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A dark sorceress sinks her talons into the land… War-hero Notch has abandoned his king and city to wage a war against his own guilt. With the giant Alosus at his side, Notch must search the Land of the Sun for ancient magic to bring a loved one back from the dead. But when he arrives in the city of vipers, Notch quickly finds himself entangled in a web of conspiracy and hidden motives as ruthless Houses vie for the soon to be vacant throne. Far across the glittering sea, Notch’s home of Anaskar is still reeling after repelling a mighty invasion. King Oseto is forced to scatter his heroes across the world in a desperate quest for the last sea beast and its bones. With them, he will be able to forge new Greatmasks to protect his people and the fragile state of peace between nations. Yet evil stirs in every corner of the lands. Reports of new, foul creatures and old foes alike are growing; and worse, the King fears that through his own weakness, he himself has unleashed the architect behind it all.
A dark sorceress sinks her talons into the land... War-hero Notch has abandoned his king and city to wage a war against his own guilt. With the giant Alosus at his side, Notch must search the Land of the Sun for ancient magic to bring a loved one back from the dead. But when he arrives in the city of vipers, Notch quickly finds himself entangled in a web of conspiracy and hidden motives as ruthless Houses vie for the soon to be vacant throne. Far across the glittering sea, Notch's home of Anaskar is still reeling after repelling a mighty invasion. King Oseto is forced to scatter his heroes across the world in a desperate quest for the last sea beast and its bones. With them, he will be able to forge new Greatmasks to protect his people and the fragile state of peace between nations. Yet evil stirs in every corner of the lands. Reports of new, foul creatures and old foes alike are growing; and worse, the King fears that through his own weakness, he himself has unleashed the architect behind it all. The Last Sea Beast is the first in a new epic fantasy trilogy that follows from The Bone Mask Trilogy, however, new readers can still start their adventure here.
When he and his companions flee their island home after the king's court is turned to stone, Phaidon begins to believe in the gods and monsters that his uncle has always scorned. Suggested level: junior secondary.
A New York Times Bestseller! Don't chase fate. Let fate chase you. 'Clever, creative, and exquisitely written' Stephanie Garber For generations, deadly storms have ravaged Mina's homeland. Her people believe the Sea God, once their protector, now curse them with death and despair. To appease him, each year a maiden is thrown into the sea, in the hopes that one day the 'true bride' will be chosen and end the suffering. Many believe Shim Cheong - Mina's brother's beloved - to be the legendary true bride. But on the night Cheong is sacrificed, Mina's brother follows her, even knowing that to interfere is a death sentence. To save her brother, Mina throws herself into the water in Cheong's stead. Swept away to the Spirit Realm, a magical city of lesser gods and mythical beasts, Mina finds the Sea God, trapped in an enchanted sleep. With the help of a mysterious young man and a motley crew of demons, gods and spirits, Mina sets out to wake him and bring an end to the storms once and for all. But she doesn't have much time: a human cannot live long in the land of the spirits. And there are those who would do anything to keep the Sea God from waking . . . The Girl Who Fell Beneath the Sea is a magical feminist retelling of a classic Korean legend, perfect for fans of Uprooted and Miyazaki's Spirited Away. 'A beautiful, mesmerizing retelling' Elizabeth Lim, New York Times bestselling author of Six Crimson Cranes 'A true jewel of a story' Janella Angeles, bestselling author of Where Dreams Descend
As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.
***An Act of God (previously published as The Last Testament: A Memoir) is now a major Broadway show starring Jim Parsons (The Big Bang Theory) and directed by Joe Mantello (Wicked)*** Over the course of his long and distinguished career, God has literally seen it all. And not just seen. In fact, the multitalented deity has played a pivotal role in many major events, including the Creation of the universe, the entirety of world history, and the successful transitioning of American Idol into the post–Simon Cowell era. Sometimes preachy, sometimes holier-than-thou, but always lively, An Act of God is the ultimate celebrity autobiography.
The badasses populating the pages of Badass are the most savagely awesome historical figures to ever strap on a pair of chain mail gauntlets and run screaming into battle. Author Ben Thompson—considered by many to be the Internet’s foremost expert on badassitude—has gathered together a rogues’ gallery of butt-stomping rogues, from Julius Caesar and Genghis Khan to Blackbeard, George S. Patton, and Bruce Lee. Their bone-breaking exploits are illustrated by top artist from the fields of gaming, comics, and cards—DC Comics illustrator Matt Haley and Thomas Denmark, illustrator for the collectible card game Magic: The Gathering. This is not your boring high school history—this is tough, manly, unrelentingly Badass!
In the fifteenth-century kingdom of Brittany, seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where she learns that the god of Death has blessed her with dangerous gifts--and a violent destiny.
An investigation of the geographical incongruities in Homer’s epics locates Troy on the coast of Iberia, in a conflict that changed history • Cites the rise in sea level in 1200 B.C. as leading to the invasion and victory of the Atlantean sea people over the goddess-worshipping Trojans who ruled the coasts • Identifies Troia (Troy) as part of a tri-city area that later became Lisbon, Portugal In The Triumph of the Sea Gods, Steven Sora argues compellingly that Homer’s tales do not describe adventures in the Mediterranean, but are adaptations of Celtic myths that chronicle an Atlantic coastal war that took place off the Iberian Peninsula around 1200 B.C. It was a war between the pro-goddess Celtic culture that presided over what is now Portugal and the patriarchal culture of the sea-faring Atlanteans. The invasion of the Atlantean sea peoples brought destruction to the entire region stretching from Western Europe’s Atlantic border to Egypt, Syria, and Turkey. This was a turning point not only politically but also spiritually. The goddess became demonized, as seen in myths such as Pandora’s Box in which woman was seen as the source of evil, not the origin of life, and Homer’s tale of the epic Greek and Trojan war, which was triggered by the abduction of a woman. The actual historical struggle described in Homer’s stories, Sora explains, occurred during what was the last in a series of rises in sea level that inundated various land masses (Atlantis) and permitted sea passage to areas previously accessible only by land. The “Sea Gods” (Atlanteans) attacked the tri-city region of Troia (Troy), near present-day Lisbon, which, shortly thereafter, fell victim to a devastating series of seaquakes and tsunamis. The war and the subsequent destructive weather broke the power of this seaboard civilization, leading to a wholesale invasion by the sea peoples and the rapid decline of the region’s goddess-worshipping culture that had reigned there since Neolithic times. Sora shows how Homer’s tales allow the modern world to glimpse this ancient conflict, which has been obscured for centuries.
Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.