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A retelling of the African-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies describes the origins of Uncle Remus, the tricks of Brer Fox, and their encounters with Mr. Man. Reprint.
With his boisterous friends and rowdy enemies, Brer Rabbit is on the road to adventure. He gets a job and figures out how to get paid--twice a day! Times may change, but Brer Rabbit is forever! 32 illustrations, 8 in full color.
A collection of 60 stories taken from seven of the Uncle Remus books.
Drafts, autograph manuscript, corrected, of the introduction and chapters 37 and 39 through 71.
Uncle Remus Stories (1906) by Joel Chandler Harris (1845-1908), with illustratrions. Uncle Remus is a collection of animal stories, songs, and oral folklore, collected from Southern United States African-Americans. Many of the stories are didactic, much like those of Aesop's Fables and the stories of Jean de La Fontaine. Uncle Remus is a kindly old former slave who serves as a storytelling device, passing on the folktales to children gathered around him. Br'er Rabbit ("Brother Rabbit") is the main character of the stories, a likable character, prone to tricks and trouble-making who is often opposed by Br'er Fox and Br'er Bear. In one tale, Br'er Fox constructs a lump of tar and puts clothing on it. When Br'er Rabbit comes along he addresses the "tar baby" amiably, but receives no response. Br'er Rabbit becomes offended by what he perceives as Tar Baby's lack of manners, punches it, and becomes stuck.
I am advised by my publishers that this book is to be included in their catalogue of humorous publications, and this friendly warning gives me an opportunity to say that however humorous it may be in effect, its intention is perfectly serious; and, even if it were otherwise, it seems to me that a volume written wholly in dialect must have its solemn, not to say melancholy, features. With respect to the Folk-Lore series, my purpose has been to preserve the legends themselves in their original simplicity, and to wed them permanently to the quaint dialect-if, indeed, it can be called a dialect-through the medium of which they have become a part of the domestic history of every Southern family; and I have endeavored to give to the whole a genuine flavor of the old plantation...
Brasch defends the accuracy of Harris's literary depiction of both American Black English and Reconstruction Georgia. Brasch also examines the nature of fame and places a variety of other social and political issues in the context of this major American writer.