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Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.
A radical new history of Britain's natural landscapes and the musical movements they have inspired.
Winner of the Southern Book Prize ​for Fiction * Winner of a Nautilus Award (Gold)​ A timely, powerful story of survival set in the not-too-distant future that Margaret Renkl (Late Migrations) calls “a beautiful book...shot through with such tenderness and humanity, such love and courage and beauty and hope, that it feels almost like a prayer.” With fires devastating much of America, Lark and his family first leave their home in Maryland for Maine. But as the country increasingly falls under the grip of religious nationalism, it becomes clear that nowhere is safe, not just from physical disasters but also persecution. The family secures a place on a crowded boat headed to Ireland, the last place on earth rumored to be accepting American refugees. Upon arrival, it turns out that the safe harbor of Ireland no longer exists either—and Lark, the sole survivor of the trans-Atlantic voyage, must disappear into the countryside. As he runs for his life, Lark finds two equally lost and desperate souls: one of the last remaining dogs, who becomes his closest companion, and a fierce, mysterious woman in search of her lost son. Together they form a makeshift family and attempt to reach Glendalough, a place they believe will offer protection. But can any community provide the safety that they seek? Lark Ascending is a moving and unforgettable story of friendship and bravery, and even more, a story of the ongoing fight to protect our per­sonal freedoms and find our shared humanity, from a writer at the peak of his powers.
Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN 'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN 'A stunning achievement.' SIMON REYNOLDS 'A masterpiece.' CAUGHT BY THE RIVER 'Excellent . . . blissfully quotable.' NEW YORK TIMES 'An authoritative account.' THE TIMES 'Consistently absorbing.' INDEPENDENT 'An impassioned and infectious rallying cry of a book.' SUNDAY TIMES In this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams. 'A treat.' TIME OUT 'Young is a fine writer.' MOJO 'Young's immense narrative is both educative and gripping.' UNCUT 'A multitudinous, fascinating and beautifully written account.' TLS
A GHOST OF A CHANCE A voice, an icy, whispering voice, came out of the darkness from all around her; from everywhere, yet nowhere. It could have been born of her imagination, yet Rune knew the voice was the Ghost's, and that to run was to die. Instantly, but in terror that would make dying seem to last an eternity. "Why have you come here, stupid child " it murmured, as fear urged her to run away. "Why were you waiting here For me Foolish child, do you not know what I am What I could do to you " Rune had to swallow twice before she could speak, and even then her voice cracked and squeaked with fear. "I've come to fiddle for you-sir " she said, gasping for breath between each word, trying to keep her teeth from chattering. The Ghost laughed, a sound with no humor in it, the kind of laugh that called up empty wastelands and icy peaks. "Well, then, girl. Fiddle, then. And pray to that Sacrificed God of yours that you fiddle well, very well. If you please me, if you continue to entertain me until dawn, I shall let you live, a favor I have never granted any other. But I warn you-the moment my attention lags, little girl-you'll die like all the others and you will join all the others in my own private little Hell." At the publisher's request, this title is sold without DRM (Digital Rights Management).
Widely regarded as the "rock star" of American poetry, Mary Oliver is a writer whose words have long had the power to move countless readers. Regularly topping the national poetry best-seller list and drawing thousands to her sold-out readings across the coutnry, Oliver is unparalleled in her impact. As noted in the Los Angeles Times, so many "go to her for solace, regeneration and inspiration" that it is not surprising Vice President Joe Biden chose to read one of her poems during the 9/11 remembrance at Ground Zero. Few poets express the complexities of human experience as skillfully as Mary Oliver. This volume, Oliver's twenty-first book of poetry, contains all new poems on her classic themes. Here, readers will find the deep spiritual sustenance that imbues her writing on nature, love, mortality, and grief. As always, Oliver is an accomplished guide to the rarest and most exquisite insights of the natural world. Ranking "among the finest poets the English language has ever produced," according to the Weekly Standard, Oliver offers us lyrics of great depth and beauty that continue her lifelong work of loving the world.
In the sequel to Skylark, Lark finally manages to find her brother. Against all odds, hes alivebut the reality and implications of his survival are too horrible for Lark to comprehend, if she lives long enough to think about it.
Vis in magia, in vita vi. In magic there is power, and in power, life. For fifteen years, Lark Ainsley waited for the day when her Resource would be harvested and she would finally be an adult. After the harvest she expected a small role in the regular, orderly operation of the City within the Wall. She expected to do her part to maintain the refuge for the last survivors of the Wars. She expected to be a tiny cog in the larger clockwork of the city. Lark did not expect to become the City's power supply. For fifteen years, Lark Ainsley believed in a lie. Now she must escape the only world she's ever known...or face a fate more unimaginable than death.
The thrilling conclusion to The Skylark Trilogy: Revolution is brewing in the city within the Wall. The city stands divided, and war is imminent. The rebels need a leader. After months beyond the Wall, Lark returns with Oren by her side, prepared to overthrow the Institute once and for all. But Lark's triumphant homecoming is short-lived when another leader emerges to unite the rebels: Eve, a mysterious Renewable. Lark wonders if Eve's powers will bring them strength—or bring humanity's final downfall.
*A RADIO 4 BOOK OF THE WEEK* 'Utterly enthralling - a beautifully-written voyage of discovery that takes us deep into the heart of music-making' Deborah Moggach From the moment she hears Lev's violin for the first time, Helena Attlee is captivated. She is told that it is an Italian instrument, named after its former Russian owner. Eager to discover all she can about its ancestry and the stories contained within its delicate wooden body, she sets out for Cremona, birthplace of the Italian violin. This is the beginning of a beguiling journey whose end she could never have anticipated. Making its way from dusty workshops, through Alpine forests, cool Venetian churches, glittering Florentine courts, and far-flung Russian flea markets, Lev's Violin takes us from the heart of Italian culture to its very furthest reaches. Its story of luthiers and scientists, princes and orphans, musicians, composers, travellers and raconteurs swells to a poignant meditation on the power of objects, stories and music to shape individual lives and to craft entire cultures.