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Award-winning author Brad Parks delivers a tense novel of thrills, twists, and deceit that grabs you and won’t let go until the final, satisfying page. Tommy Jump is an out-of-work stage actor approached by the FBI with the role of a lifetime: Go undercover at a federal prison, impersonate a convicted felon, and befriend a fellow inmate, a disgraced banker named Mitchell Dupree, who knows the location of documents that can be used to bring down a ruthless drug cartel . . . if only he’d tell the FBI where they are. The women in Tommy’s life, his fiancée and mother, tell him he’s crazy to even consider taking the part. The cartel has quickly risen to become the largest supplier of crystal meth in America. And it hasn’t done it by playing nice. Still, Tommy’s acting career has stalled, and the FBI is offering a minimum of $150,000 for a six-month gig—whether he gets the documents or not. Using a false name and backstory, Tommy enters the low-security prison and begins the process of befriending Dupree. But Tommy soon realizes he’s underestimated the enormity of his task and the terrifying reach of the cartel. The FBI aren't the only ones looking for the documents, and if Tommy doesn’t play his role to perfection, it just may be his last act.
A Richard and Judy Book club selection. In the summer of 1990, Cathy's brother Matty was knocked down by a car on the way home from a night out. It was two weeks before his GCSE results, which turned out to be the best in his school. Sitting by his unconscious body in hospital, holding his hand and watching his heartbeat on the monitors, Cathy and her parents willed him to survive. They did not know then that there are many and various fates worse than death. This is the story of what happened to Cathy and her brother, and the unimaginable decision that she and her parents had to make eight years after the night that changed everything. It's a story for anyone who has ever watched someone suffer or lost someone they loved or lived through a painful time that left them forever changed. Told with boundless warmth and affection, The Last Act of Love by Cathy Rentzenbrink is a heartbreaking yet uplifting testament to a family's survival and the price we pay for love.
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
This vividly detailed history examines the battles and politics in the final year of WWI—includes trench diagrams, photographs, and maps of battles. Three years into the Great War, Europe found itself in a stalemate on the Western Front. The Russian Front had collapsed and the United States had abandoned neutrality, joining the Allied cause. These developments set the stage for the climactic events of 1918, the year that would finally see an end to the war. In 1918: The Last Act, acclaimed military historian Barrie Pitt “analyses with great lucidity the broad outlines of German and Allied Strategy” (The Sunday Telegraph). With an expert eye, Pitt looks into the policies of the warring powers, the men who led them, and the resulting battles along the Western Front. From the German onslaught of March 21, 1918, to the struggles in Champagne and the Second Battle of the Marne, to the turning point in August and the final, hard-won victory, 1918 The Last Act traces “the blunders at the top and the filth and stench and misery of the trenches” in order to deliver “a compelling narrative” of World War I (Daily Mail).
In a collection of essays, Oxford Fellow Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism. The book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners. 4 photos. 46 music examples.
How do we align our end-of-life choices with our values? In a world experiencing a climate crisis and a culture that avoids discussions about death and dying, environmentalist and educator Mallory McDuff takes readers on a journey to discover new, sustainable practices around death and dying.
The Roman detective, Marcus Didius Falco, goes to Syria in search of an abducted woman who was a water organist in a circus. A perfect cover to do some spying for the emperor. By the author of The Iron Hand of Mars.
The Last Act is a short, sharp, sad story from Roald Dahl, the master of the twist in the tale. In The Last Act, Roald Dahl, one of the world's favourite authors, tells a story of human darkness and frailty. Here, a woman's reconnection with an old-flame does not go as expected . . . The Last Act is taken from the short story collection Switch Bitch, which includes three other black comedies which capture the ins and outs, highs and lows of sex. 'One of the most widely read and influential writers of our generation.' (The Times ) This story is also available as a Penguin digital audio download read by Gillian Anderson. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.
The 1935 Government of India Act was arguably the most significant turning point in the history of the British administration in India. The intent of the Act, a proposal for an Indian federation, was the continuation of British control of India, and the deflection of the challenge to the Raj posed by Gandhi, Nehru and the nationalist movement. This book seeks to understand why British administrators and politicians believed that such a strategy would work and what exactly underpinned their reasons. It is argued that British efforts to defuse and disrupt the activities of Indian nationalists in the interwar years were predicated on certain cultural beliefs about Indian political behaviour and capacity. However, this was not simply a case of 'Orientalist' policy-making. Faced with a complicated political situation, a staggering amount of information and a constant need to produce analysis, the officers of the Raj imposed their own cultural expectations upon events and evidence to render them comprehensible. Indians themselves played an often overlooked role in the formulation of this political intelligence, especially the relatively few Indians who maintained close ties to the colonial government such as T.B. Sapru and M.R. Jayakar. These men were not just mediators, as they have frequently been portrayed, but were in fact important tacticians whose activities further demonstrated the weaknesses of the colonial information economy. The author employs recently released archival material, including the Indian Political Intelligence records, to situate the 1935 Act in its multiple and overlapping contexts: internal British culture and politics; the imperial 'information order' in India; and the politics of Indian nationalism. This rich and nuanced study is essential reading for scholars working on British, Indian and imperial history.
'Astoundingly good. Brave, wickedly funny and profoundly affecting. Wow!' Miranda Dickinson 'An emotional punch-packer of a book. Be prepared for it to swallow you whole' Milly Johnson 'A big-hearted, funny, hugely emotional and uplifting novel - I loved it!' Rachael Lucas 'Such a beautifully written book with characters that will linger in your head and heart' Sarah J Naughton **** You don't need talent to join this group of actors. The ability to remember lines or stay awake throughout a performance is appreciated, but not essential. The only mandatory is a terminal diagnosis. But Adam Campbell is less than enthusiastic about this eccentric form of group therapy. He has under one year to live, and a heck of lot to get done. Like explaining mortality to his six-year-old daughter. And making amends with the woman who should have been his wife. The last thing Adam needs is a part in an amateur production of 'Shakespeare's Greatest Deaths'. But help and hope can be found where we least expect them. And perhaps camaraderie, and a shared purpose, will turn out to be the best medicine after all. As Shakespeare, didn't quite put it: Shuffling off this mortal coil is a drag; but it's no reason to stop living. The Cancer Ladies' Running Club meets The One Hundred Years of Lenni and Margot, The Last Act of Adam Campbell is a warm, poignant and wise tale about love, friendship, and making the most of every minute of life that we're granted.