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Mary Shelley, the author of Frankenstein, wrote the apocalyptic novel The Last Man in 1826. Its first person narrative tells the story of our world standing at the end of the twenty-first century and - after the devastating effects of a plague - at the end of humanity. In the book Shelley writes of weaving this story from a discovery of prophetic writings uncovered in a cave near Naples. The Last Man was made into a 2008 film.
New English translation of this "demise of the human race" story.
The Last Man Anthology takes inspiration from Mary Shelley's novel, The Last Man, and showcases short stories and poems that build on the theme of finality-of being last. From experiencing the last snowmelt to taking part of the last day on Earth, The Last Man Anthology propels catastrophic literature into the twenty-first century while staying true to Shelley's timeless themes of chaos and isolation. How would it feel to know you were experiencing your last day on Earth? What would the end of the world look like to the Greek gods, the last bookstore owner, or the last philosopher? The story settings range from the fringes of Outer Space, to the last museum, to New York City the day before September 11, 2001, to Brighton Street with the last teddybear, and many more. Includes veteran writers Ray Bradbury, C. J. Cherryh, Barry N. Malzberg, along with such classic sci-fi authors as H. G. Wells, Edgar Allen Poe, and Jack London, and an assortment of contemporary writers from four continents. We're also honored to have a third grader make the cut . Catastrophic short stories and poems that deal with end of the world scenarios, cataclysms, disasters and other apocalyptic events. "A hauntingly beautiful collection of tales by new and established authors." www.swordandsagapress.com
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation. The full anthology comprises six bound volumes, together with an extensive website component; the latter is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. A two-volume Concise Edition and a one-volume Compact Edition are also available.
This is a collection of poetry from previous works compiled into one book for all to enjoy. Topics/emotions range from love, anger, depression, healing, intimacy, and random thoughts.
"Whoever said that You cant go back never contemplated the results of war. Its still an intrinsic part of my mental fabric. Often my nightmares carry me back to a place that I detest, a place called Vietnam. It fractures my ego by wafting me along the gentle breeze that turns fantasy into horror. It slams me back into the jungles of my mind and once Im there I cant seem to extricate myself from the bloody legacy of that brutal war. This book is a story that follows my struggles through the mine-infested, ragged edge of fear. The book carries the reader into the places in my mind that mere words can never explain This book is an anthology of the rude and brutal images as seen through the eyes of a naive, innocent 20 year old, one who hadnt even tasted life yet. The book takes a look at what war was like as it evolves from beauty into horror, into the blood-stained shadows of the vicious and mind altering images that once housed an indomitable spirit, fracturing my soul with war torn images of Vietnam. I sit here, glaring through the windows of sadness at a war I fought so many years ago, and it left me with way too much mental baggage"
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For those seeking an even more streamlined anthology than the two-volume Concise Edition, The Broadview Anthology of British Literature is now available in a compact single-volume version. The edition features the same high quality of introductions, annotations, contextual materials, and illustrations found in the full anthology, and it complements an ample offering of canonical works with a vibrant selection of less-canonical pieces. The compact single-volume edition also includes a substantial website component, providing for much greater flexibility. An increasing number of works from the full six-volume anthology (or from its website component) are also being made available in stand-alone Broadview Anthology of British Literature editions that can be bundled with the anthology.
The selections from 132 authors in this anthology represent gender, social class, and racial and national origin as inclusively as possible, providing both greater context for canonical works and a sense of the era’s richness and diversity. In terms of genre, poetry, non-fiction prose, philosophy, educational writing, and prose fiction are included. Geographically, America, Canada, Australia, India, and Africa are represented along with Britain, emphasizing Romantic literature as a world literature. Biographical headnotes, explanatory footnotes, and an extensive bibliography clarify and illuminate the texts for readers.
The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.