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This book deals with prejudice, specifically the neglected area of prejudice towards Romany Gypsies and Irish Travellers. It describes a problem-solving approach at both practitioner and strategic levels that can overcome prejudice in many of its forms and help achieve greater social justice. John Coxhead has drawn on his extensive research with practitioners, strategic workers and the communities to highlight the issues for and about Travellers. He provides an analytical but practical approach that is also a toolkit for those working in public services to improve service delivery. As the definitive text for understanding the approaches and strategies by which prejudice towards a certain community can be effectively tackled, the book will be indispensable to practitioners in public services, particularly criminal justice and policing. It will also interest sociologists and the communities themselves.
1999 North American Society for Sports History Book of the Year Douglas Booth looks at the role of sport in the fostering of a new national identity in South Africa. He analyzes the effect of the 30-year sport boycott but concludes that sport will never unite South Africans except in the most fleeting and superficial manner.
This book brings together a collection of research, personal reflection, and creative work to provide a comprehensive, in-depth account of sexual racism from an international and interdisciplinary perspective. The volume makes the case that sexual racism is in the very foundations of our societies, determining the ideas, bodies, and systems positioned as desirable. From this provocative perspective, Sexual Racism and Social Justice offers a new understanding of the relationship between sex and race, arguing that to undesire whiteness is to help undo sexual racism, which are essential steps in the meaningful advancement of social justice.
20 Lola Young: IMPERIAL CULTURE
Keith B. Richburg was an experienced and respected reporter who had paid his dues covering urban neighborhoods in Washington D.C., and won praise for his coverage of Southeast Asia. But nothing prepared him for the personal odyssey that he would embark upon when he was assigned to cover Africa. In this powerful book, Richburg takes the reader on an extraordinary journey that sweeps from Somalia to Rwanda to Zaire and finally to South Africa. He shows how he came to terms with the divide within himself: between his African racial heritage and his American cultural identity. Are these really my people? Am I truly an African-American? The answer, Richburg finds, after much soul-searching, is that no, he is not an African, but an American first and foremost. To those who romanticize Mother Africa as a black Valhalla, where blacks can walk with dignity and pride, he regrets that this is not the reality. He has been there and witnessed the killings, the repression, the false promises, and the horror. "Thank God my nameless ancestor, brought across the ocean in chains and leg irons, made it out alive," he concludes. "Thank God I am an American."
Positioning race front and centre, this book theorizes that political violence, in the form of a socio-political process that differentiates between human and less-than-human populations, is used by the state of Israel in racializing and ruling the citizens of occupied Palestine. Lentin argues that Israel's rule over Palestine is an example of Agamben's state of exception, Goldberg's racial state and Wolfe's settler colony; the Israeli racial settler colony employs its laws to rule besieged Palestine, while excluding itself and its Jewish citizen-colonists from legal instruments and governmental technologies. Governing through emergency legislation and through practices of exception, emergency, necessity and security, Israel positions itself outside domestic and international law. Deconstructing Agamben's Eurocentric theoretical position Lentin shows that it occludes colonialism, settler colonialism and anti-colonialism and fails to specifically foreground race; instead she combines the work of Wolfe, who proposes race as a trace of settler colonialism, and Weheliye, who argues that Agamben's western-centric understanding of exception fail to speak from explicitly racialized and gendered standpoints. Employing existing media, activist, and academic accounts of racialization this book deliberately breaks from white, Western theorizations of biopolitics, exception, and bare life, and instead foregrounds race and gender in analysing settler colonial conditions in Israel.
Secret and private organizations, in the form of Greek-letter organizations, mutual aid societies, and civic orders, together possess a storied and often-romanticized place in popular culture. While much has been made of these groups’ glamorous origins and influence—such as the Freemasons’ genesis in King Solomon’s temple or the belief in the Illuminati’s control of modern geo-politics—few have explicitly examined the role of race and ethnicity in organizing and perpetuating these cloistered orders. This volume directly addresses the inattention paid to the salience of race in secret societies. Through an examination of the Historically Black and White Fraternities and Sororities, the Ku Klux Klan in the US, the Ekpe and Abakuj secret societies of Africa and the West Indies, Gypsies in the United Kingdom, Black and White Temperance Lodges, and African American Order of the Elks, this book traces the use of racial and ethnic identity in these organizations. This important contribution examines how such orders are both cause and consequence of colonization, segregation, and subjugation, as well as their varied roles as both catalysts and impediments to developing personal excellence, creating fictive kinship ties, and fostering racial uplift, nationalism, and cohesion. This book was originally published as a special issue of Ethnic and Racial Studies.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.