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#6 in this Cleveland crime and disaster series includes 15 stories. Sometimes gruesome, often surprising, these tales are meticulously researched and delivered in a literate and entertaining style. Meet a daring Jazz Age stick-up man, a murderous grandmother, an ageless fire chief addicted to profanity, and other unforgettable characters.
Recounts sixteen of the most tragic disasters in the history of Cleveland, Ohio, including the Ashtabula Bridge disaster, the Cleveland Clinic fire, and the Terminal Tower tragedy, among others.
For many Clevelanders, the accolades the city has finally begun to collect are a celebration of what residents have already known for years. One need look no further than the bartenders at Cleveland's regular haunts, the burgeoning comedians the city laughs along with, the musicians gaining national recognition, and the owners of the restaurants making Cleveland a foodie destination. For all the recognition the city has recently been earning, there are key residents that keep the gears in motion. Cleveland photographer Laura Wimbels has spent the last two years capturing their portraits. The final product is Faces of Cleveland.
Music fans who grew up with Rock and Roll in Cleveland remember a golden age. We were young, so was the music, and the sense of freedom and excitement the Rock and Roll scene delivered was electric. There were so many great clubs, like the Agora, where every big band seemed to break in the 1970s. The trendsetting radio stations, from A.M.'s WIXY to F.M.'s groundbreaking "Home of the Buzzard," WMMS. And all those memorable shows. The free Coffee Break Concerts--remember Sprinsteen just when he hit it big? The gigantic World Series of Rock. Nights on the lawn at Blossom (including local favorites the Michael Stanley Band and their record-setting sellout streak). This book collects the favorite memories of Clevelanders who made the scene: fans, musicians, DJs, reporters, club owners, and more. Includes rare photographs and other memorabilia such as concert posters, bumper stickers, pins, and ticket stubs.
Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.
"This book should be required reading for every elected official and for every citizen." -- Chief Edward P. Kovacic (retired), Cleveland Police Department Gritty, scary, hilarious, and heartbreaking . . . these remarkable true stories will take you on the roller coaster ride that is life as a Cleveland police officer. These are the real stories cops trade with each other after the shift, over a couple of beers. They're stories the rest of us rarely get to hear, because cops are often reluctant to open their world to outsiders. But now they share their compelling personal tales with the rest of us. Listen in as dozens of cops--active and retired, young and old, from rookie to chief--tell about their most memorable moments patrolling the streets of Cleveland. The biggest arrests, the dumbest criminals, the funniest practical jokes, the most frightening calls . . . Their stories will give you goose bumps on one page and make you laugh until you're gasping for breath on the next. Some hit like a punch in the gut, some will make you stop and wonder. On this ride you'll get a front-seat look at one of the toughest jobs in town--and gain a better understanding of the men and women who put their lives on the line every day to do it. A real eye-opener, and great fun to read.
"Memoir set largely in Walters, Oklahoma, tracing a community's development from the 1930s to the present. The narrator traces the story of his grandfather, Harry Tracy Daugherty, a man who devoted his life to public service. It is the story of changing political attitudes in southern Oklahoma, of growing awareness of race and class, and of dealing with the pervasive grief endured for lost loved ones. Unearthly Archives expands the realistic accounts of the first narrative, providing a meditation on the meaning of grief. The writer demonstrates his curiosity and indefatigable search for understanding and closure by searching his readings as they inflect his own experiences. Questions of the possibilities of an afterlife are superseded by the revelations in dreams. Whereas the first narrative explores daily family life, setting up what will be the huge loss of his parents, the second examines questions of death, grief, creativity, and the meaning of memory"--
#2 in the Milan Jacovich mystery series. Milan hunts for a con man who scammed the Mob. He's shadowed by mob flunky Buddy Bustamente, who sports a polyester leisure suit, white patent leather shoes, and matching white belt—that 1970s fashion statement once unkindly dubbed the “full Cleveland.”
From dishwasher to international celebrity in one afternoon . . . Charles Ramsey gives a roller coaster account of his life before, during, and after the dramatic rescue of three kidnapped women in Cleveland . . . Global news media declared him a hero. Well-wishers mobbed him. The Internet made him a viral sensation. It couldn’t have happened to a less likely guy. Now, read how it all went down. Ramsey was in the wrong place at the right time when he answered a young woman’s cry for help, kicked in his neighbor’s locked front door, and got her the hell out of there—leading to the astonishing rescue of three young women—Amanda Berry, Gina DeJesus, and Michelle Knight—who had been missing for a decade. Reporters and TV cameras flocked to a neighborhood—and a man—they otherwise would have ignored. Ramsey was ready, with plenty to say. “Bro, I knew something was wrong when a little pretty white girl ran into a black man’s arms . . . Dead giveaway.” It was a quote that launched a thousand Internet memes . . . In this book Ramsey walks us step-by-step through the day of the rescue and talks about living right next door to Ariel Castro—outwardly charming, secretly a monster. He tells about life before the rescue—growing up a privileged black kid in a white suburb, seeking out trouble over and over, getting kicked out of school, selling drugs, going to prison, and ultimately finding work as a dishwasher and landing by chance on gritty Seymour Avenue. And he shares what it’s like to become an instant celebrity, when suddenly everybody wants a piece of you. (For example, he learned the hard way that when a big TV network flies you to New York City for an interview, that doesn’t mean they also bought you a ticket back home to Cleveland!) This is a wild, eye-opening tale told with a sharp sense of humor.
"Cleveland's Colorful Characters" is an easy to read, insightful book on some of Cleveland's most influential individuals. These individuals helped create the grand and unique city which at one time was one of the most respected cities in the word. The first chapter is on the Mather family and how they helped create many of Cleveland's world class institutions. On a lighter side they were the first documented individuals to throw a 'toga party'. The 2nd chapter provides insights into the Van Sweringens who built many of Cleveland's finest homes and buildings as well as being the largest railroad owners in the country. Through the author's research he was able to determine they were the bases for the book, The Great Gatsby. The 3rd chapter concerns Jim Backus who was the creator of Mr. Magoo as well as the millionaire on Gilligan's Island. He attended University school and great up in Bratenahl. Local lore states Mr. Magoo was based on a University School teacher. The other chapters inform readers on Charles Schweinfurth, aka "Cleveland's Castle Creator", a brief insight into Camp Cleveland a 20,000 person Civil War camp in University Heights, unusual ghost stories and the last three chapters are dedicated to Cleveland's automotive history. This is when Cleveland was the car capital of the country, if not the world. Much of the intriguing information in this fact-packed book is new information which the author derived from his in-depth research and conversations with family descendants of those depicted in the book.