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Yarrows do not die. People do. The family motto. Cynthia Yarrow laughs as she returns to Oxrun Station, her old hometown. The family is assembled to greet the prodigal—but they have changed in the years Cyd's been away. Cyd's mother cuts herself but does not bleed. One evening a horrified Cyd discovers her father's lifeless body—only to see him alive and laughing just minutes later. Everything is fine, they assure her—she'll understand as soon as she visits Dr. Kraylin. When Cyd refuses, she is pursed through Oxrun Station's street by a powerful grey limousine. As the death-car bears down on her, she wonders, is she still a Yarrow—or is she their next target?
After a painful divorce, Savannah White wants nothing more than to find her happy place. So when she gets the chance to pack up her life -and her son - and move to the idyllic town where she spent childhood summers, she jumps at the opportunity. Last Chance is just as charming as she remembered. She's even invited to join the local book club, where talk soon turns to Savannah's plan to bring the ramshackle downtown movie theater back to life. A new challenge is just what Savannah needs to move forward.. . . Dash Randall wants to put his fortune to good use, but he remembers Savannah as the bratty "princess" who descended upon him each June, causing no end of trouble. But the teenager he remembered has grown into a gorgeous and generous woman, and it isn't long before Dash finds himself wanting to make brand new memories with Savannah. But first, Dash and Savannah will need to make peace with their pasts to find a new chance for love.
Death is something we all confront—it touches our families, our homes, our hearts. And yet we have grown used to denying its existence, treating it as an enemy to be beaten back with medical advances.We are living at a unique point in human history. People are living longer than ever, yet the longer we live, the more taboo and alien our mortality becomes. Yet we, and our loved ones, still remain mortal. People today still struggle with this fact, as we have done throughout our entire history. What led us to this point? What drove us to sanitize death and make it foreign and unfamiliar?Schillace shows how talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together—conversation and community are just as important for living as for dying. Some of the stories are strikingly unfamiliar; others are far more familiar than you might suppose. But all reveal much about the present—and about ourselves.
Elizabeth J. Duncan spins a charming tale of murder and intrigue in her award-winning first novel, The Cold Light of Mourning. The picturesque North Wales market town of Llanelen is shocked when Meg Wynne Thompson, a self-made beauty who has turned out to be something of an unpopular bride, goes missing on her wedding day...and turns up dead. The last person believed to have seen her is manicurist Penny Brannigan, an expatriate Canadian who has lived in North Wales for almost twenty-five years. When Penny notices that something is not quite right at the funeral of her dearest friend, she becomes emotionally invested in the case, and sets out to investigate. It seems that several people, including the bride's drunken, abusive father, had reasons to wish Meg dead, but when the trail leads to her groom's home, an explosive secret will shake the small town. With its bucolic Welsh setting and vivid, colorful characters, this mystery is sure to delight the most discerning of traditional-mystery fans.
Veronica is eternally fifty-one years old with a proclivity for problematic drinking. Like most hormonally challenged women negotiating the change of life, she is a hot mess. To retain her sanity, she attends weekly AA meetings and adheres to a strict diet of organic, locally-sourced, (mostly) cruelty-free human blood from the hospice facility where she works. Her life stopped being fun about a hundred years ago, right about the time her teenage daughter stole her soul and took off for California with a hot, older guy. These days, Veronica’s existence is just that – an existence, as flat and empty as her own non-reflection in the bathroom mirror. When her estranged daughter contacts her via Facebook, Veronica learns that she has one chance to escape her eternal personal summer: she must find and apologize to every one of the people she’s turned into vampires in the last century. That is, if they’re still out there. With raging hormones and a ticking clock, Veronica embarks on a last-ditch road trip to regain her mortality, reclaim her humanity, and ultimately, die on her own terms.
When a wedding at the estate of the charming Earl of Haverhill is interrupted by the dual murders of the bride's great aunt and uncle, Daisy Dalyrmple and her husband, Detective Chief Inspector Alex Fletcher, must deduce who among a horde of wedding guests is the culprit. Reprint.
From the bestselling, Booker Prize-winning author of The Sense of an Ending comes an elegant triptych of history, fiction, and memoir—a "wise, funny, and devastating ... discourse on love and sorrow" (The New York Times Book Review). In this “deeply stirring” book (The Boston Globe), Julian Barnes writes about ballooning and photography, love and grief; about putting two things, and two people, together, and tearing them apart; and enduring after the incomprehensible loss of a loved one. Powerfully rendered, exquisitely crafted in Barnes’s erudite style, this searing work confirms the author as an unparalleled magus of the heart.
A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia
I Look To The Mourning Sky: A Book of Poems and Writing Prompts for the Grieving Heart is a collection of poems for anyone who has experienced the immensity of loss. Its poems are written through the first year of grief and they seek to acknowledge the pain and complexity of this journey, which can be so isolating and overwhelming. While grief is a lifelong experience, it is something that is constantly changing and evolving. Its landscape is unpredictable and unrelenting. I Look to the Mourning Sky is a collection that seeks to meet people in the storms of their sadness and remind them that they aren't alone. Also included are twelve writing prompts centered around grief and processing. Whether your grief is fresh or you can't imagine a time you weren't carrying it, these poems and prompts are written with the goal of giving you a safe space to feel the ups and downs of loss and to heal in your own way at your own pace. Whether you are an avid writer or can't remember the last time you ever put pen to paper, these prompts are designed for you: to write your story, to share your story, to make sense of the things you don't say aloud. The love you still have for who and what you've lost is so deeply important. The chapters of their love and the pages of memories are yours to keep. Your grief, their story, and how it's helped you write yours: it matters. It all matters. I hope this helps you on your journey.