Download Free The Last Summer Of The Men Shortage Book in PDF and EPUB Free Download. You can read online The Last Summer Of The Men Shortage and write the review.

Men are hard to come by in the summer of 1945, and those that Dinah does find are stolen by Claudia with appalling regularity. Dinah and Claudia are young Adelaide women, teaming up to enjoy their independence in exotic Sydney during days drenched in sunshine and sentimental songs. Claudia is in love with Andrew who has a wife, a 'way of life', and a taste for cruelty. The victim of his sadistic irony is Dinah, who cannot understand why he is so anxious to find her a man. The reason, it transpires, is a practical one.
When sixteen-year-old Sylvia meets her boyfriend's father, Phillip, she is quickly captivated by his stories of travel and his reckless contempt for nineties' convention. Still a rebel in his forties, Phillip's world is slowly collapsing.
Australian saga. Author also writes thriller as Charlotte Jay.
An amusing anthology of Australian cooking by some of our most popular writers.
War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story. In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women’s war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women’s tradition. Shooting Blanks at the Anzac Legend examines the rich body of World Wars I and II and Vietnam War literature by Australian women, providing the critical attention and treatment that they deserve. Donna Coates records the reaction of Australian women writers to these conflicts, illuminating the complex role of gender in the interpretation of war and in the cultural history of twentieth-century Australia. By visiting an astonishing number of unfamiliar, non-canonical texts, Shooting Blanks at the Anzac Legend profoundly alters our understanding of how Australian women writers have interpreted war, especially in a nation where the experience of colonising a frontier has spawned enduring myths of identity and statehood.