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Detective Segeant Seth Mornay and his partner, Constable Claire Gillespie, may be in over their heads when they investigate the stabbing murder of a woman whose body is found in an old graveyard and whose killing may be linked to an unsolved case from the past.
In her acclaimed mystery debut, M.G. Kincaid introduced the complex Scottish detective Seth Mornay. Now Mornay must solve a murder while caught between the spotlight of unwanted fame and the shadowy past he'd hoped to leave behind. After the events of The Last Victim in Glen Ross, the image-conscious authorities have branded CID Sergeant Mornay a hero -- a label he would rather shun. But when Mornay is assigned the high-profile case of a young boy's disappearance, his best efforts fail: the murdered boy's body is found not far from his home. While wading through a list of evasive suspects, Mornay's own life threatens to come undone when his long-estranged father becomes a prime suspect in a heroin smuggling case -- a situation made worse by the unwelcome return of a bitter adversary to the Grampian Police department. Now, with both his career and his father's life on the block, Mornay must overcome all obstacles -- both professional and personal -- in the hunt for a child killer....
Finding the right agent can be a bewildering, frustrating and byzantine process for beginners and experienced writers alike. How do you tell a good agent from a bad agent? What's the best way to approach an agent? What exactly does an agent do? In The Agents Directory, editor-turned-agent Rachel Vater answers these questions and more. Unlike guides that have readers sifting through page after page of listings of agencies that aren't accepting new writers, won't read manuscripts, or will charge money up-front, The Agents Directory offers an exclusive guide to the best literary and script agents looking for new clients. Each listing provides detailed, up-to-date information about the type of work each agent accepts, clients he or she represents, recent sales, contact information, and the best way to submit work. Detailed instructions for writing a query letter, complete with sample queries, help readers make a great impression on an agent. A bonus directory to writing conferences across the US and Canada provides networking opportunities with other writers, agents, and editors. The Agents Directory also includes an extensive list of writer’s organizations — invaluable resources to support a commitment to writing.
Kevin Kerney investigates the apparent murder of an unidentified woman whose bones he had found on a ranch he had just inherited.
The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.
New edition of Modern American Drama completes the survey and comes up to 2000.
Gun buff, movie critic and bestselling author of Dirty White Boys, Stephen Hunter takes aim at 13 years of violence on the big screen, hitting the highlights and the lowlifes, the thrills, the chills, and the kills, with deadly precision, explosive prose and devastating good humor.
A society addicted to outrage is in trouble. It's a seductive yet toxic drug that kills reason, nuance, and kindness. Dana Loesch has been the target of as much outrage as anyone. And as she forthrightly acknowledges here, she has dished it out as well. As passionately attached to faith and freedom as ever, she warns that our addiction to outrage has debased our politics and reduced us to a vicious tribalism. The antidote to outrage is grace—a generous and forgiving spirit that tolerates those with whom one disagrees and offers redemption to the offender. But grace is hard even under the best conditions, and leftist rage mobs have stoked the fires of anger so assiduously—with help from some of their foes on the right—that grace is almost impossible. Fortunately, as Dana reminds us, grace comes from God, who specializes in the impossible. In Grace Canceled, Dana Loesch explains: • How America got cut up into competing tribes • Why a society without grace falls for socialism • Why outrage makes us dumb • How violence became an acceptable political tactic on the left • When anger is called for and when it's just self-indulgence • The three golden rules of a happy warrior Make no mistake: our freedom, our faith, our very way of life are under attack. The stakes are incredibly high, and Dana doesn't pretend they aren't. But the social justice warriors are already slaves of outrage, and if the rest of us become slaves as well, then no one wins.
This lavishly illustrated book lovingly documents 100 years in the life of the Grand Theatre of London, Ontario, which opened in 1901.