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On the new wave movement in French cinema.
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Profiles the movement's most popular and influential bands and artists, including Blondie, INXS, XTC, Grace Jones, and Depeche Mode.
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
Everyone recognises the iconic photo from the cover of the Ramones' self-titled album of 1976. But how many have seen the image, taken with the same roll of film, of Dee Dee excitedly chasing his bandmates out of shot with a stick? This compilation of stunning images from punk and new wave's most iconic albums uncovers these lost photographs, along with the stories behind them. With hundreds of photographs, accompanied by anecdotes, interviews and first-hand accounts from the photographers themselves, this book gives access to rare behind-the-scenes stories about how shoots took place and the creative processes behind them.
The highly-anticipated finale to the New York Times bestselling 5th Wave series. Includes an exclusive diary entry from Cassie! The enemy is Other. The enemy is us. They’re down here, they’re up there, they’re nowhere. They want the Earth, they want us to have it. They came to wipe us out, they came to save us. But beneath these riddles lies one truth: Cassie has been betrayed. So has Ringer. Zombie. Nugget. And all 7.5 billion people who used to live on our planet. Betrayed first by the Others, and now by ourselves. In these last days, Earth’s remaining survivors will need to decide what’s more important: saving themselves . . . or saving what makes us human. Praise for The Last Star “Yancey’s prose remains achingly precise, and this grows heavier, tighter, and more impossible to put down as the clock runs out…this blistering finale proves the truth of the first two volumes: it was never about the aliens.”—Booklist, starred review “A haunting, unforgettable finale.”—Kirkus Reviews “Yancey doesn’t hit the breaks for one moment, and the action is intense, but the language always stays lyrical and lovely. It’s a satisfying end to an impressive trilogy, true to the characters and the world Yancey created.”—Entertainment Weekly “Yancey has capped off his riveting series with a perfect ending.”—TeenReads.com “[T]he ending provides both satisfaction and heartbreak.”—Publishers Weekly “Yancey's writing is just as solid and descriptive as in the first two books….What Yancey does beautifully is reveal the human condition.”—Examiner.com "Rick Yancey sticks the (alien) landing in the action-packed finale to his The 5th Wave invasion saga . . . . And the author gives us a major dose of girl power as well, pairing Cassie and Ringer for an uneasy alliance that provides the best moments in this fantastic series’ thought-provoking and satisfying conclusion.”—USA Today Praise for The 5th Wave Now a major motion picture starring Chloë Grace Moretz "Remarkable, not-to-be-missed-under-any-circumstances."—Entertainment Weekly "A modern sci-fi masterpiece . . ."—USAToday.com "Wildly entertaining . . . I couldn't turn the pages fast enough."—Justin Cronin, The New York Times Book Review Praise for The Infinite Sea “Heart-pounding pacing, lyrical prose and mind-bending twists . . .”—The New York Times Book Review “Impressively improves on the excellent beginning of the trilogy.”—USA Today “An epic sci-fi novel with all the romance, action, and suspense you could ever want.”—Seventeen.com Books in the series: The 5th Wave (The First Book of The 5th Wave) The Infinite Sea (The Second Book of The 5th Wave) The Last Star (The Third Book of the The 5th Wave)
A “hugely entertaining” history of the 1980s New Wave music scene told through new interviews with its biggest artists (Rolling Stone). Mad World is a compelling oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song and leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo, and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, INXS, and more. “One addictive chapter after another.” —Rob Sheffield, author of Talking to Girls About Duran Duran “Tells the tale of some of the decade’s most unforgettable songs . . . in fascinating detail, letting the architects of these memorable records shine a light on how the sound of a generation came to be.” —The Hollywood Reporter “The new wave era is often dismissed for its one-hit wonders and silly haircuts, but [Mad World] examines the period with a great deal of love and reverence.” —Buzzfeed “A really informative and insightful read.” —People
Analyse van de "Nouvelle Vague", een stroming in de Franse film uit de jaren 1960-1970, gezien vanuit Amerikaans standpunt
JAMES BEARD AWARD WINNER • Showcasing the new talent of Tokyo's vibrant food scene, Andrea Fazzari profiles 31 chefs who are shaping the future of one of the world's most dynamic cities. In a luxe collection filled with portraits, interviews, and recipes, author and photographer Andrea Fazzari explores the changing landscape of food in Tokyo, Japan. A young and charismatic generation is redefining what it means to be a chef in this celebrated food city. Open to the world and its influences, these chefs have traveled more than their predecessors, have lived abroad, speak other languages, and embrace social media. Yet they still remain distinctly Japanese, influenced by a style, tradition, and terroir to which they are inextricably linked. This combination of the old and the new is on display in Tokyo New Wave, a transporting cookbook and armchair travel guide that captures this moment in Japanese cuisine and brings it to a savvy global audience.
From the perspective of pop music, the Seventies are too often regarded as the weak sister to the Sixties. But those of us who followed the punk and new wave explosion of the last four years of the Seventies don't buy this assessment. Just because those late Seventies bands didn't get airplay and sell records like the Sixties bands, and in their later years didn't become the establishment as the members of the Sixties generation did, it doesn't mean the punk and new wave bands were any less artistically valid or less fun to listen to. If you could pull your ear away from consumer oriented rock bands of the era and were willing to exercise a little independence, you could hear exciting and boundary stretching music from a legion of groups from around the world, all of them inspired by an idea whose time had come. This is the story of that idea and what thousands of innovative and intriguing people were able to make from it. This is the first of what will eventually be four volumes. It begins by discussing the origins of Seventies punk and new wave, and then tells the story, chapter by chapter, of each significant band in that period. Volume Two moves definitively into the stories of bands that were critical to the punk boom of 1977. Still in progress, Volume Three will cover the metamorphosis of what was Punk into New Wave, and Volume Four will discuss the fracturing of New Wave into dozens of splinter offshoots.