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Don Carlos Buenaventura, the protagonist of The Last of Our Kind, is a powerful brujo living in Santa Fe, New Mexico, a remote settlement on the edge of Spain’s North American empire. The year is 1706. Comanche war parties are boldly conducting raids nearby, French traders and soldiers are aggressively expanding toward New Mexico from the Great Plains, and agents of the Spanish Inquisition have arrived in search of a brujo suspected of being in Santa Fe. That brujo is Don Carlos, respected citizen under the name of Don Alfonso Cabeza de Vaca, his true identity known only to a small coterie of friends. Given the many dangers that threaten the town, will he be able to bring his powers to bear and still keep his brujo identity secret? When his mortal enemy, a sorcerer with formidable powers, arrives on the scene in the midst of these troubles, how will Don Carlos figure out a way to deal with him? Includes Readers Guide.
“[An] enthralling portrait of a woman daring to defy convention in the face of rigid social confines…filled with thought-provoking turns that explore timely subjects in a gripping light...its themes linger long after the final page is read.”—USA Today With echoes of Rules of Civility and The Boston Girl, a compelling and thought-provoking novel set in postwar New York City, about two women—one Jewish, one a WASP—and the wholly unexpected consequences of their meeting. One rainy morning in June, two years after the end of World War II, a minor traffic accident brings together Eleanor Moskowitz and Patricia Bellamy. Their encounter seems fated: Eleanor, a teacher and recent Vassar graduate, needs a job. Patricia’s difficult thirteen-year-old daughter Margaux, recovering from polio, needs a private tutor. Though she feels out of place in the Bellamys’ rarefied and elegant Park Avenue milieu, Eleanor forms an instant bond with Margaux. Soon the idealistic young woman is filling the bright young girl’s mind with Shakespeare and Latin. Though her mother, a hat maker with a little shop on Second Avenue, disapproves, Eleanor takes pride in her work, even if she must use the name "Moss" to enter the Bellamys’ restricted doorman building each morning, and feels that Patricia’s husband, Wynn, may have a problem with her being Jewish. Invited to keep Margaux company at the Bellamys’ country home in a small town in Connecticut, Eleanor meets Patricia’s unreliable, bohemian brother, Tom, recently returned from Europe. The spark between Eleanor and Tom is instant and intense. Flushed with new romance and increasingly attached to her young pupil, Eleanor begins to feel more comfortable with Patricia and much of the world she inhabits. As the summer wears on, the two women’s friendship grows—until one hot summer evening, a line is crossed, and both Eleanor and Patricia will have to make important decisions—choices that will reverberate through their lives. Gripping and vividly told, Not Our Kind illuminates the lives of two women on the cusp of change—and asks how much our pasts can and should define our futures.
Fans of Bridgerton will love this "exuberant novel of manners for our own gilded age" (Stacy Schiff, author of Cleopatra) as we follow the Wilcox family's journey through riches and ruin. Among New York City's Gilded Age elite, one family will defy convention. Helen Wilcox has one desire: to successfully launch her daughters into society. From the upper crust herself, Helen's unconventional--if happy--marriage has made the girls' social position precarious. Then her husband gambles the family fortunes on an elevated railroad that he claims will transform the face of the city and the way the people of New York live, but will it ruin the Wilcoxes first? As daughters Jemima and Alice navigate the rise and fall of their family--each is forced to re-examine who she is, and even who she is meant to love. From the author of To Marry an English Lord, an inspiration for Downton Abbey, comes a charming and cutthroat tale of a world in which an invitation or an avoided glance can be the difference between fortune and ruin.
In John le Carré's electrifying novel Our Kind of Traitor, innocents abroad are drawn into the darkest recesses of the financial world. Britain is in the depths of recession. A left-leaning young Oxford academic and his barrister girlfriend take an off-peak holiday on the Caribbean island of Antigua. By seeming chance they bump into a Russian millionaire called Dima who owns a peninsula and a diamond-encrusted gold watch. He also has a tattoo on his right thumb, and wants a game of tennis. What else he wants propels the young lovers on a tortuous journey through Paris to a safe house in the Swiss Alps, to the murkiest cloisters of the City of London and its unholy alliance with Britain's Intelligence Establishment. 'If you want to know about the state of Britain today, forget the Booker shortlist. Just read John le Carré's latest thriller' Evening Standard 'Few recent plays have had dialogue as good, and few recent literary novels can boast a set of characters so vividly imagined. Our Kind of Traitor is a teasing, beguiling, masterly performance' Sunday Times
Now a TV series on FOX starring Morris Chestnut, Yaya DaCosta, Nadine Ellis, and Joe Morton. "Fascinating. . . . [Graham] has made a major contribution both to African-American studies and the larger American picture." —New York Times Debutante cotillions. Million-dollar homes. Summers in Martha's Vineyard. Membership in the Links, Jack & Jill, Deltas, Boule, and AKAs. An obsession with the right schools, families, social clubs, and skin complexion. This is the world of the black upper class and the focus of the first book written about the black elite by a member of this hard-to-penetrate group. Author and TV commentator Lawrence Otis Graham, one of the nation's most prominent spokesmen on race and class, spent six years interviewing the wealthiest black families in America. He includes historical photos of a people that made their first millions in the 1870s. Graham tells who's in and who's not in the group today with separate chapters on the elite in New York, Los Angeles, Washington, Chicago, Detroit, Memphis, Atlanta, Philadelphia, Nashville, and New Orleans. A new Introduction explains the controversy that the book elicited from both the black and white communities.
The paths of two women from different walks of life intersect amid counterculture of the 1960s in this haunting and provocative novel from the National Book Award-winning author of The Friend Named a Best Book of the Year by the San Francisco Chronicle and the Christian Science Monitor Sigrid Nunez's The Last of Her Kind introduces two women who meet as freshmen on the Columbia campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work. The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, "I have never stopped thinking about her."
“A searing, chilling sliver of perfection . . . May well turn out to be the year’s best thriller.” —Charles Finch, The New York Times Book Review “This is simply one of the nastiest and most disturbing thrillers I’ve read in years. I loved it, right down to the utterly chilling final line.” —Gillian Flynn A spellbinding, darkly twisted novel about desire and obsession, and the complicated lines between truth and perception, Our Kind of Cruelty introduces Araminta Hall, a chilling new voice in psychological suspense. This is a love story. Mike’s love story. Mike Hayes fought his way out of a brutal childhood and into a quiet, if lonely, life before he met Verity Metcalf. V taught him about love, and in return, Mike has dedicated his life to making her happy. He’s found the perfect home, the perfect job; he’s sculpted himself into the physical ideal V has always wanted. He knows they’ll be blissfully happy together. It doesn’t matter that she hasn’t been returning his e-mails or phone calls. It doesn’t matter that she says she’s marrying Angus. It’s all just part of the secret game they used to play. If Mike watches V closely, he’ll see the signs. If he keeps track of her every move, he’ll know just when to come to her rescue . . .
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Millionaire and unlicensed P.I. Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen gunsNafter all, what could possibly go wrong?
From the award-winning author of The Gardens of Kyoto comes this witty and incisive novel about the lives and attitudes of a group of women—once country-club housewives; today divorced, independent, and breaking the rules. In Our Kind, Kate Walbert masterfully conveys the dreams and reality of a group of women who came into the quick rush of adulthood, marriage, and child-bearing during the 1950s. Narrating from the heart of ten companions, Walbert subtly depicts all the anger, disappointment, vulnerability, and pride of her characters: "Years ago we were led down the primrose lane, then abandoned somewhere near the carp pond." Now alone, with their own daughters grown, they are finally free—and ready to take charge: from staging an intervention for the town deity to protesting the slaughter of the country club's fairway geese, to dialing former lovers in the dead of night. Walbert's writing is quick-witted and wry, just like her characters, but also, in its cumulative effect, moving and sad. Our Kind is a brilliant, thought-provoking novel that opens a window into the world of a generation and class of women caught in a cultural limbo.