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A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz. On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner’s powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III. Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical—hidden where and when one would least expect to find them. The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.
"The Last Consolation Vanished is a unique first-person Holocaust account. It is by Zalmen Gradowski, who was one of the Sonderkommandos (special squads) at Auschwitz, a Jew tasked with ushering prisoners into the gas chambers, removing their bodies, salvaging any valuables, and destroying all evidence of their murders. The Sonderkommandos were forcibly recruited by SS men; when they discovered how dreadful the work they were expected to do was, a number of them committed suicide or acted with the aim of being killed by the SS. In spite of their situation, some Sonderkommandos never gave up and attempted to resist in two very interlaced ways: planning an uprising and testifying. Gradowski resisted both ways, and while the rebellion he helped to lead on October 7, 1944, was completely crushed, and Gradowski was murdered in the process, his testimony lives on. Hidden in a metal bottle in the ashes near Crematorium III, Gradowski's two lyrical accounts describe the brutality of the Nazi regime, the process of the assassination of Czech Jews, and the relationship among the men forced to assist in the horrors. But his notebooks are not the detached blow-by-blow series of declarative statements we have come to expect in narratives of this kind. In the midst of daily unimaginable horrors, Gradowski aimed to write beautifully, lyrically, movingly, to create true literature where and when one would least expect to find it. Gradowski wrote in Yiddish, and until now, his full writings have only appeared in French translation. This most exceptional text, accompanied by a preface and postface by Philippe Mesnard and Arnold I. Davidson, will be of enormous value, both in Holocaust scholarship and in continuing the remembrance of the Shoah, for many years to come"--
This is a unique, eye-witness account of everyday life right at the heart of the Nazi extermination machine. Slomo Venezia was born into a poor Jewish-Italian community living in Thessaloniki, Greece. At first, the occupying Italians protected his family; but when the Germans invaded, the Venezias were deported to Auschwitz. His mother and sisters disappeared on arrival, and he learned, at first with disbelief, that they had almost certainly been gassed. Given the chance to earn a little extra bread, he agreed to become a ‘Sonderkommando', without realising what this entailed. He soon found himself a member of the ‘special unit' responsible for removing the corpses from the gas chambers and burning their bodies. Dispassionately, he details the grim round of daily tasks, evokes the terror inspired by the man in charge of the crematoria, ‘Angel of Death' Otto Moll, and recounts the attempts made by some of the prisoners to escape, including the revolt of October 1944. It is usual to imagine that none of those who went into the gas chambers at Auschwitz ever emerged to tell their tale - but, as a member of a ‘Sonderkommando', Shlomo Venezia was given this horrific privilege. He knew that, having witnessed the unspeakable, he in turn would probably be eliminated by the SS in case he ever told his tale. He survived: this is his story. Published in association with the United States Holocaust Memorial Museum.
The "Sonderkommando of "Auschwitz-Birkenau consisted primarily of Jewish prisoners forced by the Germans to facilitate the mass extermination. Though never involved in the killing itself, they were compelled to be "members of staff" of the Nazi death-factory. This book, translated for the first time into English from its original Hebrew, consists of interviews with the very few surviving men who witnessed at first hand the unparalleled horror of the Auschwitz-Birkenau death camp. Some of these men had never spoken of their experiences before.
The ferocity of the Nazi attack upon the Jews took many by surprise. Volkov argues that a new look at both the nature of antisemitism and at the complexity of modern Jewish life in Germany is required in order to provide an explanation. While antisemitism had a number of functions in pre-Nazi German society, it most particularly served as a cultural code, a sign of belonging to a particular political and cultural milieu. Surprisingly, it only had a limited effect on the lives of the Jews themselves. By the end of the nineteenth century, their integration was well advanced. Many of them enjoyed prosperity, prestige, and the pleasures of metropolitan life. This book stresses the dialectical nature of assimilation, the lead of the Jews in the processes of modernization, and, finally, their continuous efforts to 'invent' a modern Judaism that would fit their new social and cultural position.
Timely and profound philosophical meditations on how great figures in history, literature, music, and art searched for solace while facing tragedies and crises, from the internationally renowned historian of ideas and Booker Prize finalist Michael Ignatieff When we lose someone we love, when we suffer loss or defeat, when catastrophe strikes—war, famine, pandemic—we go in search of consolation. Once the province of priests and philosophers, the language of consolation has largely vanished from our modern vocabulary, and the places where it was offered, houses of religion, are often empty. Rejecting the solace of ancient religious texts, humanity since the sixteenth century has increasingly placed its faith in science, ideology, and the therapeutic. How do we console each other and ourselves in an age of unbelief? In a series of lapidary meditations on writers, artists, musicians, and their works—from the books of Job and Psalms to Albert Camus, Anna Akhmatova, and Primo Levi—esteemed writer and historian Michael Ignatieff shows how men and women in extremity have looked to each other across time to recover hope and resilience. Recreating the moments when great figures found the courage to confront their fate and the determination to continue unafraid, On Consolation takes those stories into the present, movingly contending that we can revive these traditions of consolation to meet the anguish and uncertainties of our precarious twenty-first century.
Cruelty is such a ubiquitous and at the same time disturbing phenomenon that we take for granted that we understand what it is, and how it impacts the ways in which we think about our humanity as a moral condition—how we understand our moral significance. Cruelty: A Book About Us offers an accessible interrogation of cruelty and humanity, and, most critically, it provides a groundwork for us to raise questions collectively; it is an invitation for us all to join in the dialogue. Through academic studies, literary works, and’ personal stories and observations, this book provokes deeper insights into why cruel acts trouble our usual ways of articulating and addressing wrongness. Mining interdisciplinary sources, it excavates what we may not know we don't know and guides us in conversations about this profoundly evocative and often uneasy subject.
This issue of the CCAR Journal focuses on the relationship between Judaism and rapid technological change, the disconnect between information and meaning, and related existential questions facing the Reform Movement. General articles, book reviews, and poetry are also included.
Baby carriage, rocking an imaginary child. These are the tiny wisps of hope keeping her and her fellow inmates alive from one moment to the next. Yet the camp forces the prisoners also to be ruthless with their most intimate affections lest an unguarded remembrance of their children or husbands leave them vulnerable to despair. What makes this account especially moving are the moments that reaffirm what it means to be human in the face of the abominations of camp.
The "New York Times" bestseller called "quietly gripping" by "USA Today" demonstrates how impulses can fracture even the most stable family. Despite her loving family and beautiful home, Jo Becker is restless. Then an old roommate reappears, bringing back Jo's memories of her early 20s. Jo's obsession with that period in her life--and the crime that ended it--draws her back to a horrible secret.