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I found no one to accompany me, and was determined to do; so I trusted to fate, and went alone. In 1797 in Vienna, Ida Pfeiffer was born into a world that should have been too small for her dreams. The daughter of an Austrian merchant, she made clear from an early age that she would not be bound by convention, dressing in boys' clothing and playing sports. After her tutor introduced her to stories of faraway lands, she became determined to see the world first-hand. This determination led to a lifetime of travel--much of it alone--and made her one of the most famous women of the nineteenth century. Pfeiffer faced many obstacles, not least expectations of her gender. She was a typical nineteenth century housewife with a husband and two sons. She was not wealthy nor well connected. Yet after the death of her husband, and once her sons were grown and settled, at the age of forty-one she set off on her first journey, not telling anyone the true extent of her travel plans. Between that trip and her death in 1858, she would barely pause for breath, circling the globe twice--the first woman to do so--and publishing numerous popular books about her travels. Usually traveling solo, Pfeiffer faced storms at sea, trackless deserts, plague, malaria, earthquakes, robbers, murderers, and other risks. In Wanderlust, John Van Wyhe tells Pfeiffer's story, with generous excerpts from her published accounts, tell of her involvement with spies, international intrigue, and more. The result is a compelling portrait of the remarkable life of a pioneer unjustly forgotten.
Ida Laura Pfeiffer (nee Reyer, 1797-1858) was an Austrian explorer, travel writer, and ethnographer. She was one of the first female travellers, whose bestselling journals were translated into 7 languages. She journeyed an estimated 32,000 kilometers by land and 240,000 by sea through Southeast Asia, the Americas, Middle East, and Africa, including two trips around the world from 1846-55. She was a member of geographical societies of both Berlin and Paris, but was denied membership by the Royal Geographical Society in London as it forbade the election of women before 1913. She died in 1858, having contracted a recurring fever in Mauritius, and this journal of her final voyage was published posthumously in 1861, edited and with a biographical memoir by her son, Oscar. Includes a portrait of Ida Pfeiffer.
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These memoirs of a woman's journey around the world provide insight into the cultures of countries in Europe, Asia, and the America's.
Excerpt from The Last Travels of Ida Pfeiffer: Inclusive of a Visit to Madagascar, With a Biographical Memoir of the Author It was at Buenos Ayres that I received the intelligence of the death of my beloved mother. Shortly before her decease she had expressed the wish that I should arrange and prepare for publication the papers she left concerning her last voyage to Madagascar. The dangerous illness which befell her in the Mauritius immediately after she had left Madagascar, and which, in spite of the most careful medical attention, and the kindest nursing on the part of her friends, proved fatal, prevented her from doing this herself. When, after a few months, I returned from Buenos Ayres to Rio de Janeiro, I found my mother's papers waiting for me there; but the loss was too recent, and my grief too violent, to allow me to read them then, much less to peruse them with the care and attention which must necessarily precede their publication. At length I made up my mind to the task. I was obliged to go through it, for it was my mother's last wish. Filial duty induced me to leave my dear mother's journal as little altered as possible. In thus giving this last work of my mother to the world, I trust that our kind readers will receive it with the indulgence they have so frequently extended to the other works of the late enterprising traveler. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.