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During the last days of the disco era, in the early 1980s, a popular dance club becomes the center of nightlife for a group of not-quite innocent young people new to Manhattan.
Critics have praised the films of writer-director Whit Stillman for their exceptionally intelligent portrayal of the lives and loves of the urban haute bourgeoisie. His three comedies of manners -- Metropolitan, Barcelona, and The Last Days of Disco -- sparkle with urbane and ironic wit. In Doomed Bourgeois in Love, the cultural critic Mark C. Henrie brings together a collection of political theorists, literary critics, and classicists to explore the meaning of Stillman's films.
Bobby and Joey's new mobile disco business seems like the answer to everything, until they lock horns with the local gangster ... First in the critically acclaimed, hilarious and heartbreaking Disco Days Trilogy, by one of Scotland's finest writers. ***Longlisted for the Authors' Club First Novel Award*** 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'Warm, funny and evocative' Chris Brookmyre –––––––––––––––––––––––– Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's empire... Bobby Cassidy and Joey Miller have been best mates since primary school. Joey is an idealist; Bobby just wants to get laid and avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the answer to everything. The Last Days of Disco is about family, music, small-time gangsters ... and the fear of being sent to the Falklands by the biggest gangster of them all. Witty, energetic and entirely authentic, it's also heartbreakingly honest, weaving together tragedy and comedy with an uncanny and unsettling elegance. A simply stunning debut. –––––––––––––––––––––––– 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'Captures the time, the spirit ... I loved it' John Niven 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page, The Last Days of Disco is as warm and authentic as Roddy Doyle at his very best' Nick Quantrill
Bobby and Joey's new mobile disco business seems like the answer to everything, until they lock horns with the local gangster ... First in the critically acclaimed, hilarious and heartbreaking Disco Days Trilogy, by one of Scotland's finest writers. ***Longlisted for the Authors' Club First Novel Award*** 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'Warm, funny and evocative' Chris Brookmyre –––––––––––––––––––––––– Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's empire... Bobby Cassidy and Joey Miller have been best mates since primary school. Joey is an idealist; Bobby just wants to get laid and avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the answer to everything. The Last Days of Disco is about family, music, small-time gangsters ... and the fear of being sent to the Falklands by the biggest gangster of them all. Witty, energetic and entirely authentic, it's also heartbreakingly honest, weaving together tragedy and comedy with an uncanny and unsettling elegance. A simply stunning debut. –––––––––––––––––––––––– 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'Captures the time, the spirit ... I loved it' John Niven 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page, The Last Days of Disco is as warm and authentic as Roddy Doyle at his very best' Nick Quantrill
American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.
When a young Ayrshire band unexpectedly hits the big time with the smash hit record of 1984, everything looks rosy, despite their delusional young manager and a thwarted plot to kidnap Boy George. What could possibly go wrong? The riotously funny, heartwarming, and deeply poignant second book in the bestselling Disco Days Trilogy. ***Now adapted for the stage by Scotland's Borderline Theatre Co. and the Ayr Gaiety theatre*** 'This band would definitely bring on Stockholm Syndrome' Boy George 'An astonishing tour de force' John Niven 'A great white-knuckle read set in the world of hope, dreams and DIY pop' Stuart Cosgrove –––––––––––––––––––––––– The Rise and Fall of the Miraculous Vespas is the timeless story of the quest for pop immortality. When a young Ayrshire band miraculously hits the big time with the smash hit record of 1984, international stardom beckons. That's despite having a delusional teenage manager propelled by a dark, malign voice in his head... Can Max Mojo's band of talented social misfits repeat the success and pay back the mounting debts accrued from an increasingly agitated cartel of local gangsters? Or will they have to kidnap Boy George and hope for the best? Featuring much-loved characters from the international bestseller, The Last Days of Disco, this is an absurdly funny, riotously ambitious and deeply human story of small-town rivalries, music, confused adolescence and, above all, hope, from one of Scotland's finest new voices. –––––––––––––––––––––––– Praise for David F. Ross 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Warm, funny and evocative' Chris Brookmyre 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page ... as warm and authentic as Roddy Doyle at his very best' Nick Quantrill 'A solid-gold hit of a book! The closest you'll ever get to being on Top of the Pops' Colin McCredie
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
Introduction / by Barbara Morgan -- 1. Inspiration. A conversation with Randall Wallace -- 2. Story. What makes a great story : a conversation with Bill Wittliff ; Steven Zaillian on where the story originates ; Peter Hedges on crafting story ; Lawrence Kasdan on story and theme -- 3. Process. A conversation with John Lee Hancock ; Sacha Gervasi on getting started ; The basics with Nicholas Kazan ; Advice from Bill Wittliff ; Anne Rapp's writing routine ; Caroline Thompson's writing process ; Lawrence Kasdan on the challenges of writing -- 4. Structure. Structure and format : a conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan ; Caroline Thompson on structure ; Lawrence Kasdan on the rules of script formatting ; Visual storytelling : a conversation with John August, John Lee Hancock, and Randall Wallace -- 5. Character and dialogue. Building characters and mapping their journeys : a conversation with Lawrence Kasdan and Anne Rapp ; Nicholas Kazan on writing characters ; Crafting characters : a conversation with Lawrence Kasdan ; Dialogue and finding the voice : a conversation with John August and John Lee Hancock -- 6. Rewritng. Writer's block : a conversation with Bud Shrake and Bill Wittliff ; Bill Wittliff on when to let something go ; Steven Zaillian on defining scenes : what to keep in, what to leave out ; Anne Rapp on keeping writing fresh ; Nicholas Kazan's rewriting process ; On rewriting : a conversation with Daniel Petrie Jr., Peter Hedges, and Sacha Gervasi ; Lawrence Kasdan on how to know when you're done -- 7. Collaboration. A conversation with Steven Zaillian ; Peter Hedges on collaborating ; Lawrence Kasdan on writing with a partner ; Randall Wallace on working with other writers -- 8. Go forth.
When a young Ayrshire band unexpectedly hits the big time with the smash hit record of 1984, everything looks rosy, despite their delusional young manager and a thwarted plot to kidnap Boy George. What could possibly go wrong? The riotously funny, heartwarming, and deeply poignant second book in the bestselling Disco Days Trilogy. ***Now adapted for the stage by Scotland's Borderline Theatre Co. and the Ayr Gaiety theatre*** 'This band would definitely bring on Stockholm Syndrome' Boy George 'An astonishing tour de force' John Niven 'A great white-knuckle read set in the world of hope, dreams and DIY pop' Stuart Cosgrove –––––––––––––––––––––––– The Rise and Fall of the Miraculous Vespas is the timeless story of the quest for pop immortality. When a young Ayrshire band miraculously hits the big time with the smash hit record of 1984, international stardom beckons. That's despite having a delusional teenage manager propelled by a dark, malign voice in his head... Can Max Mojo's band of talented social misfits repeat the success and pay back the mounting debts accrued from an increasingly agitated cartel of local gangsters? Or will they have to kidnap Boy George and hope for the best? Featuring much-loved characters from the international bestseller, The Last Days of Disco, this is an absurdly funny, riotously ambitious and deeply human story of small-town rivalries, music, confused adolescence and, above all, hope, from one of Scotland's finest new voices. –––––––––––––––––––––––– Praise for David F. Ross 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Warm, funny and evocative' Chris Brookmyre 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page ... as warm and authentic as Roddy Doyle at his very best' Nick Quantrill 'A solid-gold hit of a book! The closest you'll ever get to being on Top of the Pops' Colin McCredie
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?