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To all appearances, The Last Night of Ballyhoo declares itself to be nothing more than an old-fashioned, family-centered, living-room comedy ...
THE STORY: THE LAST NIGHT OF BALLYHOO takes place in Atlanta, Georgia, in December of 1939. Gone with the Wind is having its world premiere, and Hitler is invading Poland, but Atlanta's elitist German Jews are much more concerned with who is
Bad Jews tells the story of Daphna Feygenbaum, a “Real Jew†? with an Israeli boyfriend. When Daphna’s cousin Liam brings home his shiksa girlfriend Melody and declares ownership of their grandfather’s Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.
A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners.
Ghosts and Ballyhoo: Memoirs of a Failed L.A. Music Journalist chronicles Thomas Wictor's ten years in the Los Angeles music industry and his quest to free himself from the past. Ostensibly a memoir, Ghosts also asks – and possibly answers – provocative questions about fate, destiny, and life after death. The book is structured as a collection of anthologies rather than a continuous narrative; the seven anthologies detailing Wictor's failed career are separated by six interludes with the Collateral Ghost, one of the most brilliant, yet unsuccessful, musicians who ever played – former Frank Zappa bassist Scott Thunes. Thomas Wictor's experiences include multiple failures across multiple spectra and an endless series of coincidences that always returned him to the notion that there is a Plan. Losing nearly everything he loved gave the author clarity, enabling him to see patterns of guidance and sustenance visible everywhere once he was no longer blinded by rage and negativity. This clarity exorcised Thomas Wictor and brought him peace of mind, which allowed him to transform the anger over what he lost into gratitude for what he once had. Written with profane humor and no self-pity, Ghosts and Ballyhoo includes previously unpublished articles, excerpts from interview transcripts personal correspondence, and photos.
Set in a highly competitive architecture firm, What We’re Up Against takes an explosive look at the complicated battle of the sexes raging across Cubicle Land. A funny yet insightful view of what it means to be female in a male-dominated career, and one woman’s response when she tires of slamming into the glass ceiling.
"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Racial tensions are delicately explored when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Winner of a 1988 Pulitzer Prize, and Academy Awards for Best Picture and Best Adapted Screenplay.
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.