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Anuradha Patwardhan, a legendary beauty in 1920s India, marries handsome and well-to-do doctor Vardhmaan, but their married years are challenged by the death of their child and the arrival of a mysterious girl.
Siddharth Dhanvant Shanghvi’s stunning debut tells the story of four extraordinary lives. Anuradha Gandharva, gifted with astonishing beauty and magical songs; her husband, Vardhmaan, struggling with secret losses; Nandini, a deviously alluring artist with a penchant for panthers and walking on water; and Shloka, the Gandharvas’ delicate, disturbingly silent child. As their fates unravel in an old villa in 1920s’ Bombay, they learn to navigate the ever-changing landscape of love. Told with tenderness and dazzling wit, The Last Song of Dusk will haunt you long after you have turned the final page.
From the New York Times bestselling author of Six Crimson Cranes comes a fantasy filled with courtly intrigue, deceitful demons, and breathtaking gowns ... the stakes are higher than ever in this thrilling sequel to Spin the Dawn! Maia Tamarin's journey to sew the dresses of the sun, the moon, and the stars has taken a grievous toll. She returns to a kingdom on the brink of war. Edan, the boy she loves, is gone--perhaps forever--and no sooner does she set foot in the Autumn Palace than she is forced to don the dress of the sun and assume the place of the emperor's bride-to-be to keep the peace. When the emperor's rivals learn of her deception, there is hell to pay, but the war raging around Maia is nothing compared to the battle within. Ever since she was touched by the demon Bandur, she has been changing . . . glancing in the mirror to see her own eyes glowing red; losing control of her magic, her body, her mind. It's only a matter of time before Maia loses herself completely, and in the meantime she will stop at nothing to find Edan, protect her family, and bring lasting peace to her country.
With Dusk (originally published in the Philippines as Po-on), F. Sionil Jose begins his five-novel Rosales Saga, which the poet and critic Ricaredo Demetillo called "the first great Filipino novels written in English." Set in the 1880s, Dusk records the exile of a tenant family from its village and the new life it attempts to make in the small town of Rosales. Here commences the epic tale of a family unwillingly thrown into the turmoil of history. But this is more than a historical novel; it is also the eternal story of man's tortured search for true faith and the larger meaning of existence. Jose has achieved a fiction of extraordinary scope and passion, a book as meaningful to Philippine literature as One Hundred Years of Solitude is to Latin American literature. "The foremost Filipino novelist in English, his novels deserve a much wider readership than the Philippines can offer."--Ian Buruma, New York Review of Books "Tolstoy himself, not to mention Italo Svevo, would envy the author of this story."--Chicago Tribune
What does it mean to lose someone? To answer this timeless question, bestselling author Siddharth Dhanvant Shanghvi draws on a string of devastating personal losses of his mother, of his father and of a beloved pet to craft a moving memoir of death and grief. With surgical detachment and subtle feeling, Shanghvi charts the landscape of bereavement as he takes the reader down the dark, winding path to healing. Clear-eyed and intimate, Loss is the first Volume of non-fiction by one of India's most beloved writer of life experience.
In a magical world where the sun never sets, a gifted girl dreams to be in the royal court but once inside, she may not be prepared for the drama. Sylvie has always known she deserves more. Out in the permanent twilight of the Dusklands, her guardians called her power to create illusions a curse. But Sylvie knows it gives her a place in Coeur d’Or, the palais of the Amber Empress and her highborn legacies. So Sylvie sets off toward the Amber City, a glittering jewel under a sun that never sets, to take what is hers. But her hope for a better life is quickly dimmed. The empress invites her in only as part of a wicked wager among her powerful courtiers. Sylvie must assume a new name, Mirage, and begin to navigate secretive social circles and deadly games of intrigue in order to claim her spot. Soon it becomes apparent that nothing is as it appears and no one, including her cruel yet captivating sponsor, Sunder, will answer her questions. As Mirage strives to seize what should be her rightful place, she’ll have to consider whether it is worth the price she must pay . . . Lyra Selene weaves a lush and thrilling story of sacrifice, secrets, and star-crossed love set in a Parisian-inspired world where the sun never sets in this remarkable YA fantasy debut. Praise for Amber & Dusk “A shimmering tapestry of language, woven through with soaring beauty and subtle menace.” —Sara Holland, New York Times–bestselling author of the Everless series “Full of riotous color, fantastical locations, and surprising plot twists.” —School Library Journal
Star photographer Karan Seth is in Bombay to immortalize the city in a unique photo-record of its hidden faces until tragedy strikes and he is drawn into a Fitzgeraldian world of sex, crime and politics. Utterly disenchanted, he abandons the camera and Bombay and heads to England. Yet, like the flamingoes of Sewri, who unfailingly give in to the strange, haunting pull of the great metropolis, Karan too knows that he must return to his old loves. The Lost Flamingoes of Bombay is at once a razor-sharp depiction of contemporary urban society and an affecting tale about love's betrayals and the redemptive powers of friendship.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
This dark epic fantasy follows the heirs of four noble houses—each gifted with a divine power—as they form a tenuous alliance to keep their kingdom from descending into a realm-shattering war. The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. For each realm there is a god, and for each god there is an heir. But the gods have withdrawn their favor from the once vibrant and thriving city. And without it, all the realms are dying. Unwilling to stand by and watch the destruction, the four heirs—Risha, a necromancer struggling to keep the peace; Angelica, an elementalist with her eyes set on the throne; Taesia, a shadow-wielding rogue with rebellion in her heart; and Nik, a soldier who struggles to see the light—will sacrifice everything to save the city. But their defiance will cost them dearly.
Sunday Times Crime Book of the Month, one of The Times Best Crime Novels of 2021, The Sunday Times Crime Club Book of the Week, one of The Times best books to read this summer and one of the Observers thrillers of the month. 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' SUNDAY TIMES, CRIME BOOK OF THE MONTH THE SECOND NOVEL FROM THE AUTHOR OF THE BURNING MEN, FEATURING DI ALEX FINN AND DCI MATTIE PAULSEN A FRIDAY NIGHT Karl and his daughter Leah are on their weekly evening stroll through Crystal Palace Park. A HOODED FIGURE From out of the shadows, a figure wearing a blank mask ambushes them, armed with a large knife. A CHOICE TO MAKE Karl is forced to make an impossible decision: stay and die, or walk away from Leah with a knife at her throat and the promise that they will both survive. Could Karl ever live with himself if he left his daughter? Does he really have a choice? Soon, more seemingly unconnected and innocent people across London are offered a deal in exchange for their lives. DI Alex Finn and DC Mattie Paulsen must hunt for a killer that appears to have no face, no motive and no conscience before more victims' blood is spilled. Praise for THE KILLING CHOICE 'The explosive opening hooked me straight in . . . With a cast of credible characters, a twisting plotline and some ingenious twists, the book develops at a cracking pace' Lesley Sanderson, author of The Orchid Girls 'An outstanding page-turner' Robin Morgan-Bentley, author of The Wreckage 'DI Alex Finn and DCI Mattie Paulsen are back, this time chasing someone who forces their victims to make an impossible life-and-death decision. This is sitting up and begging to be developed for television' Sunday Times, Pick of the Week 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' Sunday Times, Book of the month 'An excellent second outing for the cop pair following their introduction in The Burning Men - and as fine a police procedural as you'd want for a cold winter's night' Weekend Sport 'The Killing Choice is the second in a series that opened with The Burning Men, and is another adept police procedural, building the sense of dread to breaking point as Finn and Paulsen rush to uncover any links between the victims. This is an immersive read that leaves the reader wondering how they would react if faced with such an unimaginable choice' Observer ***Order the third novel in the Finn and Paulsen series, THE HUNTING GROUND, now!***