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Shortlisted for Harper's Bazaar Book of the Year 2019 A Guardian, Spectator and Mail on Sunday Book of the Year 2018 'A lyrical portrait of a fast-vanishing way of life . . . Thompson is a terrific writer'New Statesman Laura Thompson’s grandmother Violet was one of the great landladies. Born in a London pub, she became the first woman to be given a publican’s licence in her own name and, just as pubs defined her life, she seemed in many ways to embody their essence. Laura spent part of her childhood in Violet’s Home Counties establishment, mesmerised by her gift for cultivating the mix of cosiness and glamour that defined the pub’s atmosphere, making it a unique reflection of the national character. Her memories of this time are just as intoxicating: beer and ash on the carpets in the morning, the deepening rhythms of mirth at night, the magical brightness of glass behind the bar... Through them Laura traces the story of the English pub, asking why it has occupied such a treasured position in our culture. But even Violet, as she grew older, recognised that places like hers were a dying breed, and Laura also considers the precarious future they face. Part memoir, part social history, part elegy, The Last Landlady pays tribute to an extraordinary woman and the world she epitomised.
The Landlady is a brilliant gem of a short story from Roald Dahl, the master of the sting in the tail. In The Landlady, Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a young man in need of room meets a most accommodating landlady . . . The Landlady is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the priceless piece of furniture that is the subject of a deceitful bargain; a wronged woman taking revenge on her dead husband, and others. 'Unnerving bedtime stories, subtle, proficient, hair-raising and done to a turn.' (San Francisco Chronicle ) This story is also available as a Penguin digital audio download read by Tamsin Greig. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.
A heartfelt coming-of-age memoir about taking the unbeaten path, owning a home, and holding it all—including yourself—together. Detouring from the traditional timeline of marriage-kids-house, twenty-six-year-old Vikki Warner skips straight to homeownership. She buys a downtrodden three-story house in Providence, Rhode Island, and suddenly finds herself responsible for a rotating cast of colorful tenants. Adulthood comes with unforeseen challenges: backed-up sewage, gentrification, global economic downturn. A candid portrait of how sharing space profoundly reshapes our lives, and forces us to grow into ourselves. “Forget the marriage plot; 26-year-old Warner is after a plot of land…. [An] ebullient memoir.”—O, The Oprah Magazine “Refreshingly original reading.”—Kirkus Reviews “A thoughtful meditation on communal living and urban identity…. Quirky and fun.”—The Providence Monthly “Wry, smart, personal, and pretty damn punk rock.”—Kate Schatz, author of Rad Women Worldwide “Cheers to Vikki Warner, whose tenacious and inspiring coming-of-age story gives voice to a new generation of independent women and grown-ass boss ladies.”—Margot Kahn, coeditor of This is the Place “Full of color, life, and that special type of real, earned wisdom that only comes with taking risks and trusting completely in your own young self.”—Kate Bolick, author of Spinster: Making a Life of One's Own “An ode to the messiness of life, Tenemental is the incredibly raw, touching, and laugh-out-loud story of a woman figuring out how to get by in the world.”—Emma Ramadan, co-owner of Riffraff Bookstore
From Charlaine Harris, the #1 New York Times and USA TODAY bestselling author behind HBO’s hit series True Blood and NBC’s Midnight, Texas, the first in a series of mysteries that hits as hard as its heroine... Lily Bard has no illusions about her little town being safe, or peaceful, or full of goodness. Shakespeare, Arkansas, was nothing but a name on a map when she moved here. But Lily has kept her head down in Shakespeare for four years: cleaned houses, blocked unwelcome memories, and honed her body into a weapon with goju karate. It’s as long as she’s lasted anywhere since the nightmare that changed her life, and she’s willing to dust around the skeletons in her neighbors’ closets—provided they mind their business about her past, too. But when a dead body is dumped practically in her front yard, she can’t look away and leave it to innocents to find. And as the investigation creeps closer to Lily, her clients, and the secrets they all keep, she knows her hard-fought peace is in danger. She’s living in close quarters with a murderer. The police are sniffing around her history. And once again, all eyes are on Lily Bard. She could leave town, and give up on the home she’s begun to make. Or she could stay, and root out the killer herself...
A Publishers Weekly Best Book Jack Lambeau is the prodigal son returned home to Lakeland, New York; the Ivy-League educated architectural visionary brought home to reinvent the dying port town and smooth over its self imposed scars. His friend, Steven Turner is the Brooklyn-born local reporter who will bear witness to the city's successes and failures. Between them come Jack's beautiful fiancee Anne--an artist with secrets of her own - and his undisciplined brother Harris, hired by Jack to remove the suspicious barrels of waste from Lakeland's broken heart. As the town struggles to find a new identity, these four characters must find their way through their own unexpected transformations and along the way attempt to answer the questions that plague us all: what is the price of loyalty, filialty, goodness and love?
The “raunchy, hilarious, and thrilling” true story of the incomparable Norma Wallace, proprietor of a notorious 1920s New Orleans brothel (NPR). Norma Wallace grew up fast. In 1916, at fifteen years old, she went to work as a streetwalker in New Orleans’ French Quarter. By the 1920s, she was a “landlady”—or, more precisely, the madam of what became one of the city’s most lavish brothels. It was frequented by politicians, movie stars, gangsters, and even the notoriously corrupt police force. But Wallace acquired more than just repeat customers. There were friends, lovers . . . and also enemies. Wallace’s romantic interests ran the gamut from a bootlegger who shot her during a fight to a famed bandleader to the boy next door, thirty-nine years her junior, who became her fifth husband. She knew all of the Crescent City’s dirty little secrets, and used them to protect her own interests—she never got so much as a traffic ticket, until the early 1960s, when District Attorney Jim Garrison decided to clean up vice and corruption. After a jail stay, Wallace went legitimate as successfully as she had gone criminal, with a lucrative restaurant business—but it was love that would undo her in the end. The Last Madam combines original research with Wallace’s personal memoirs, bringing to life an era in New Orleans history rife with charm and decadence, resurrecting “a secret world, like those uncovered by Luc Sante and James Ellroy” (Publishers Weekly). It reveals the colorful, unforgettable woman who reigned as an underworld queen and “capture[s] perfectly the essential, earthy complexity of the most fascinating city on this continent” (Robert Olen Butler).
“So many strange and wonderful things happen at every twist and turn, you'll be happy to wander with Josie . . . Each book she descends into seems to teach her something, and even if it's not obvious where the story is going, we're in it for the long haul.” —NPR From Shannon Hale, bestselling author of Austenland, comes Kind of a Big Deal: a story that will suck you in—literally. There's nothing worse than peaking in high school. Nobody knows that better than Josie Pie. She was kind of a big deal—she dropped out of high school to be a star! But the bigger you are, the harder you fall. And Josie fell. Hard. Ouch. Broadway dream: dead. Meanwhile, her life keeps imploding. Best friend: distant. Boyfriend: busy. Mom: not playing with a full deck? Desperate to escape, Josie gets into reading. Literally. She reads a book and suddenly she's inside it. And with each book, she’s a different character: a post-apocalyptic heroine, the lead in a YA rom-com, a 17th century wench in a corset. It’s alarming. But also . . . kind of amazing? It’s the perfect way to live out her fantasies. Book after book, Josie the failed star finds a new way to shine. But the longer she stays in a story, the harder it becomes to escape. Will Josie find a story so good that she just stays forever?
Life for East End families like Pat's was always a struggle. She worked for years in Tate & Lyle's sugar factory while her husband Charlie took on two jobs so their growing family could survive. Until one day Charlie came home with a brilliant idea - they should take over The Rising Sun pub in Bromley-by-Bow. In this charming memoir Pat describes her years as a pub landlady and vividly evokes the East End community she served in the 1960s, the extraordinary characters she encountered and the changes that swept through society at that time. She also reveals why she and Charlie moved to Essex, and what it felt like to become a star of The Only Way is Essex in her seventies.
Goliath, an oversized Doberman pinscher, and his owner working on construction need to find a place to live in Long Island. This would not be an easy task considering the dogs fierce and vicious appearance, not too many people were willing to rent their apartments out to a man with a dog like that. Throughout their journey the pair meet different people who all had the same answer-no. Finally, a ray of hope was found in a little Puerto Rican lady from suburban Port Jefferson, Long Island who agrees to take Goliath in also in exchange for some help on her aging house that was in dire need of repair. With their newly found ray of hope, they knew little of the never ending, twisting, and turning road into a deeper madness awaiting them.