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The Last Man is an apocalyptic science fiction novel. The book tells of a future world (the first-person narrative is that of a man living at the end of the 21st century) that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s.
The Last Man (1826) is a dystopian novel by Mary Shelley. Dedicated to the recently deceased Percy Bysshe Shelley and Lord Byron, The Last Man was controversial upon publication and was immediately suppressed by British authorities. Resurrected by dedicated critics and readers, the novel is now recognized as a pioneering work of science fiction and as the first work of dystopian literature to be published in English. The ambitious and semi-autobiographical work is set toward the end of the 21st century and follows a group of radical friends whose experiences during a period of political upheaval test the limits of their love and push them to the brink of survival. After the abdication of the British monarchy, the former prince Adrian befriends Lionel, a fiercely independent and philosophical advocate of republicanism. When Lionel returns from two years abroad in Vienna, where he was conducting political business, he finds that Adrian has disappeared following a conflict with Lord Raymond, who falls in love with the Greek princess Evadne while scheming to be named England's new king. They eventually resolve their enmity, however, and Raymond travels to Greece with Adrian to fight in a quickly expanding conflict with the Ottomans. As the war rages on, a plague breaks out and spreads without warning across Europe and overseas to the Americas. As the continent is ravaged by conflict and disease, Lionel and his group of friends struggle to keep one another alive in a world growing more hostile and less habitable by the day. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Shelley's The Last Man is a classic of English literature reimagined for modern readers.
Coriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. The tragedy is one of the last two tragedies written by Shakespeare,
It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague.--From publisher's description.
We know the facts of Mary Shelley’s life in some detail—the death of her mother, Mary Wollstonecraft, within days of her birth; the upbringing in the house of her father, William Godwin, in a house full of radical thinkers, poets, philosophers, and writers; her elopement, at the age of seventeen, with Percy Shelley; the years of peripatetic travel across Europe that followed. But there has been no literary biography written this century, and previous books have ignored the real person—what she actually thought and felt and why she did what she did—despite the fact that Mary and her group of second-generation Romantics were extremely interested in the psychological aspect of life.In this probing narrative, Fiona Sampson pursues Mary Shelley through her turbulent life, much as Victor Frankenstein tracked his monster across the arctic wastes. Sampson has written a book that finally answers the question of how it was that a nineteen-year-old came to write a novel so dark, mysterious, anguished, and psychologically astute that it continues to resonate two centuries later. No previous biographer has ever truly considered this question, let alone answered it.
Known from her day to ours as 'the Author of Frankenstein', Mary Shelley indeed created one of the central myths of modernity. But she went on to survive all manner of upheaval - personal, political, and professional - and to produce an oeuvre of bracing intelligence and wide cultural sweep. The Cambridge Companion to Mary Shelley helps readers to assess for themselves her remarkable body of work. In clear, accessible essays, a distinguished group of scholars place Shelley's works in several historical and aesthetic contexts: literary history, the legacies of her parents William Godwin and Mary Wollstonecraft, and of course the life and afterlife, in cinema, robotics and hypertext, of Frankenstein. Other topics covered include Mary Shelley as a biographer and cultural critic, as the first editor of Percy Shelley's works, and as travel writer. This invaluable volume is complemented by a chronology, a guide to further reading and a select filmography.
New English translation of this “demise of the human race” story.
History of a Six Weeks' Tour is a travel narrative by Percy Bysshe Shelley. It takes us on a journey through France, Switzerland, Germany and Holland, while adding an element of romantic philosophy into the mix.
In 1980, deconstructive and psychoanalytic literary theorist Barbara Johnson wrote an essay on Mary Shelley for a colloquium on the writings of Jacques Derrida. The essay marked the beginning of Johnson's lifelong interest in Shelley as well as her first foray into the field of "women's studies," one of whose commitments was the rediscovery and analysis of works by women writers previously excluded from the academic canon. Indeed, the last book Johnson completed before her death was Mary Shelley and Her Circle, published here for the first time. Shelley was thus the subject for Johnson's beginning in feminist criticism and also for her end. It is surprising to recall that when Johnson wrote her essay, only two of Shelley's novels were in print, critics and scholars having mostly dismissed her writing as inferior and her career as a side effect of her famous husband's. Inspired by groundbreaking feminist scholarship of the seventies, Johnson came to pen yet more essays on Shelley over the course of a brilliant but tragically foreshortened career. So much of what we know and think about Mary Shelley today is due to her and a handful of scholars working just decades ago. In this volume, Judith Butler and Shoshana Felman have united all of Johnson's published and unpublished work on Shelley alongside their own new, insightful pieces of criticism and those of two other peers and fellow pioneers in feminist theory, Mary Wilson Carpenter and Cathy Caruth. The book thus evolves as a conversation amongst key scholars of shared intellectual inclinations while closing the circle on Johnson's life and her own fascination with the life and circle of another woman writer, who, of course, also happened to be the daughter of a founder of modern feminism.