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In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
Excerpt from The Towneley Plays To the text thus produced Dr. Furnivall himself added notes of the metres, and at his request the present writer supplied the usual Sidenotes, an interesting and pleasant task in the case of a work of SO great variety and literary value. Dr. Furnivall's further com mands for the supply of an Introduction Were far less agreeable. The Townsley Plays present many problems, more especially as to their language, which deserve to be dealt with by some learned professor, or at any rate by an editor of really wide reading and experience. The learned professor, however, could not be obtained. The difficulty of procuring an introducer threatened to postpone indefinitely the appearance of the new text (a consideration all the more serious since the Surtees edition has long been difficult to procure); and as texts are far more important than introductions, it seemed better to be content to draw attention to a few points of interest rather than further to delay publication. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This volume provides a detailed overview of the Towneley cycle of plays, which were written c. 1500. The plays begin with the fall of Lucifer and end with the Last Judgement. Peter Happé examines the cycle's textual and manuscript history and discusses issues of language and style, the structure of the cycle, and its possible sources and analogues. He also addresses the historical and religious context of the cycle and its performance history.
This title was first published in 2000: Insults, abuse, oaths, scatological and bawdy language - these form the subject of Lynn Forest-Hill's study on "bad" language in the late Middle Ages. She demonstrates how, in mediaeval mystery plays and morality plays, dramatists used outrageous language with great sophistication and subtlety to create characterizations and define characters' moral status, to reflect on social conditions, to condemn social evils, and to comment upon sensitive cultural, political and religious topics of the 16th century. The author begins by defining what constitutes sinful or transgressive language in the later mediaeval period, and establishes its moral significance. She then illustrates how the moral significance of language is used in drama to define the spiritual and social status of characters, and introduces the concept of sinful language as a sign of spiritual change. In later chapters the book explores the use of "bad" language in mystery and morality plays, focusing specifically on Skelton's "Magnyfycence", Heywood's "The Play of the Weather", and Bale's "King Johan". The study shows the extent to which the moral significance of language in drama shifted during the 16th century under pressure from cultural and political change, paving the way for less morally rigorous and more socially sensitive definitions of "bad" language.