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This true crime history reveals the harrowing story of a black man brutally murdered by a lynch mob in 1932 Virginia. In 1932, a black man was found hanging on Rattlesnake Mountain in Fauquier County, Virginia. Though a mob set fire to his body, officials were able to identify him as Shedrick Thompson, who had been wanted for the abduction and rape of a local white woman. Some claimed Thompson killed himself, framing his gruesome death as the final act of a desperate fugitive. But residents knew better. Thompson had been the victim of a lynching—the last one known in Virginia. In The Last Lynching in Northern Virginia, author Jim Hall pieces together Thompson’s life, the weeks-long manhunt to find him, and his final hours. He also details the lawless practice of lynching in Fauquier County. This true crime chronicle takes an in-depth look at Thompson’s case to expose a complex and disturbing chapter in Virginia history.
Lynching was a national crime. But it obsessed the South. W. Fitzhugh Brundage's multidisciplinary approach to the complex nature of lynching delves into the such extrajudicial murders in two states: Virginia, the southern state with the fewest lynchings; and Georgia, where 460 lynchings made the state a measure of race relations in the Deep South. Brundage's analysis addresses three central questions: How can we explain variations in lynching over regions and time periods? To what extent was lynching a social ritual that affirmed traditional white values and white supremacy? And, what were the causes of the decline of lynching at the end of the 1920s? A groundbreaking study, Lynching in the New South is a classic portrait of the tradition of violence that poisoned American life.
The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."
Scholarship on lynching has typically been confined to the extralegal execution of African Americans in the American South. The nine essays collected here look at lynching in the context of world history, encouraging a complete rethinking of the history of collective violence. Employing a diverse range of case studies, the volume’s contributors work to refute the notion that the various acts of group homicide called "lynching" in American history are unique or exceptional. Some essays consider the practice of lynching in a global context, confounding the popular perception that Americans were alone in their behavior and suggesting a wide range of approaches to studying extralegal collective violence. Others reveal the degree to which the practice of lynching has influenced foreigners’ perceptions of the United States and asking questions such as, Why have people adopted the term lynching—or avoided it? How has the meaning of the word been transformed over time in society? What contextual factors explain such transformations? Ultimately, the essays illuminate, opening windows on ordinary people’s thinking on such critical issues as the role of law in their society and their attitudes toward their own government.
Reproduction of the original: Southern Horrors: Lynch Law in All Its Phases by Ida B. Wells-Barnett
From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.
“Reminds readers that the history of lynching and racial violence in the United States is not a closed book, but an ever-relevant story.” —Criminal Law and Criminal Justice Books Before daybreak on February 17, 1947, twenty-four-year-old Willie Earle, an African American man arrested for the murder of a Greenville, South Carolina, taxi driver named T. W. Brown, was abducted from his jail cell by a mob, and then beaten, stabbed, and shot to death. An investigation produced thirty-one suspects, most of them cabbies seeking revenge for one of their own. The police and FBI obtained twenty-six confessions, but, after a nine-day trial in May that attracted national press attention, the defendants were acquitted by an all-white jury. In They Stole Him Out of Jail, William B. Gravely presents the most comprehensive account of the Earle lynching ever written, exploring it from background to aftermath and from multiple perspectives. Among his sources are contemporary press accounts (there was no trial transcript), extensive interviews and archival documents, and the “Greenville notebook” kept by Rebecca West, the well-known British writer who covered the trial for the New Yorker magazine. Gravely meticulously recreates the case’s details, analyzing the flaws in the investigation and prosecution that led in part to the acquittals. Vivid portraits emerge of key figures in the story, including both Earle and Brown, Solicitor Robert T. Ashmore, Governor Strom Thurmond, and West, whose article “Opera in Greenville” is masterful journalism but marred by errors owing to her short stay in the area. Gravely also probes problems with memory that resulted in varying interpretations of Willie Earle’s character and conflicting narratives about the lynching itself.
In the tradition of Melissa Faye Greene and her award-winning Praying for Sheetrock, extraordinarily talented debut author Laura Wexler tells the story of the Moore's Ford Lynching in Walton County, Georgia in 1946—the last mass lynching in America, fully explored here for the first time. July 25, 1946. In Walton County, Georgia, a mob of white men commit one of the most heinous racial crimes in America's history: the shotgun murder of four black sharecroppers—two men and two women—at Moore's Ford Bridge. Fire in a Canebrake, the term locals used to describe the sound of the fatal gunshots, is the story of our nation's last mass lynching on record. More than a half century later, the lynchers' identities still remain unknown. Drawing from interviews, archival sources, and uncensored FBI reports, acclaimed journalist and author Laura Wexler takes readers deep into the heart of Walton County, bringing to life the characters who inhabited that infamous landscape—from sheriffs to white supremacists to the victims themselves—including a white man who claims to have been a secret witness to the crime. By turns a powerful historical document, a murder mystery, and a cautionary tale, Fire in a Canebrake ignites a powerful contemplation on race, humanity, history, and the epic struggle for truth.
A history of lynching in America over the course of three centuries, from colonial Virginia to twentieth-century Texas. After observing the varying reactions to the 1998 death of James Byrd Jr. in Texas, called a lynching by some, denied by others, Ashraf Rushdy determined that to comprehend this event he needed to understand the long history of lynching in the United States. In this meticulously researched and accessibly written interpretive history, Rushdy shows how lynching in America has endured, evolved, and changed in meaning over the course of three centuries, from its origins in early Virginia to the present day. “A work of uncommon breadth, written with equally uncommon concision. Excellent.” —N. D. B. Connolly, Johns Hopkins University “Provocative but careful, opinionated but persuasive . . . Beyond synthesizing current scholarship, he offers a cogent discussion of the evolving definition of lynching, the place of lynchers in civil society, and the slow-in-coming end of lynching. This book should be the point of entry for anyone interested in the tragic and sordid history of American lynching.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880-1930 “A sophisticated and thought-provoking examination of the historical relationship between the American culture of lynching and the nation’s political traditions. This engaging and wide-ranging meditation on the connection between democracy, lynching, freedom, and slavery will be of interest to those in and outside of the academy.” —William Carrigan, Rowan University “In this sobering account, Rushdy makes clear that the cultural values that authorize racial violence are woven into the very essence of what it means to be American. This book helps us make sense of our past as well as our present.” —Jonathan Holloway, Yale University
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy. By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.