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This insightful examination of the history and extinction of one of Australia's most enduring folkloric beasts--the thylacine, (or Tasmanian tiger)-- challenges conventional theories. It argues that rural politicians, ineffective political action by scientists, and a deeper intellectual prejudice about the inferiority of marsupials actually resulted in the extinction of this once proud species. Hb ISBN (2000):0-521-78219-8
This arresting and beautiful picture book from Margaret Wild and Ron Brooks is a shimmering encounter with the Tasmanian tiger, a lament for a lost species, and a compelling evocation of the place of animals in Nature.
Once reviled, feared and slaughtered by government decree, the myth of the Tasmanian Tiger continues to grow. This book explores the tale of the animal which has become the centrepiece in an ecological tragedy.
A publication to accompany an exhibition of the same name that is yo be held at the Queen Victoria Museum and Art Gallery, starting May 2014.
Does the Tasmanian Tiger still roam the island state, parts of the Australian mainland, and the northern land mass of Irian Jaya-Papua New Guinea? Despite being hunted to extinction in the early part of the 20th century, the Tasmanian Tiger continues to stalk the imaginations of people the world over. What's more, hundreds of reports of the striped dog-like marsupial with the fearsome gaping jaw are made each year in Australia. In The Tasmanian Tiger: Extinct or Extant?, biologists, geneticists, naturalists, and academics explore the evidence for and against the continuing existence of Thylacinus cynocephalus.
I am the last of my kind. This I know. Once, we roamed the land. We owned the land. We called it Home. But strange creatures came to take it from us... My story matters. I am the last living female Tasmanian Tiger. Stripes in the Forest by award-winning author, Aleesah Darlison, is the story of an iconic species ......
Rosie never liked Elias Churchill, and she liked him even less when he trapped the last tiger-wolf ever to be seen. Churchill didn t kill the tiger-wolf for its bounty he bundled it into a cage, scratched and bloody, and sent it by train to some unknown place. It was moaning and sad. It liked its freedom, Rosie could tell, just as much as her father had, before he died in the bush after being trapped under a log for three days. Then Rosie and her mother had to move to Hobart to work, but it was the Depression and it was hard, especially if you re from the country. Thylacine was the proper name for a tiger-wolf, according to Alison Reid, the lady at Hobart Zoo whose father had died too. She said that this one may be the last in existence. It was Rosie s thylacine! The very one she saw that day on the train. But on September 7, 1936, it died. Was Rosie that last person to see the thylacine alive and free in the wild? Could she have done anything to save it being captured, saving all thylacines from extinction? The first book in the Extinct Series, I SAW NOTHING - EXTINCTION OF THE THYLACINE introduces a wonderful sense of intrigue and dilemma that the following two stories will explore with classic Crew style and authenticity. The subdued illustrations capture the rough, bushy characters.
Packing an off-kilter sense of humor and keen scientific minds, authors Margaret Mittelbach and Michael Crewdson take off with renowned artist Alexis Rockman on a postmodern safari. Their mission? Tracking down the elusive Tasmanian tiger. This mysterious, striped predator was once the world’s largest carnivorous marsupial. It had a pouch like a kangaroo and a jaw that opened impossibly wide to reveal terrifying choppers. Tragically, this rare and powerful animal was hunted into extinction in the early part of the twentieth century. Or was it? Journeying first to the Australian mainland and then south to the wild island of Tasmania, these young naturalists brave a series of bizarre misadventures and uproarious wildlife encounters in their obsessive search for the long-lost beast. From an ancient cave featuring an aboriginal painting of the tiger to a lab in Sydney where maverick scientists are trying to resurrect the animal through cloning, this intrepid trio comes face-to-face with blood-sucking land leeches and venomous bull ants, a misbehaving wallaby who invades their motel room, and a crew of flesh-eating, bone-crunching Tasmanian devils gorging on roadkill. They bond with trappers, bushwackers, and wildlife experts who refuse to abandon the tiger hunt, despite the paucity of evidence. Sifting through local myths, bar-room banter, and historical accounts, these environmental detectives sweep readers into a world where platypus’ swim, kangaroos roam, and a large predator with a pouch was–or perhaps still is–queen of the jungle. Filled with Alexis Rockman’s stunning drawings of flora and fauna–-made from soil, wombat scat, and the artist’s own blood–Carnivorous Nights is a hip and hilarious account of an unhinged safari, as well as a fascinating portrayal of a wildly unique part of the world.
The hunter arrives in an isolated community in the Tasmanian wilderness with a single purpose in mind: to find the last thylacine, the tiger of fable, fear and legend. The man is in the employ of the mysterious 'Company', but his sinister purpose is never revealed and as his relationship with a grieving mother and her two children becomes more ambiguous, the hunt becomes his own. Leigh's Tasmania is a place where the wilderness can still claim lives; where the connection between people and the land is at best uneasy and cannot be trusted. In prose of exceptional clarity and elegance, Julia Leigh creates an unforgettable picture of a man obsessed by an almost mythical animal in a damp dangerous landscape. The Hunter is the work of a compelling storyteller and a truly remarkable literary stylist.