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Did you know the medical term for a butt crack is intergluteal cleft? My name is Reagan, and spouting random facts like this one at inopportune moments is my affliction. I’m chronically awkward, socially inept, and completely lack a filter. Believe it or not, men do not find these attractive traits. When my sexy-as-sin neighbour barges into my apartment at the arse crack of dawn, everything changes. For some strange reason, my brand of crazy doesn’t send him running for the hills. Instead, he settles in for a nap on my couch… Oh, and did I mention he was completely naked?
This comprehensive and authoritative book is about the last colonies, those remaining territories formally dependent on metropolitan powers. It discusses the surprisingly large number of these territories, mainly small isolated islands with limited resources. Yet these places are not as obscure as might be expected. They may be major tourist destinations, military bases, satellite tracking stations, tax havens or desolate, underpopulated spots that can become international flashpoints, such as the Falklands. The authors find that at a time of escalating nationalism and globalization, these remnants of empire provide insights into the meanings of political, economic, legal and cultural independence, as well as sovereignty and nationhood. This book provides a broad-based and provocative discussion of colonialism and interdependence in the modern world, from a unique perspective.
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
"Inspired by the true story behind Jackie Kennedy's iconic outfit, Kelby has stitched a compelling tale of politics, fashion and history." -- People On November 22, 1963, Jacqueline Kennedy accompanied her husband to Dallas dressed in a pink Chanel-style suit. Much of her wardrobe, including the pink suit, came from the New York boutique Chez Ninon where a young Irish immigrant named Kate worked behind the scenes to meticulously craft the memorable outfits. Kate is torn between the glamorous world of Chez Ninon and her traditional Manhattan neighborhood. Finding balance is not easy in a time when women are still expected to follow the rules. And when you're in love, it's impossible. Kelby's luxurious narrative gives fascinating insight into the real story behind the iconic pink suit, introducing the reader to the wildly unforgettable characters that made Jackie Kennedy into the fashion icon of the century.
To what extent do best-selling travel books, such as those by Paul Theroux, Bill Bryson, Bruce Chatwin and Michael Palin, tell us as much about world politics as newspaper articles, policy documents and press releases? Debbie Lisle argues that the formulations of genre, identity, geopolitics and history at work in contemporary travel writing are increasingly at odds with a cosmopolitan and multicultural world in which 'everybody travels'. Despite the forces of globalization, common stereotypes about 'foreignness' continue to shape the experience of modern travel. The Global Politics of Contemporary Travel Writing is concerned with the way contemporary travelogues engage with, and try to resolve, familiar struggles about global politics such as the protection of human rights, the promotion of democracy, the management of equality within multiculturalism and the reduction of inequality. This is a thoroughly interdisciplinary book that draws from international relations, literary theory, political theory, geography, anthropology and history.
The New York Times bestseller that gives readers a paradigm-shattering new way to think about motivation from the author of When: The Scientific Secrets of Perfect Timing Most people believe that the best way to motivate is with rewards like money—the carrot-and-stick approach. That's a mistake, says Daniel H. Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others). In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction-at work, at school, and at home—is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world. Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and what business does—and how that affects every aspect of life. He examines the three elements of true motivation—autonomy, mastery, and purpose-and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.
When Zambia became Independent in 1964, the white colonial population did not suddenly evaporate. Some had supported Independence, others had virulently opposed it, but all had to reappraise their nationality, residence and careers. A few became Zambian citizens and many more chose to stay while without committing themselves. But most of the colonial population eventually trickled out of the country to start again elsewhere. Pamela Charmer-Smith has traced survivors of this population to discover how new lives where constructed and new perspectives generated. Her account draws on the power of postcolonial memory to understand the many ways that copper miners, district officers, school-children and housewives became the empires relics. Her work is not that of a dispassionate outsider but of one who grew up in Northern Rhodesia, knew its colonial population and has considerable affection for Zambia.
The pink jumper was glowing in my grey bedroom like a tiny bit of Dorothy's Oz in boring black-and-white Kansas. Pink was for girls. Ava Simpson is trying on a whole new image. Stripping the black dye from her hair, leaving her uber-cool girlfriend, Chloe, behind. Ava is quickly taken under the wing of perky, popular Alexis who insists that: a) she's a perfect match for handsome Ethan; and b) she absolutely must audition for the school musical. But while she's busy trying to fit in - with Chloe, with Alexis and her Pastel friends, even with the misfits in the stage crew - Ava fails to notice that her shiny reinvented life is far more fragile than she imagined.