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India's declaration of independance on 15 August 1947 was a momentous occasion. For the British, who had ruled there for over 200 years, it was the start of a process to discard its world empire. This text explores, through the voices and memories of both the British and Indians, the drama and tensions of the years leading up to, and following, Independance. The text combines historical narrative with these interviews and presents a social history and an insight into a significant period in British history.
Controversial account of the blunders during the year that ended British rule in India, 1946-1947.
Wavell's era provides the backdrop for the finale which so historically, and tragically, unfolded under his successor and the last British viceroy, Mountbatten. No understanding of Mountbatten's era and the last days of the Raj in India could be complete without a deeper and proper understanding in all its complexities, of the Wavell's time as the second-last viceroy of India (October 1943-March 1947).
Warren Hastings, Britain's first governor-elect of India, was in the 18th century the person most responsible for the creation of British rule in India, according to the author. Hastings' eventual and dramatic impeachment forms the conclusion to Bernstein's unusual and powerful narrative. 12 illustrations.
In the nineteenth century, at the height of colonialism, the British ruled India under a government known as the Raj. British men and women left their homes and traveled to this mysterious, beautiful country–where they attempted to replicate their own society. In this fascinating portrait, Margaret MacMillan examines the hidden lives of the women who supported their husbands’ conquests–and in turn supported the Raj, often behind the scenes and out of the history books. Enduring heartbreaking separations from their families, these women had no choice but to adapt to their strange new home, where they were treated with incredible deference by the natives but found little that was familiar. The women of the Raj learned to cope with the harsh Indian climate and ward off endemic diseases; they were forced to make their own entertainment–through games, balls, and theatrics–and quickly learned to abide by the deeply ingrained Anglo-Indian love of hierarchy. Weaving interviews, letters, and memoirs with a stunning selection of illustrations, MacMillan presents a vivid cultural and social history of the daughters, sisters, mothers, and wives of the men at the center of a daring imperialist experiment–and reveals India in all its richness and vitality. “A marvellous book . . . [Women of the Raj] successfully [re-creates] a vanished world that continues to hold a fascination long after the sun has set on the British empire.” –The Globe and Mail “MacMillan has that essential quality of the historian, a narrative gift.” –The Daily Telegraph “MacMillan is a superb writer who can bring history to life.” –The Philadelphia Inquirer “Well researched and thoroughly enjoyable.” –Evening Standard
From the critically acclaimed author of "The Rise and Fall of the British Empire" comes an unapologetic revisionist history of British rule in India. James recounts the twists and turns of imperialism and independence with a wealth of new material. 8-page photo insert.
In August 1947 the British ended the 'Raj' and left India. Some stayed on; others who had grown up in India shortly returned there. Over the next sixty years they adapted to modern India while always being conscious of their legacy, the inheritance of the Raj. This is the story of the very last of the stayers-on. Through their eyes we see how the legacy has withered over the years but, with their help, also how it has evolved in a new millennium: from post-imperial hangover to heritage industry; from the singing of Victorian hymns in neo-Gothic churches to a new Christian evangelism; from Shakespeare wallahs to multimedia English language teaching and call centres. Tea planter, missionary, tiger hunter turned conservationist, club manager, 'box-wallah', antiques dealer, single mother in the ghost town of McCluskiegunge - they all have remarkable stories to tell. And now there are fewer than a dozen of the stayers-on left. Hugh Purcell's After the Raj is the haunting, uplifting, unexpected story of the very last remnants of British India.
In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. "Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain's silver age."—Robert Towers, Newsweek "Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."—Jean G. Zorn, New York Times Book Review "A graceful comic coda to the earlier song of India. . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott."—Paul Gray, Time "Staying On provides a sort of postscript to [Scott's] deservedly acclaimed The Raj Quartet. . . . He has, as it were, summoned up the Raj's ghost in Staying On. . . . It is the story of the living death, in retirement, and the final end of a walk-on character from the quartet. . . . Scott has completed the task of covering in the form of a fictional narrative the events leading up to India's partition and the achievement of independence in 1947. It is, on any showing, a creditable achievement."—Malcolm Muggeridge, New York Times Book Review
The popular image of the British Raj-an era of efficient but officious governors, sycophantic local functionaries, doting amahs, blisteringly hot days and torrid nights-chronicled by Forster and Kipling is a glamorous, nostalgic, but entirely fictitious. In this dramatic revisionist history, Jon Wilson upends the carefully sanitized image of unity, order, and success to reveal an empire rooted far more in violence than in virtue, far more in chaos than in control. Through the lives of administrators, soldiers, and subjects-both British and Indian-The Chaos of Empire traces Britain's imperial rule from the East India Company's first transactions in the 1600s to Indian Independence in 1947. The Raj was the most public demonstration of a state's ability to project power far from home, and its perceived success was used to justify interventions around the world in the years that followed. But the Raj's institutions-from law courts to railway lines-were designed to protect British power without benefiting the people they ruled. This self-serving and careless governance resulted in an impoverished people and a stifled society, not a glorious Indian empire. Jon Wilson's new portrait of a much-mythologized era finally and convincingly proves that the story of benign British triumph was a carefully concocted fiction, here thoroughly and totally debunked.