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Cosmopolitan's one of “The 22 Best Books of the Year For Women, by Women" Washington Post Notable Fiction of 2013 Set on Cape Cod during one tumultuous summer, Elizabeth Kelly’s gothic family story will delight readers of The Family Fang and The Giant’s House. The Last Summer of the Camperdowns, from the best-selling author of Apologize, Apologize!, introduces Riddle James Camperdown, the twelve-year-old daughter of the idealistic Camp and his manicured, razor-sharp wife, Greer. It’s 1972, and Riddle’s father is running for office from the family compound in Wellfleet, Massachusetts. Between Camp’s desire to toughen her up and Greer’s demand for glamour, Riddle has her hands full juggling her eccentric parents. When she accidentally witnesses a crime close to home, her confusion and fear keep her silent. As the summer unfolds, the consequences of her silence multiply. Another mysterious and powerful family, the Devlins, slowly emerges as the keepers of astonishing secrets that could shatter the Camperdowns. As an old love triangle, bitter war wounds, and the struggle for status spiral out of control, Riddle can only watch, hoping for the courage to reveal the truth. The Last Summer of the Camperdowns is poised to become the summer’s uproarious and dramatic must-read.
A New England Society Book Awards Finalist (Fiction) “A witty, suspenseful tale of murder, marital conflict and agonizing secrets.... The exuberant story is transporting and delicious, a worthy summer read.” —People The Last Summer of the Camperdowns, from the best-selling author of Apologize, Apologize!, introduces Riddle James Camperdown, the twelve-year-old daughter of the idealistic Camp and his manicured, razor-sharp wife, Greer. It’s 1972, and Riddle’s father is running for office from the family compound in Wellfleet, Massachusetts. Between Camp’s desire to toughen her up and Greer’s demand for glamour, Riddle has her hands full juggling her eccentric parents. When she accidentally witnesses a crime close to home, her confusion and fear keep her silent. As the summer unfolds, the consequences of her silence multiply. Another mysterious and powerful family, the Devlins, slowly emerges as the keepers of astonishing secrets that could shatter the Camperdowns. As an old love triangle, bitter war wounds, and the struggle for status spiral out of control, Riddle can only watch, hoping for the courage to reveal the truth. The Last Summer of the Camperdowns is poised to become the summer’s uproarious and dramatic must-read.
Stressed single mother and law partner Kate is in the meeting of her career when she is interrupted by a telephone call to say that her teenaged daughter Amelia has been suspended from her exclusive Brooklyn prep school for cheating on an exam. Torn between her head and her heart, she eventually arrives at St Grace's over an hour late, to be greeted by sirens wailing and ambulance lights blazing. Her daughter has jumped off the roof of the school, apparently in shame of being caught. A grieving Kate can't accept that her daughter would kill herself: it was just the two of them and Amelia would never leave her alone like this. And so begins an investigation which takes her deep into Amelia's private world, into her journals, her email account and into the mind of a troubled young girl. Then Kate receives an anonymous text saying simply: AMELIA DIDN'T JUMP. Is someone playing with her or has she been right all along?
"When M. meets Belle at Dartmouth, they become the unlikeliest best friends. Belle is an unapologetic Romantic famous on campus for her bright red accessories and hundred-watt smile, while M. is a tomboyish Realist who insists she’ll always prefer her signet ring to any diamond. Despite their differences, they are drawn together, and after graduation they both move to New York with all the unfounded confidence of twenty-two. M. secures a job at the city’s most prestigious investment bank, and Belle turns her nostalgic aesthetic into one of the first lifestyle blogs, which quickly goes viral. Their future is spread before them, a glittering tableau of vintage cocktails, password-guarded parties, and high-octane ambition. But as they are pulled deeper into their new lives, and into the charming orbit of their Gatsby-esque new friend, Jeremy, style and substance—and dreams and reality—increasingly blur. In this fake plastic world, what do success and love and happiness even look like?"--
Cheyenne, a blind sixteen year-old, is kidnapped and held for ransom; she must outwit her captors to get out alive. Sixteen year-old Cheyenne Wilder is sleeping in the back of a car while her mom fills her prescription at the pharmacy. Before Cheyenne realizes what's happening, their car is being stolen--with her inside! Griffin hadn't meant to kidnap Cheyenne, all he needed to do was steal a car for the others. But once Griffin's dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes—now there's a reason to keep her. What Griffin doesn't know is that Cheyenne is not only sick with pneumonia, she is blind. How will Cheyenne survive this nightmare, and if she does, at what price? Prepare yourself for a fast-paced and hard-edged thriller full of nail-biting suspense. This title has Common Core connections.
In a weaving together of contradictory realms—past and present, rustbelt city and rural/urban South, old-world Catholicism and backwoods Protestantism—Joseph Bathanti draws readers into the 1970s as protagonist George Dolce faces major upheaval in The Life of the World to Come. George aspires to leave his blue collar, Catholic neighborhood of East Liberty in Pittsburgh. He is on the cusp of graduation from college and headed for law school when he becomes entangled in a local gambling ring. After his father gets laid off at the steel mill, George dramatically increases his wagering to help his parents with finances. What's more, he allows his boss at his real job and love interest's father, a pharmacist named Phil Rosechild, to place bets through him with the gambling ring's volatile kingpin. As his parents' financial situation deteriorates, George delves deeper into gambling, and he even goes so far as to set up Phil by using the pharmacist's unschooled and ever-growing betting practices to his own end—cheating the father of the woman he loves. When Phil welches on a large bet that George has placed for him, George finds himself in life-threatening trouble and must abandon his law school dreams. He robs the pharmacy, steals the delivery car, and flees south. After his stolen car breaks down in Queen, North Carolina, he meets a young, mysterious woman known as Crow. The two form a bond and eventually take to the road in an attempt to reconcile their harrowing, often surreal destiny and to escape George's inevitable punishment.
Eighteen year-old Allie Westcott's life is instantly changed after a tragic accident takes the lives of both of her parents. She is swept away to the bayside town of Bellingham, Washington, where she begins to unravel a dark family past on the grounds of her aunt and uncle's old mansion. Throughout her journey to uncover the secrets her family has carefully kept from her, Allie forms a series of new relationships that help her along the path of healing and rediscovery. Allie meets Mr. Teally, a senior home resident who lost his wife, and Anthony, a restaurant manager running away from a broken relationship with his father, and finds that many of their struggles match her own. With the help of her unabashed best friend Jen and her charming new neighbor Caleb, Allie not only learns how to face her enemies, but also how to reach forgiveness and to find love after loss.
For readers who loved The Glass Castle comes a stunning, heartbreaking novel about an intrepid girl who challenges the injustice of the adult world. It is 1970. 'Bean' Holladay is twelve and her sister Liz fifteen when their mother, a woman who 'flees every place she's ever lived at the first sign of trouble', takes off to find herself. She leaves the girls enough money for food to last a month or two, but it's not long before Bean and Liz board a bus from California to Virginia, where their widowed Uncle Tinsley lives in the decaying mansion that has been in the family for generations. Once they've arrived, money is tight, so Liz and Bean start working for Jerry Madox, foreman of the mill in town, a big man who bullies workers, tenants and his wife. Bean adores her whip-smart older sister, inventor of wordgames, reader of Edgar Allan Poe, non-conformist. But when school starts in the autumn, it is Bean who easily adjusts and makes friends, and Liz who becomes increasingly withdrawn. And then something happens between Liz and Maddox... 'Tragic and comic at the same time... an outrageous story, one that will break your heart' Sunday Independent 'There isn't a shred of self-pity in this deeply compassionate book' Marie Claire 'Has immense power and readibility... What it does with aplomb is to track the birth of a nation: the conjuring of modern America from a scorched, dusty wasteland' The Times on Half Broke Horses
A new edition of Emily Carr’s final writings, This and That is a collection of autobiographical stories that gives fans of her work insight into the artist’s childhood, education, and development as a painter and writer. Written in the last two years of Emily Carr’s life, the stories collected in This and That (which Carr wrote under the working title “Hundreds and Thousands”) were buried in the BC Archives for decades after their author’s death, not published in book form until 2007. This revised edition includes five more stories and an updated introduction, and is illustrated with some of Carr’s own artwork. Centred on the Carr home on Government Street, the collection includes vivid snapshots of family life, told from the frustrating but often comical position of being the youngest of four strong-minded daughters. We meet beloved family pets, a plant-loving father with a fearsome temper, a hated aunt, siblings, neighbours, shopkeepers, and local personalities. In these pages Carr traces her beginnings as a writer, her time at art school in San Francisco, visits to places like Nootka and Skidegate, and the early reaction to the change in both her painting style and subject matter these trips brought about. Carr’s stories conjure the world of folk tales with a generous dash of Nancy Mitford. Taken together these anecdotes comprise a slant-wise autobiography of an artist ahead of her time in Victoria at the turn of the twentieth century.
The summer that Hattie turns twelve, she meets the childlike uncle she never knew and becomes friends with a girl who works at the carnival that comes to Hattie's small town.