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Illusion and the possibility of magic coexist with the pain and joy of daily life in these compelling pieces mostly set in the Texas-Mexico border region. In one, a girl desperately wants to know more about her mother, who died when she was four years old. Did she like being a mom? Would she have preferred partying with her friends? When her eccentric aunt says she can teach her how to travel back in time, the girl is skeptical. Is it really possible to visit the past and communicate with the dead? Each story is a celebration of the narrative’s power to transport, enlighten and connect the reader to the myriad facets of the human experience. In “Borges and the Chicanx,” a Chicano professor’s imposter syndrome worsens when he is asked to teach a course on a famed Latin American writer he has never read and whose work he doesn’t understand. And in “Sara’s Chest of Drawers,” a young man’s parents insist he go through his dead twin sister’s things even though he doesn’t think she would want him to—until she sends him a sign from the beyond. Dreams, memories, visions and superstitions permeate this collection of short fiction that blends the ordinary with the extraordinary, making the fantastical feel surprisingly tangible. Considering themes of outsider status and displacement, cultural representation and authenticity, identity and collective memory, award-winning author Daniel Chacón once again crafts troubled characters searching for salvation from sorrows they often cannot even articulate.
Also by this author: Essays on Time and Space Infinity and the Supermen The New Politics: the spirit and fate of conservatism and progressivism Political Mythologies of the Right and the Left are Detected and Overthrown The Sixteen Satires Productions already written: Berengere contra Nietzsche Jeremiads from the Bottom of a Mousehole: reply to Søren Kierkegaard, and other close encounters with the history of theology The Relation of the Artwork to Time and Space: Notes on Aesthetics (excerpted in this volume) Exemplary Epigrams for the Smart Set Elements of the New Sovereignty
A historical overview of Mexican Americans' social and economic experiences in Texas For hundreds of years, Mexican Americans in Texas have fought against political oppression and exclusion—in courtrooms, in schools, at the ballot box, and beyond. Through a detailed exploration of this long battle for equality, this book illuminates critical moments of both struggle and triumph in the Mexican American experience. Martha Menchaca begins with the Spanish settlement of Texas, exploring how Mexican Americans’ racial heritage limited their incorporation into society after the territory’s annexation. She then illustrates their political struggles in the nineteenth century as they tried to assert their legal rights of citizenship and retain possession of their land, and goes on to explore their fight, in the twentieth century, against educational segregation, jury exclusion, and housing covenants. It was only in 1967, she shows, that the collective pressure placed on the state government by Mexican American and African American activists led to the beginning of desegregation. Menchaca concludes with a look at the crucial roles that Mexican Americans have played in national politics, education, philanthropy, and culture, while acknowledging the important work remaining to be done in the struggle for equality.
Winner of the Writers' League of Texas Book Awards Finalist for the J. Anthony Lukas Book Prize From the front lines of the fracking debate, a “field philosopher” explores one of our most divisive technologies. When philosophy professor Adam Briggle moved to Denton, Texas, he had never heard of fracking. Only five years later he would successfully lead a citizens' initiative to ban hydraulic fracturing in Denton—the first Texas town to challenge the oil and gas industry. On his journey to learn about fracking and its effects, he leaped from the ivory tower into the fray. In beautifully narrated chapters, Briggle brings us to town hall debates and neighborhood meetings where citizens wrestle with issues few fully understand. Is fracking safe? How does it affect the local economy? Why are bakeries prohibited in neighborhoods while gas wells are permitted next to playgrounds? In his quest for answers Briggle meets people like Cathy McMullen. Her neighbors’ cows asphyxiated after drinking fracking fluids, and her orchard was razed to make way for a pipeline. Cathy did not consent to drilling, but those who profited lived far out of harm’s way. Briggle's first instinct was to think about fracking—deeply. Drawing on philosophers from Socrates to Kant, but also on conversations with engineers, legislators, and industry representatives, he develops a simple theory to evaluate fracking: we should give those at risk to harm a stake in the decisions we make, and we should monitor for and correct any problems that arise. Finding this regulatory process short-circuited, with government and industry alike turning a blind eye to symptoms like earthquakes and nosebleeds, Briggle decides to take action. Though our field philosopher is initially out of his element—joining fierce activists like "Texas Sharon," once called the "worst enemy" of the oil and gas industry—his story culminates in an underdog victory for Denton, now nationally recognized as a beacon for citizens' rights at the epicenter of the fracking revolution.
A novel of of ideas, expressed in the birth, life, and early death of Oliver Alden. Published in 1935, George Santayana's The Last Puritan was the American philosopher's only novel. It became an instant best-seller, immediately linked in its painful voyage of self discovery to The Education of Henry Adams. It is essentially a novel of ideas, expressed in the birth, life, and early death of Oliver Alden.The Last Puritan is volume four in a new critical edition of The Works of George Santayana that restores Santayana's original text and provides important new scholarly information. Books in this series - the first complete publication of Santayana's works - include an editorial apparatus with notes to the text (identifying persons, places, and ideas), textual commentary (including a description of the composition and publication history, along with a discussion of editorial methods and decisions), discussions of adopted readings, lists of variants and emendations, and line-end hyphenations. Irving Singer's new introduction to this edition takes up Santayana's philosophical and artistic concerns, including issues of homosexuality raised by the depiction of the novel's two protagonists, Oliver and Mario, and of the relationship between Oliver and the rogue character Jim Darnley. In his thoughtful analysis Singer finds the term "homosexual novel" too reductionist and imprecise for what Santayana is trying to achieve. Singer brings to light the author's skillful and inventive methods for perceiving and interpreting reality, including ideal forms of friendship, and his success in exploring the pervasive moral problems that people face throughout their existence.
By analyzing many of Lincoln's most important speeches, The Mind and Art of Abraham Lincoln, Philosopher Statesman shows him to be a profound and systematic thinker who tries to get at the root of issues, not all of them strictly political. Lowenthal emphasizes Lincoln's manner of writing, which enables him to conceal his most radical thoughts, and pays special attention to the reasoning and artfulness with which he treats a wide variety of subjects. The book follows Lincoln from his Perpetuation or Lyceum address in 1838 to his last speech just after Lee's surrender, as he confronts the great issues of the day and lays out the fundamentals of American politics. Along the way, Lowenthal's careful analysis frees Lincoln of the charge of racial prejudice with which he has been saddled in recent years.