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A view of the Iraq War--and of the Iraqi experience--is offered by one of thenation's most decorated officers. 24 color photos.
Contains thirty-seven narratives, drawn from letters, diaries, private memoirs, and oral histories in which American veterans describe their experiences serving in conflicts from the First World War to the twenty-first-century war in Iraq.
How do small groups of combat soldiers maintain their cohesion under fire? This question has long intrigued social scientists, military historians, and philosophers. Based on extensive research and drawing on graphic analysis of close quarter combat from the Somme to Sangin, the book puts forward a novel and challenging answer to this question. Against the common presumption of the virtues of the citizen soldier, this book claims that, in fact, the infantry platoon of the mass twentieth century army typically performed poorly and demonstrated low levels of cohesion in combat. With inadequate time and resources to train their troops for the industrial battlefield, citizen armies typically relied on appeals to masculinity, nationalism and ethnicity to unite their troops and to encourage them to fight. By contrast, cohesion among today's professional soldiers is generated and sustained quite differently. While concepts of masculinity and patriotism are not wholly irrelevant, the combat performance of professional soldiers is based primarily on drills which are inculcated through intense training regimes. Consequently, the infantry platoon has become a highly skilled team capable of collective virtuosity in combat. The increasing importance of training, competence and drills to the professional infantry soldier has not only changed the character of cohesion in the twenty-first century platoon but it has also allowed for a wider social membership of this group. Soldiers are no longer included or excluded into the platoon on the basis of their skin colour, ethnicity, social background, sexuality or even sex (women are increasingly being included in the infantry) but their professional competence alone: can they do the job? In this way, the book traces a profound transformation in the western way of warfare to shed light on wider processes of transformation in civilian society. This book is a project of the Oxford Programme on the Changing Character of War.
From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.
NEW YORK TIMES BESTSELLER • “A hauntingly beautiful account of a family fractured by war . . . filled with vivid and heartbreaking details.”—The New York Times Book Review NOW A MAJOR MOTION PICTURE • “Full of wonderful treasures offered by a unique and spirited father . . . written with serene grace: part memoir, part love story, all heart.”—James McBride, author of The Color of Water In 2005, Dana Canedy’s fiancé, First Sergeant Charles Monroe King, began to write what would become a two-hundred-page journal for his son in case he did not make it home from the war in Iraq. He was killed by a roadside bomb on October 14, 2006. His son, Jordan, was seven months old. Inspired by his example, Dana was determined to preserve his memory for their son. A Journal for Jordan is a mother’s fiercely honest letter to her child about the parent he lost before he could even speak. It is also a father’s advice and prayers for the son he will never know. A father figure to the soldiers under his command, Charles moved naturally into writing to his son. In neat block letters, he counseled him on everything from how to withstand disappointment and deal with adversaries to how to behfrave on a date. And he also wrote of recovering a young soldier’s body, piece by piece, from a tank—and the importance of honoring that young man’s life. He finished the journal two months before his death while home on a two-week leave, so intoxicated with love for his infant son that he barely slept. This is also the story of Dana and Charles together—two seemingly mismatched souls who loved each other deeply and lost each other too soon. A Journal for Jordan is a tender introduction, a loving good-bye, a reporter’s inquiry into her soldier’s life, and a heartrending reminder of the human cost of war.
There have been thousands of books on the Great War, but most have focused on commanders, battles, strategy, and tactics. Less attention has been paid to the daily lives of the combatants, how they endured the unimaginable conditions of industrial warfare: the rain of shells, bullets, and chemical agents. In The Secret History of Soldiers, Tim Cook, Canada's foremost military historian, examines how those who survived trench warfare on the Western Front found entertainment, solace, relief, and distraction from the relentless slaughter. These tales come from the soldiers themselves, mined from the letters, diaries, memoirs, and oral accounts of more than five hundred combatants. Rare examples of trench art, postcards, and even song sheets offer insight into a hidden society that was often irreverent, raunchy, and anti-authoritarian. Believing in supernatural stories was another way soldiers shielded themselves from the horror. While novels and poetry often depict the soldiers of the Great War as mere victims, this new history shows how the soldiers pushed back against the grim war, refusing to be broken in the mincing machine of the Western Front. The violence of war is always present, but Cook reveals the gallows humour the soldiers employed to get through it. Over the years, both writers and historians have overlooked this aspect of the men's lives. The fighting at the front was devastating, but behind the battle lines, another layer of life existed, one that included songs, skits, art, and soldier-produced newspapers. With his trademark narrative abilities and an unerring eye for the telling human detail, Cook has created another landmark history of Canadian military life as he reveals the secrets of how soldiers survived the carnage of the Western Front.
From William Dalrymple—award-winning historian, journalist and travel writer—a masterly retelling of what was perhaps the West’s greatest imperial disaster in the East, and an important parable of neocolonial ambition, folly and hubris that has striking relevance to our own time. With access to newly discovered primary sources from archives in Afghanistan, Pakistan, Russia and India—including a series of previously untranslated Afghan epic poems and biographies—the author gives us the most immediate and comprehensive account yet of the spectacular first battle for Afghanistan: the British invasion of the remote kingdom in 1839. Led by lancers in scarlet cloaks and plumed helmets, and facing little resistance, nearly 20,000 British and East India Company troops poured through the mountain passes from India into Afghanistan in order to reestablish Shah Shuja ul-Mulk on the throne, and as their puppet. But after little more than two years, the Afghans rose in answer to the call for jihad and the country exploded into rebellion. This First Anglo-Afghan War ended with an entire army of what was then the most powerful military nation in the world ambushed and destroyed in snowbound mountain passes by simply equipped Afghan tribesmen. Only one British man made it through. But Dalrymple takes us beyond the bare outline of this infamous battle, and with penetrating, balanced insight illuminates the uncanny similarities between the West’s first disastrous entanglement with Afghanistan and the situation today. He delineates the straightforward facts: Shah Shuja and President Hamid Karzai share the same tribal heritage; the Shah’s principal opponents were the Ghilzai tribe, who today make up the bulk of the Taliban’s foot soldiers; the same cities garrisoned by the British are today garrisoned by foreign troops, attacked from the same rings of hills and high passes from which the British faced attack. Dalryrmple also makes clear the byzantine complexity of Afghanistan’s age-old tribal rivalries, the stranglehold they have on the politics of the nation and the ways in which they ensnared both the British in the nineteenth century and NATO forces in the twenty-first. Informed by the author’s decades-long firsthand knowledge of Afghanistan, and superbly shaped by his hallmark gifts as a narrative historian and his singular eye for the evocation of place and culture, The Return of a King is both the definitive analysis of the First Anglo-Afghan War and a work of stunning topicality.
A beautifully illustrated version of the classic fairy tale about a tin soldier’s adventure and his love for a ballerina, retold with a twist. With her signature warmth and lyricism, Newbery winner Cynthia Rylant has crafted a new version of the classic Hans Christian Andersen fairy tale about a tin soldier who falls in love with a ballerina. As in the original story, the tin soldier’s love for the beautiful ballerina is thwarted by a goblin. The tin soldier is separated from the other toys and washed down a sewer, where he encounters a rat and gets swallowed by a fish, but somehow, against all odds, he manages to end up back home only to be cast into the nursery fire. Rylant adds her own twist to the end of the tale, however, for in this version, the tin soldier and the ballerina are melded to each other, rather than melted, in the heat of the fire, so they’ll never be parted again. Rylant’s expert storytelling paired with Corace’s stunning illustrations create a beautiful, unforgettable tale of everlasting love. Praise for The Steadfast Tin Soldier “Gracefully written. . . . The book’s large format gives plenty of scope for Corace’s distinctive illustrations, precise ink drawings brightened with watercolor, gouache, and acrylic paints. Sometimes brilliantly colorful and sometimes more subdued, the scenes can be crowded with dozens of toys or other visual elements, but they show up well from a distance. The subtle depictions of the goblin and his shadow are particularly fine. A softened vision of the literary fairy tale.” —Booklist “Text and illustrations weave seamlessly to create an involving, fast-paced update of a much-loved tale. Rylant's retelling is abridged, yet sprightly, and Corace’s watercolor, gouache, acrylic, and pen-and-ink illustrations add nuance and whimsy to Andersen's original.” —School Library Journal
It's a snowy evening, South London. From a bus, Max Wolf and his brother Angelo see a gang ominously tracking a well-known rapper, Mogul King, through the dark streets. Minutes later, Mogul King boards the bus, presses a parcel into Max's hands, exacts an incomprehensible promise, and jumps off again - to his death. The parcel contains an extraordinary ancient bronze dagger, and within hours Max is running for his own life through London, his brother, Angelo, is dead, apparently the victim of a gang drive-by shooting, and his friend, Sapphire, is next on the hit list. But everything is not as it seems. Everything leads the British Museum. Everything began with the ill-fated British Punitive Expedition of 1897 and the looting of the fabulous Benin Bronzes from Nigeria over a hundred years ago. In an intriguing dual storyline, Max's racing first person narrative story is offset by a scrap book of letters, memoirs, drawings, photos and journal entries, by one Hugh Hardy, Gunner aboard the Theseus, and foot soldier on that ruinous expedition over a century ago.
Shortlisted for the 2020 Booker Prize, and named a best book of the year by the New York Times, NPR, Elle, Time, and more, The Shadow King is an “unforgettable epic from an immensely talented author who’s unafraid to take risks” (Michael Schaub, NPR). Set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record. At its heart is orphaned maid Hirut, who finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. What follows is a heartrending and unputdownable exploration of what it means to be a woman at war.