sagacious and committed to the truth. The authors have respectfully preserved his spirit: his voice is the one that matters. The authors asked the questions and they relay his answers. Their comments are confined to the footnotes and to brief explanatory paragraphs, added simply to provide certain relevant details. The importance of the events that Glauber describes here is indisputable, as therefore is the book itself. The events narrated in its pages will remain part of world history, perhaps for centuries or even millennia. We live today in the shadow of the decisions made at that time.
Oxford private investigator Zo� Boehm struggles with the aftereffects of her violent past as she hunts for a killer--or has she become the hunted? Zo� Boehm has harbored a distinct aversion to death ever since she shot the man intent on killing her. So when Caroline Daniels takes a deadly fall in front of a train and her lover fails to turn up at the funeral, Zo� wants nothing to do with the case. But Caroline's boss is persistent, and as Zo� attempts to unlock the secrets of a woman she's never met while in search of a man who could be anywhere, she starts to wonder if he's found her first. And if he has, will that make her the next victim, or prove to be her salvation from a paralyzing fear?
An investigative journalist is in the middle of a publicity tour for his new book when a voice from the past phones him. Someone is killing happily married couples, looking for the right combination of age and attitude, the right sort of family ties. That someone might be the journalist's brother.
A California congressman is impaled on an escalator in a London tube station and a big-shot real estate agent is poisoned on a Disneyland ride. Unusual sword-like murder weapons, public settings, and expert execution connect these two brutal homicides. Worlds apart from the sloppy street crime he usually deals with, LAPD lieutenant Frank White can't help admiring the killer's precision and perfect planning. But with no witnesses and little evidence, how can he solve this far from ordinary case? With help from his best friend, private investigator Jack Grant, he uncovers a sordid connection between the victims and a heinous crime never brought to light. The division between right and wrong is blurred in this twisting tale of vengence and deadly justice.
A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due. There’s no shortage of books about public speaking or language or song. But until now, there has been no book about the miracle that underlies them all—the human voice itself. And there are few writers who could take on this surprisingly vast topic with more artistry and expertise than John Colapinto. Beginning with the novel—and compelling—argument that our ability to speak is what made us the planet’s dominant species, he guides us from the voice’s beginnings in lungfish millions of years ago to its culmination in the talent of Pavoratti, Martin Luther King Jr., and Beyoncé—and each of us, every day. Along the way, he shows us why the voice is the most efficient, effective means of communication ever devised: it works in all directions, in all weathers, even in the dark, and it can be calibrated to reach one other person or thousands. He reveals why speech is the single most complex and intricate activity humans can perform. He travels up the Amazon to meet the Piraha, a reclusive tribe whose singular language, more musical than any other, can help us hear how melodic principles underpin every word we utter. He heads up to Harvard to see how professional voices are helped and healed, and he ventures out on the campaign trail to see how demagogues wield their voices as weapons. As far-reaching as this book is, much of the delight of reading it lies in how intimate it feels. Everything Colapinto tells us can be tested by our own lungs and mouths and ears and brains. He shows us that, for those who pay attention, the voice is an eloquent means of communicating not only what the speaker means, but also their mood, sexual preference, age, income, even psychological and physical illness. It overstates the case only slightly to say that anyone who talks, or sings, or listens will find a rich trove of thrills in This Is the Voice.
For God expressed His love for the world in this way: He gave His only Son so that whoever believes in Him will not face everlasting destruction, but will have everlasting life (John 3:16). THE GOSPEL OF JOHN is the Bible’s most beautiful portrait of true love. Where other Gospel writers prove the validity of Jesus’ claims through His lineage and fulfilled prophecy, John calls us to see the embodiment of love. When you enter into this magnificent story, you will find that His love is irrefutable proof that Jesus is the King who came to free all people. Chris Seay has beautifully retold the Gospel of John with fascinating first-person commentary from John’s perspective, revealing the voice of God as clearly as it was heard in John’s own time. Chris Seay is a pastor, internationally acclaimed speaker, and president of Ecclesia Bible Society. He is the author of several books including The Gospel According to Tony Soprano, The Gospel Reloaded (with Greg Garrett), Faith of My Fathers, and The Last Eyewitness: The Final Week. Features Include: Text Size point 9.5 Thomas Nelson Bibles is giving back through the God’s Word in Action program. Donating a portion of profits to World Vision, we are helping to eradicate poverty and preventable deaths among children. Learn more and discover what you can do at www.seegodswordinaction.com.
#1 New York Times bestselling author Dean Koontz gives a new meaning to “blood brothers” in this chilling novel of friendship gone awry... No one could understand why Colin and Roy were best friends. Colin was so shy; Roy was so popular. Colin was nervous around girls; Roy was a ladies’ man. Colin was fascinated by Roy—and Roy was fascinated by death. Then one day Roy asked his timid friend: “You ever killed anything?” And from that moment on, the two were bound together in a game too terrifying to imagine...and too irresistible to stop.
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.
Titled for the influential singer left almost voiceless by a terrible syndrome, the poems bring sweet melodies and rhythms as the voices blend and become multitudinous. There’s an honoring of not only survival, but of persistence, as this part research-based, pensive collection contemplates what it takes to move forward when the unimaginable holds you back.
The Voice in the Night, a short story by William Hope Hodgson, has been adapted by the cinema a number of times, most prominently in the 1963 Japanese film “Matango”. It also appeared in Alfred Hitchcock's paperback anthology “Alfred Hitchcock Presents: Stories They Wouldn't Let Me Do on TV”. William Hope Hodgson (1877 – 1918) was an English author that produced essays and novels, that mixes horror, fantastic fiction and science fiction. Hodgson used his experiences at sea to his short stories, many of which are set on the ocean. Hodgson’s single most famous story is probably The Voice in the Night”, where a fisherman’s aboard a ship in the North Pacific, on night watch in a fog-bank, hears a voice call out from the sea. The voice asks for food, but it insists it can come no closer, that it fears the light, and that God is merciful. In payment for the food it tells a frightening tale… The Voice in the Night integrates the collection “Classics of World Literature”, developed by Atlântico Press, a publisher company present in the global editorial market, since 1992.