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Sir Edward Woodville was the medieval knight par excellence - except that his life coincided with the beginning of the Renaissance. With this vivid and long-awaited biography, Christopher Wilkins demonstrates how Sir Edward carved out an important role for himself in the 15th century, marrying the old-fashioned values of a chivalric age with the modernising trends that were dramatically re-shaping Europe. Far from an anachronism, The Last Knight Errant reveals how this quintessentially medieval figure, riding from battle to battle across Europe, was also profoundly engaged in the events that built the post-medieval states of England, Spain and France. The Last Knight Errant is the first full biography of this pivotal figure in English history for over a century and reveals him to have been a true hero whose significance in the politics of the period is often overlooked. Drawing on original research throughout Europe, Christopher Wilkins draws out Sir Edward Woodville's fascinating life and unusual character in the context of his remarkable family, who have been traditionally cast as among the most unpopular in English history. Sir Edward's eldest sister, Elizabeth, was married to King Edward IV and his brother was guardian to the Prince of Wales but disaster struck when Richard of York executed his coup in 1483. Edward escaped with ships, money and men to Brittany where he became the first of Henry Tudor's new supporters, providing much needed credibility to that cause. He fought at Bosworth but once Henry was crowned and married to his niece, Edward sailed off to fight the Moors before returning to England in time to command the cavalry during the invasion by the pretender to the throne, Lambert Simnel. Never far from the centre of the action, ultimately Edward was killed at the Battle of St Aubin in 1488 where he was leading a freelance expedition to fight the French, contrary to King Henry's own wishes. The Last Knight Errant restores Sir Edward Woodville to his rightful place at the heart of power in 15th-century England and represents him as a true hero whose reputation suffered at the hands of that genius of propaganda, Richard III.
A newly knighted Jedi on her first mission, eighteen-year-old Kerra Holt has joined a band of Jedi volunteers traveling deep behind enemy lines.
Vaea, an elven squire, and her knight, the drunken Ser Aaron Hawthorne, arrive in Kirkwall just in time for Varric Tethras' appointment as Viscount. A talented thief, Vaea skips the party to take on an easy job recovering a hidden lock box... but when she chooses to change the terms of the deal mid-heist, she is entangled in a dangerous mission that is surely above her pay grade.
Southern Knights HOME… It was the last place Nicholas Carlucci thought he'd see again, yet suddenly it was the only place he could go. He'd hoped to find some peace here—but in the eyes of his new neighbor, Lainie Farrell, he found a hint of something more. Something he dared not hope he'd ever see again…. To solve the mystery of the man she'd been sent to protect, Lainie Farrell had to stick to him like glue. But she wasn't supposed to get this close to Nick Carlucci—close enough to see his noble soul beneath his bitter exterior. And close enough to know that now she, too, was in danger. In more ways than one… Jamey, Reid and Nicholas: They came home expecting to find danger—but love took them by surprise!
This book, first published in 1967, is a comprehensive study of knight-errantry in Chinese history and literature from the fourth century BC to the twentieth century. After discussing the social and intellectual backgrounds of knight-errantry, it gives examples of historical knights and describes the development of the theme of knight-errantry in poetry, fiction and drama. Many biographies, anecdotes, poems and tales are translated in full, while long prose romances and dramatic works are summarized and discussed. As background to these, sketches of the developments of Chinese fiction and drama are provided. In a final chapter, comparisons are made between Chinese and European knights, and between Chinese and Western chivalric literature.
"The world is a surreal pageant," writes Stephen Kuusisto. "Ahead of me the shapes and colors suggest the sails of Tristan's ship or an elephant's ear floating in air, though in reality it is a middle-aged man in a London Fog rain coat which billows behind him in the April wind." So begins Kuusisto's memoir, Planet of the Blind, a journey through the kaleidoscope geography of the partially-sighted, where everyday encounters become revelations, struggles, or simple triumphs. Not fully blind, not fully sighted, the author lives in what he describes as "the customs-house of the blind", a midway point between vision and blindness that makes possible his unique perception of the world. In this singular memoir, Kuusisto charts the years of a childhood spent behind bottle-lens glasses trying to pass as a normal boy, the depression that brought him from obesity to anorexia, the struggle through high school, college, first love, and sex. Ridiculed by his classmates, his parents in denial, here is the story of a man caught in a perilous world with no one to trust--until a devastating accident forces him to accept his own disability and place his confidence in the one relationship that can reconnect him to the world--the relationship with his guide dog, a golden Labrador retriever named Corky. With Corky at his side, Kuusisto is again awakened to his abilities, his voice as a writer and his own particular place in the world around him. Written with all the emotional precision of poetry, Kuusisto's evocative memoir explores the painful irony of a visually sensitive individual--in love with reading, painting, and the everyday images of the natural world--faced with his gradual descent into blindness. Folded into his own experience is the rich folklore the phenomenon of blindness has inspired throughout history and legend.
Originally published by Johns Hopkins Press, 1933.
American executive Robyn Stafford has a remarkable encounter with Edward Plantagenet, a 15th century heir to the English throne.
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}